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Singer Songwriter Duo

Alison Wahl & Brian Berggoetz reinvented the festive soundscape with “Christmas is the Right Time for Us”

Despite Christmas music often treading the well-worn path of jingle bells and festive clichés, Alison Wahl and Brian Berggoetz brought a refreshing gust of Americana folk rock into the Yuletide soundscape with their latest single, Christmas is the Right Time for Us.

Brian Berggoetz, a self-taught guitarist and a songwriter with a flair for reinventing classics, infuses his unique style into this holiday offering. His experience, ranging from performing at SXSW Festival to sharing stages with notable artists, shines through in the song’s intricate guitar work. The absence of traditional motifs and melancholy of aural nostalgia in favour of Americana folk elements is a bold choice, which infuses the song with an uplifting and authentic feel.

Alison Wahl’s vocal harmonies intertwine perfectly with Brian’s, creating a tapestry of sound that is both warm and inviting. The standout lyric, “When love is just enough, Christmas is the right time for us”, encapsulates the essence of the song – a celebration of love and togetherness that transcends materialism. This lyric, in its simplicity, captures the heart of the holiday spirit, reminding listeners that affection and emotional connection are priceless gifts.

The production of the song is a delicate balance of subtlety and strength, allowing the dual harmonies to take centre stage in a track that doesn’t just aim to be another Christmas hit but strives to leave a lasting impression on its listeners.

Christmas is the Right Time for Us was officially released on December 11; stream it on Spotify.

Review by Amelia Vandergast

Desert folk duo, Medicine Hat, made soul the centre of their gravity in their latest single, She Comes and She Goes

The latest single, She Comes and She Goes, from the breakthrough duo, Medicine Hat, is an instantaneously resolving amalgam of indie, blues, deserty folk, and psych-pop, which will efficaciously pull you into the soul-centred gravity of the harmony-laced release.

While the folky strings exhibit just how much the nostalgically-inclined independent duo respects the roots of the genres they tease through their melodies, the Stevie Nicks-reminiscent lyrics paint a romantically immersive picture of a free spirit that you can’t help falling in love with by proxy.

The riff-driven middle eight gives you the perfect opportunity to appreciate the virtuosic flare of Medicine Hat, along with their ability to reinvent a familiar palette to make it definitively their own.

She Comes and She Goes was officially released on March 3rd; hear it on SoundCloud.

Review by Amelia Vandergast

Lewis & Ford advocate the artistic life in their addictive reggae-dubbed psych-pop single, Radio

After refusing to bow to social pressures and shack up in a life of drab uniform domesticity, the LA duo Lewis & Ford released the sweet feat of reggae-dubbed ear candy, Radio. For every artist that has remained committed to their creative life to the disdain of loved ones, the stridently euphoric track is a sure-fire hit of vindication.

In Lewis & Ford’s taking-no-prisoners high-vibe lyrical style, they versed “I won’t ever be like them and never leave this town, cause I can’t hear them hatin’ while my band is playing a stadium, you’re gonna hear me on the radio” as the ultimate middle finger with a smile affirmation that autonomy is as beautiful as the lush psych surf harmonies and dreamy melodies. While the rhythms pop, Americana roots contort around the kaleidoscopic colour in the galvanising tonal palette.

Stream Radio on YouTube, and follow Lewis & Ford on Facebook and Instagram.

Review by Amelia Vandergast