Browsing Tag

Rock Opera

Nicolaas Walle And Friends show us what it means to be human in their latest release, Human Nature.

Scuzzy keys, theatrical crescendos and doom-laden vocals are just a few of the components in the latest release, ‘Human Nature’, by Ireland-based alternative artist Nicolaas Walle And Friends. The progressive two-track release will allow you to imagine what the War of the Worlds soundtrack would sound like if Depeche Mode and King Crimson lent their deft hands to the production.

Human Nature, Pt. 1 is a cosmonautical adventure through the avant-garde; after ominous male vocals and progressive instrumental alchemy that will be a hit with any fans of Rush or Genesis, female vocals bring a sense of fragility and mortality into the spacey mix that will set your imagination alight.

After making their debut in 2018, the self-produced multi-instrumentalist has enamoured plenty of the Emerald isle but discernibly, his sound boasts an international commercial potential that we can’t wait to see come into fruition in 2021 and beyond.

You can check out Human Nature for yourselves by heading over to Spotify.

Review by Amelia Vandergast

OCEANS OF TEARS have released their locked and loaded single, ‘Bullet in a Gun’.

Escape 2021 and catapult yourself back to the 80s with OCEANS OF TEARS semi-autobiographical rock opera single, ‘Bullet in a Gun’. If you need more music in your arsenal that speaks to you on an evocative level as well as an anthemic one, you will want to make Bullet in a Gun a playlist staple.

Their forbiddingly electrifying single starts with synth-driven discord that sets a B-movie-style macabre tone before the lyrics start to subversively find the parables between carrying around a loaded gun and drink-driving. While many rock acts rush to clamour about reckless hedonism, OCEANS OF TEARS artfully vent the broiling rage towards self-centric and self-destructive behaviour. That’s definitely a trend that I’m on board with.

Bullet in a Gun is now available to stream via Spotify.

Review by Amelia Vandergast

Jade Moede gives garage rock a brand-new meaning with their single, ‘No More Lies’.

If you merged The Time Warp from The Rocky Horror Picture Show and Greased Lightnin’ from Grease and threw in a little Pink Floyd attitude, you’d be left with an aural crumble not all too different from Jade Moede’s vintage rock track, ‘No More Lies’.

The theatric hit will almost leave you wondering what rock the artist has been hiding behind since the early 90s, and that’s no criticism. Anyone who appreciates filthy riffs, minimal production and sleaze rock-style unfuckwithability will have plenty of fun getting acquainted with Jade Moede.

You can check out No More Lies for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

OCEANS OF TEARS told the ultimate redemption story with ‘IF LOOKS COULD KILL’

It certainly isn’t every day that you get to enjoy an empowering redemption story through rock n roll, but thanks to OCEANS OF TEARS’ rock musical ‘DROWNED IN A SEA OF TEARS’, you’ll get to enjoy theatrical intensity alongside glam rock riffs and supercharged synths. Especially in the standout single ‘IF LOOKS COULD KILL’.

With dirty rhythms coalescing with dancey beats that wouldn’t be out of place on a 90s dance workout tape, IF LOOKS COULD KILL is a sonic trip down the sunset strip with a side serving of adrenalizing lyricism which acts as a reminder that you’re stronger than you know.

The official video to IF LOOKS COULD KILL is now available to stream via YouTube.

Review by Amelia Vandergast

Rock n’ Roll Opera gets overblown and fabulous with ‘The Fortunate Few’

While the lack of lockdown giggery has seen any number of recording projects take shape in home studios the world over, it takes a different kind of boldness to write an hour-and-a-half of brand new rock opera. That, however, is what The Fortunate Few present us with here and…well, it’s ace. Screeching guitar, a perfect Hammond organ part, and stunning male and female vocal parts, this is the opening track to an eighteen-track extravaganza and it sets the tone perfectly; the story begins with Mr. and Mrs. Todd at home, watching television, when a commercial comes on for Bendall’s Clinic…and…we’re off and into the Fortunate Few.

In the not too distant future, babies are grown in clinics and bought like cars or household appliances – sure, it’s easy to draw comparisons to Rocky Horror or Little Shop Of Horrors, although this is closest to the soundtrack to the awesome Circus Of Horrors (there’s perhaps a ‘horror’ theme, here), this is proper bombastic, overblown, 1970’s-style rock pomposity, and frankly it’s absolutely stellar.

Check out the Fortunate Few live, or follow on Facebook or Instagram.

Review by Alex Holmes