Browsing Tag

progressive rock

Ramener’s ‘Anything & Everything’ Injects Visceral Emotion into Prog Rock Panache

Ramener, the veritable titans of Long Island’s alt-rock scene, flex their prog-rock muscles in Anything & Everything with an intro that wouldn’t be out of place in Tool’s discography. But it isn’t long before a high-octane melody locks into the monolithic tableau of viscerally expressive hard rock. The vocals don’t just cut through the mix—they soar beyond the riffs, injecting raw tendrils of emotion that twist around the instrumental intensity, making it clear that the aching lyrical delivery is the real driving force behind the crescendos.

Instead of using their technical chops as a means to showboat, Ramener channel their ability into something far more impactful—a sound that tightens around the soul with an iron grip. The sheer force of the track isn’t about volume or distortion; it’s about how much weight they pack into every note, every lyric, every calculated shift in dynamics. The instrumentals are wielded as artistic devices rather than the centrepiece, amplifying the tension until it reaches breaking point.

With a radio-ready sound that sacrifices none of its authenticity, Anything & Everything is a testament to Ramener’s ability to command attention without compromise. Their future couldn’t be much brighter.

Anything & Everything is available now on all major streaming platforms via this link.

Review by Amelia Vandergast

Valley of Salt – ‘What Did You See’: Gospel Born from Strings and Soul

Valley of Salt

‘What Did You See’, the standout single from Valley of Salt’s LP, Voice of One Crying in the Wilderness: The Story of John the Baptist, is less a song and more a visceral awakening. Conceived by Brian Stemetzki, produced by Marty Willson-Piper, and bolstered by contributions from the Polyphonic Spree, the Fort Smith Arkansas Symphony, and Dallas gospel singers, the single is a testament to what happens when spirituality and artistry collide with unrelenting force.

The folk-leaning singer-songwriter accessibility is undeniable, but it’s in the aching emotion of the composition’s grandiosity that Valley of Salt takes their place as one of the most criminally overlooked acts in the contemporary rock landscape. As the classical strings slice through the earthy timbre of the production, you’d be forgiven for feeling your emotional defences buckle.

Stemetzki’s guitar work—featuring vintage 6- and 12-string Rickenbackers and a 1972 Fender Strat—lays the foundation for the composition’s humanity, while the orchestral flourishes and gospel harmonies elevate it to the celestial. Voice of One Crying in the Wilderness doesn’t just recount a spiritual saga—it wrestles with faith, doubt, and redemption in a way that resonates universally, beyond doctrines and ideology.

‘What Did You See’ embodies the soul of the project, balancing cerebral gospel storytelling with vocal vulnerability. With sense-swooning choruses and a production that leans as much on emotional resonance as on technical skill, Valley of Salt offers an open hand to those who dare to grasp the depth of its art and spirituality.

Valley of Salt’s LP, Voice of One Crying In The Wilderness- The Story Of John the Baptist, will be available to stream and purchase on Bandcamp from February 3rd. Discover more ways to connect with the band via their official website.

Review by Amelia Vandergast

alley of Salt Discusses the Progressive Rock Opera Voice of One Crying in the Wilderness

Valley of Salt

Valley of Salt’s upcoming concept album, Voice of One Crying in the Wilderness, brings the story of John the Baptist into the sphere of progressive rock, combining vintage instrumentation with timeless themes of faith, resilience, and transformation. In this interview, the artist discusses the creative process behind the album, the influence of prog-rock greats, and the collaborations that shaped its organic sound. From recording with vintage guitars to layering intricate melodies, the conversation explores the personal and artistic ambitions behind the record.

Welcome to A&R Factory! It’s great to have you here to discuss your new album Voice of One Crying in the Wilderness and all the inspiration and artistry behind it.

Thank you for having me. Voice of One Crying in the Wilderness was inspired by the life of John the Baptist. I wanted to create a progressive rock opera and concept album using vintage guitars and equipment to capture an authentic, timeless sound.

Voice of One Crying in the Wilderness is such a striking title. What drew you to John the Baptist’s story, and how does it fit into the album’s overarching narrative?

I was drawn to John the Baptist’s story because it’s a tale of courage, purpose, and conviction. He was a voice for change, willing to stand apart from the crowd to speak truth and inspire others. His story reflects timeless struggles, and I believe it’s incredibly relevant today.

The overarching narrative of Voice of One Crying in the Wilderness is a journey of purpose, resilience, and transformation. It tells the story of an unwavering commitment to a calling, even in the face of doubt, isolation, and opposition. My hope was that the music and lyrics would weave his story into something both universally resonant and deeply personal.

This project is deeply personal for you. Could you share how creating this album fulfilled a lifelong dream and what it represents in your artistic journey?

Creating this album has been a dream come true. I’ve always wanted to combine my passion for storytelling and progressive rock into a cohesive concept album. This project represents my journey as an artist—exploring themes of faith, self-discovery, and redemption while using the tools and sounds that have inspired me since I first picked up a guitar.

Vintage instruments and progressive rock elements play a significant role in the album’s sound. What inspired you to take this approach, and how did it influence the creative direction?

The producer, Marty Willson-Piper, has an extensive collection of vintage equipment, and I’ve always been drawn to vintage guitars myself. Marty encouraged me to use vintage gear throughout the recording process. It truly influenced the direction of the album, giving it an authentic progressive rock feel. We didn’t use any plug-ins—it’s all vintage sounds, which made the music feel organic and timeless.

How did your partnerships with Marty Willson-Piper and other talented musicians come together, and what impact did they have on the final result?

 Working with Marty was a privilege. He brought a wealth of experience and creativity to the project, and his guidance helped shape the album’s sound. The musicians we recorded with in Dallas, Texas, were incredibly talented. Their expertise and passion elevated every track. It was truly a collaborative effort, and I’m so grateful for everyone’s contributions.

Faith, self-discovery, and redemption are central themes in the album. How do you hope these themes will resonate with listeners, and what personal significance do they hold for you? 

Faith, self-discovery, and redemption are universal themes that speak to everyone. I hope listeners can find their own connection with these ideas. Faith, to me, is about trusting in something bigger than ourselves, like God, even when the path isn’t clear. Self-discovery is a journey we’re all on, and redemption is a reminder that renewal and growth are always possible. These themes are central to my life and inspired much of the music on this album.

The songwriting and recording process can be just as transformative as the finished product. Could you share any standout moments or challenges that shaped the album?

The album took two months to complete, with 12-hour days in the studio. Recording in Dallas with such talented musicians was a highlight. One standout moment was layering over 25 guitar tracks on various songs to create a rich, textured sound. While challenging at times, the process was incredibly rewarding. The musicianship and creativity in the studio made the entire experience unforgettable.

How did the annals of prog-rock influence your sound, and what specific artists or albums inspired you along the way?

Progressive rock has such a rich history, and bands like Yes, Genesis, Emerson, Lake & Palmer, and King Crimson were major inspirations. The album Fragile by Yes, in particular, had a huge impact on me. I wanted to honor that legacy while creating something fresh and uniquely my own.

The album’s release must be an exciting milestone. What can fans expect in terms of upcoming performances and ways to connect with your work?

The release of Voice of One Crying in the Wilderness is a huge milestone for me, and I’m thrilled to share it with everyone. Fans can look forward to live performances, content on social media, and videos for several tracks to bring the songs to life. The album will be available on all major streaming platforms, and we’ll also share behind-the-scenes glimpses of the creative process. I can’t wait to connect with everyone and hear how the music resonates with them.

How do you feel the themes of the album speak to today’s world, and what message do you hope listeners take away after hearing it? 

I think the themes of this album are incredibly relevant today. We live in a time of uncertainty, and John’s story reminds us that even one voice, guided by faith, can inspire hope and spark transformation. My hope is that listeners come away feeling encouraged and inspired.

If you could describe Voice of One Crying in the Wilderness in a single sentence to someone discovering your music for the first time, what would you say to pique their interest?

Voice of One Crying in the Wilderness is a progressive rock opera and concept album that weaves powerful storytelling, intricate melodies, and timeless themes of faith, purpose, and redemption into a journey that’s as thought-provoking as it is musically captivating.

Stream and purchase Voice of One Crying in the Wilderness when it launches on Bandcamp.

Connect with Valley of Salt on Facebook and Instagram.

Interview by Amelia Vandergast

Tempus Cucumis reached the epitome of cutting-edge with their prog-rock tour de force, The Axe Drops

Tempus Cucumis have sharpened their classically-trained chops once again for ‘The Axe Drops’, a six-minute tempestuous slice of prog-rock featuring the mesmerising jazz-tinged vocal talent of Anne-Lien. As an extended adaptation of the track that first appeared on their 2021 experimental demo album Mini Mouton—a prog soundtrack to the 1926 silent film Ménilmontant—the single transcends its cinematic roots and evolves into something far more colossal.

Crafted by the formidable duo Jeroen De Brauwer (guitars, drums, composition) and Lukas Huisman (keys, production), the single builds on their signature style of seamlessly balancing storm and stillness. The quiet, reflective interludes, where guitar and keys take centre stage, are fraught with tension, leaving you holding your breath for the monolithic crescendos of doom-laden riffs and symphonic flourishes.

These climaxes pulverise, especially when Anne-Lien’s ethereal vocals sweep in as an arresting juxtaposition to the hostility which breeds in the ferocity of the heavier sections which will leave fans of prog and post-rock slack-jawed. It’s the band’s deft ability to maintain captivation even in the stripped-back moments that make The Axe Drops a triumphant tour de force. The polished production ensures every note feels deliberate, every beat intentional, and every shift monumental.

As Tempus Cucumis work towards their eighth album, this single not only pays homage to their roots but also cements their status as titans of atmospheric innovation. The album artwork, a painting by Giorgi, is a fitting visual companion to a track that feels as vivid as it sounds.

Stream The Axe Drops on Spotify now.

Review by Amelia Vandergast

INTERCONTINEN7AL made history with the post-rock panache in their globally recorded single, Night Shift

Night Shift, the standout single from INTERCONTINEN7AL’s history-making EP World Over, isn’t just an ambitious cross-continental collaboration; it’s an emotive tour de force, commanding you to succumb to the progressive rock sublimity.

The single opens with a cinematic neo-classical prelude, complete with intricate finger-picked guitars and orchestral swells, setting a reflective and ornate tone. As the track evolves, the mood shifts seamlessly into psych-pop territory, with Beatles-reminiscent guitar riffs that carry listeners deeper into its emotional core.

When the soft melodic rock vocals enter, backed by soulfully ethereal harmonies, another seamless metamorphosis is complete, one which will allow fans of Chris Cornell and Eddie Vedder to recognise the heartstring-pulling resonance as it resounds over the essence of 70s folk rock.

INTERCONTINEN7AL, based in Castle Rock, Colorado, emerged from the COVID-19 lockdowns, redefining global collaboration with their innovative use of virtual tools like BandLab. World Over is their fourth album, showcasing an eclectic range of styles, from progressive rock to bossa nova. By recording instrumentation in locales as remote as Antarctica, they created a genre-spanning collection that’s as inspiring as it is groundbreaking.

With Night Shift, the band transcends novelty and crafted a testament to the universality of emotion, delivering a track that lifts listeners far above the confines of geography or genre.

Stream the World Over EP on all major streaming platforms, including SoundCloud.

Review by Amelia Vandergast

Herman Martinez – Introvertebrae: A New Prog Rock Prism

Immortal Jellyfish by Herman Martinez

Herman Martinez poured the psychedelic soul of the 70s through his new prog rock prism, Introvertebrae, while tuning into melancholy in the same hauntingly evocative vein as Porcupine Tree.

The endearingly humble New Jersey-based multi-instrumentalist may not be able to brag about his talent which allows his tracks to transcend auditory experiences and unravel as emotionally chameleonic shots to the heart, but we have no reservations about revering his sonic journeys of self-discovery that cocoon his fans in musical chrysalises.

Martinez’s voice, echoing the emotional gravity of Chris Cornell and the octave-spanning prowess of Thom Yorke, serves as the navigator through this orchestrally immense soundscape, which uplifts in one breath and aches in the next as experimental indie meets prog rock. Naturally, the brilliance of Introvertebrae lies in its duality. It’s a nod to the prog rock deities – King Crimson, Rush, Emerson, Lake & Palmer – yet it speaks a language that resonates with the contemporary soul. The piano, heavy with emotion, could easily find a place in Father John Misty’s repertoire, while the 70s melodic undertones offer a comforting embrace to the classic rock enthusiast.

Martinez’s skill with the guitar is not just about showcasing an intuitive understanding of the fretboard. Each riff and melody are a chapter in this immersive rich musical novel. With so many elements, styles and layers, under a less deft hand, it would be easy to feel lost in the labyrinth of Introvertebrae, but by lyrically expositing our most intimate fears, Martinez allows the listener to feel seen and found.

Stream and download the latest single from Herman Martinez via Bandcamp.

Review by Amelia Vandergast

The Arcane Insignia opened an unholy doorway with their synthesis of classical instrumentation and prog rock volution, Vagrant’s Throne

The Arcane Insignia’s moniker couldn’t be more fitting following the unveiling of their latest orchestrally aligned acoustic prog rock single, Vagrant’s Throne. The New York City duo set a new benchmark in the genre with this 8-minute epic, released as part of their LP, A Violent Whisper.

The dark iteration of classical music still maintains its elegance and opulence as it grapples with the complex signatures of progressive rock’s audacious spirit and the chameleonic vocals which seamlessly shift from the histrionics of New Model Army to the rage and rancour which transcends the furore of Pantera.

Formed by Lodrö Nyima, The Arcane Insignia consists of Noah Heau on cello and Nyima handling vocals, percussion, acoustic guitar, and piano. Their music, a unique amalgamation of influences ranging from Tool and Steven Wilson to The Contortionist, allows the classical instrumentation to venture into darker territories than it is typically accustomed to, creating a scintillating new domain where the ornate, cutting classical strings meet cathartic aural oblivion. This fusion also opens an unholy doorway to a realm where anything is plausible and everything is cinematically striking.

Following in the footsteps of bands like Ne Obliviscaris, Vagrant’s Throne, which unravels as a compelling exposition on classism, proves The Arcane Insignia’s commitment to breaking down antiquated barriers.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Every Progression is a Prog-Rock Revelation in Tempus Cucumis’ Single, It’s Alright, The Sun is Shining Today

With their seventh album, Rêves, the progressive rock duo, Tempus Cucumis, exhibited how innovation can drive classic rock forward, not as a separation of what came before, but a sublime continuum you can follow and lose yourself within. With those classic rock cuts reconfigured into tantalising time signatures which teach you to predict the unpredictable with each progression, you hand over all sense of control to the cohesive coalescence of talents from Jeroen De Brauwer (guitars, drums, composition) and Lukas Huisman (keys, production).

The seminal single, It’s Alright, The Sun is Shining Today, uses timbres hotter than the tarmac on the Sunset Strip in July to pay an ode to the capacity of sun rays to salve the spectrum of human tribulation, which may sound like a stretch until you remember that, for the most part, we have the same basic requirements as a house plant, beyond the complexities our autonomy bestows on us. With twists and turns amidst the ebbing and flowing momentum, you can’t help but strap yourself in for the ride and succumb to every new corner the track meanders around, exposing an even more breathtaking sonic scene.

It’s Alright, The Sun is Shining Today is now available to stream on Spotify with the rest of the 9-track LP, Rêves.

Review by Amelia Vandergast

Riven By Ravens followed the sound of a siren in their prog-rock odyssey, Trainwreck

The Cali progressive hard rock titans who forged Riven By Ravens from the ashes of their previous project, Ghost Army, exhibited their broad range of influence in their monolithically metal-tinged single, Trainwreck. It will leave you insatiable for the unveiling of the forthcoming 14-track LP, Venerate, which is set to drop in January 2024.

With tension and aggression-fraught breakdowns which echo Machine Head’s Bloodstone & Diamonds LP between the hints of Against Me and cultivated melodic prog rock reverberations that will rhythmically entice fans of Porcupine Tree and Tool alike, Riven By Ravens did more than amalgamate their eclectic array of influences. They found unchartered intersections between them and stamped down their sonic signature to mark their territory.

If you can tear yourself away from the magnetism within the complex time signatures, you can lock into the refraining mantras, which act as a carrion call to tenacity while exhibiting the breakthrough band’s determination to better the world, one track at a time.

After the band was formed in 2022 by Brian Havrilla and Paul Wilson, they’ve been making strides in the prog-rock dominion, it is only a matter of time before they hold the keys to it entirely.

Stream Trainwreck, which crashed onto the airwaves in 2023 via YouTube.

Review by Amelia Vandergast 

Suedejazz Collective broke jazz-fusion boundaries with ‘Spinal Chord’, ft Louie Le Vack & LEYLAH

Suedejazz Collective assembled once more to create their sophomore single, Spinal Chord and brought Louie Le Vack & LEYLAH into the fold to orchestrate an unflinching foray into the darker side of contemporary jazz-fusion.

The intro sees piano keys sway against the rigorous drum fills and fervid horns before sultry RnB vocal lines, perfectly pitched by LEYLA, become a demure anchor in the track, but it isn’t long before there’s another seamless yet breakneck transition in the exhilarant feat of genre fusion. Hip-hop often borrows timbres from jazz, but Suedejazz Collective reverse-engineered the fusion by bringing in Louis Le Vack’s rap bars that bite down hard on the psyche over the synthesis of electronica fervour to effortlessly complement the ensnaring alchemy which grooves through the release.

There aren’t many jazz-inclined outfits that can transcend the fusionist flair of Melt Yourself Down and Acoustic Ladyland, but the energy and attitude which charges through Spinal Chord is set to seal the London-based multicultural collective’s fate as unrivalled conduits of experimentalism. The uniqueness of their sonic blueprint goes beyond edgy pretension. It opens up viscerally constructive arenas of sound that you’ll want to feel the heat of time after time. Forget the smoky jazz you’ve inhaled before. Spinal Chord is a wildfire in the form of a riptide.

Stream Spinal Chord on all major platforms via this link.

Review by Amelia Vandergast