Hans Zimmer fans will want to delve into the latest composition by Indo-Dutch artist Basil Babychan which extends his mission to create music from the soul for the soul; the concept behind the neo-classic ambient composition, Phantasm, is a lesson in philosophy. In his own words;
“Coping mechanisms are often subject to debate and scrutiny. They improve mental and emotional well-being by addressing anxiety, depression, and other mental health concerns, derived from painful real-life events. In many cases, one makes conscious or unconscious choices that enhances control over behaviour or gives psychological comfort by creating an alternate reality. Fantasy and Reality often overlap. We need Fantasy to survive our Reality.”
Phantasm unravels as the perfect soundscape to embrace our true reality, in all of its infinite metaphysical possibility and beauty. In the prelude, the intricate keys start tentatively ascending, as more layers amass in the meditatively textured single; Phantasm becomes a transcendental experience that reminds you, we’re all just energy constrained by our vision of a 4D reality.
Phantasm is due for official release on October 29th; you can check it out for yourselves via SoundCloud.
There has been an influx of ambient and easy listening music on the airwaves in 2021; it took the talent of pianist, composer and songwriter, Aldo to prove what difference a prodigal touch to a soundscape can make.
His latest progressively orchestral, rock-tinged single, Stem the Tide, starts around ambient piano melodies and flourishes of Celtic culture; even when the momentum starts to build, the sublime tonal bliss goes untarnished. The Emmy award-winners scores have been on countless TV shows and documentaries. He has still found the time to release six albums, all of them containing the same panoramic flair that he is accoladed for in the film and TV music industry. If any artist has the ability to redefine your perception of talent, it is Aldo.
Stem the Tide is now available to stream on Spotify.
The collective need for ambience and catharsis has never been greater; on that basis, up and coming electronic artist and producer Bodisaffa Music’s latest release, Down, can be considered serendipitously timely.
The downtempo lo-fi piano soundscape is intricate enough to keep your attention; the ease of the cinematic chillwave progressions means that you will quickly surrender your rhythmic pulses and unwind with the atmospheric and meditative soundscape. Placing this track on your playlists is practically a method of self-care.
Down is just one of the tracks which feature on the artist’s Chill Tracks EP; it is now available to stream in full on SoundCloud.
Revel in the petrichor with After Rain, the standout single from producer and composer Lian Kyla’s debut EP, Dream Maker. Each soundscape is an expression of creativity and emotion from the Philippines-based singer-songwriter, producer and author whose work resounds as much on the airwaves as it does onscreen.
The captivating progressions blossom in the tranquil release that introduces you to the artist’s unique neo-classical flair which she carves out through minimalist minor-key notes and delicate orchestral swells. The score brings you closer to nature without you ever having to leave your living room. At the risk of sounding hyperbolic, it has the feel of a modern masterpiece.
From the instant you hit play on the Minneapolis vocalist, pianist and producer, a.patrick’s, latest single, fray,your senses surrender to the ethereal quiescence that ensues through this modern masterpiece.
His artful neo-classic style is enough to bring tears to the surface as his accordant harmonies echo above his distinguished piano melodies that carry little, if any, assimilation. The way he leaves himself exposed through his lyrics and gentle vocal presence is enough to feel you feeling just as emotionally naked.
As someone who frequently finds themselves drawn to melancholia in music, I can earnestly say that you’d struggle to find another soundscape as captivating and consoling in equal measure as this beautifully scorned lullaby.
‘Remind Me’ is the latest artfully ethereal release from alternative singer-songwriter, producer and engineer, TIBIBI; whose neo-classic works carry the same haunting weight as Portishead while registering as enticingly authentic.
The single melodically spins the story of a person falling in love but not falling deep enough to lose their head. The suitably meditative semi-orchestral synth-pop single allows the lyrics to resonate as a mantra, a promise to yourself that you won’t descend to the depths of love you can’t pull yourself up from.
Remind Me starts as a neo-classic piano loop before classical strings weave into the mix with reverb-swathed analogue synths. TIBIBI’s gently layered vocals meld succinctly into the single which is conceptually powerful enough to shift your perception of love.
Remind Me is now available to stream on all major platforms via this link.
Libya-born, Brussels-based self-taught neoclassical composer and pianist Nizar Breden has released his latest composition, Journey; through the gentle melodic crescendos, Bredan’s diverse cultural heritage emerges through the delicate score that is provoking and profound in equal measure.
By switching between dramatic, uplifting and tentative cadences, Journey is a score that will leave you hooked by its multifaceted nature, expressive textures, and Bredan’s ability to melodically flit between melancholy and an almost Machiavellian style of playfulness.
After finding influence in the wandering tones of Chopin, the circulating melodies of Tiersen and the evocative works Ólafur Arnalds, Ludovico Einaudi and Nils Frahm, Bredan discernibly found his signature style that will easily enamour any fans of the aforementioned.
Journey is the first of the singles to come from his new series of original compositions; the rest are due to follow throughout 2021 and 2022.
Artist and composer Lee Olivier-Hall is set to release his most candid work to date. His EP ‘Moments in Sound’ was written during the pandemic as the film composer captured the emotional impact of uncertainty, fear and isolation.
The conceptual duplicity of the lead single, This is Only the Beginning, plays with our newly found pessimism and fear of beginnings as the tender ambient neo-classic keys reflect the fragility of our optimism. The use of spatial effect and instrumental minimalism is devastatingly profound as it mimics the hollow, vacuous nature of our new world.
Since graduating from BIMM London, the artist has primarily focused on composing for film, his experience scoring for film reflects in the visual nature of the four-track EP which is easily one of the most stunning accounts of lockdown melancholy.
This is Only the Beginning will be available to stream and purchase on all major platforms from June 4th. In the meantime, you can check out Lee Olivier-Hall via his website,Instagram or Facebook.
How’d you like THEM Jazz apples, then, huh? Well, so much so that we’re looking to buy the whole damn bushel of ‘em, that’s how much. Thanks to Kevin Bernstein, a 29 year old pianist, based in Brooklyn, NYC who, having lent his keyboard skills backing a variety of singers, bands, and comedians alongside his work with the Alison Shearer Band, has now launched his own instrumental solo project, K-Magic.
And what a project it is, too. Oh, yeah; about those apples. Well, that’s exactly what we have here – a whole barrel of jazzy trills, harmonies, and counterpoints. It’s fun, it bounces along, it sounds a little like the theme tune to one of those slightly more highbrow US sitcoms like Frasier or Will and Grace, or maybe the thing the band would improvise on Whose Line Is It Anyway. That’s not a bad thing, by the way – it’s an excellent musical piece, stop-starty at times, moving through two or three different movements but consistently returning to a repeating central motif, the ideal accompaniment to dinner and cocktails, and fine conversation; it’s left us wanting more, and that’s always got to be a good thing.
Italian singer-songwriter Surion has released their latest piano pop single, ‘Beautiful Life’, after allowing his imagination to explore what it feels like for parents as they watch their children grow, succeed and fail before their eyes.
There’s nothing like a ballad that reaches outside of personal introspection and seeks to find compassion and instil gratitude. Beautiful Life does exactly that while using the gentle flurries of neo-classic notes to set a resounding tone.
If you could imagine what it would sound like if Tim Minchin took himself seriously, you will know exactly what you can expect when hitting play on Beautiful Life.
Beautiful Life released on February 26th; you can check it out for yourselves via Soundcloud.