Browsing Tag

Orchestral Folk Rock

River Knight extended empathy for politically derived malady in their orchestral folk-rock score, Green and Gold

River Knight’s latest single, Green and Gold, is a socialist orchestral folk-rock masterpiece; with a reprise of “the system is broken and there’s no way back” as a lyrical opening, there’s no deliberation before immersing you into the infectiously empowering assault on late-stage capitalism.

The modern iteration of everyman’s blues keeps an upbeat tempo as the everyday atrocities unravel over the zeal in the instrumental arrangement to create an emotionally well-rounded score that unifies the disenfranchised while vindicating the anger that is breeding within the social tapestry.

With an ear for a compelling melody, an empathy for politically derived malady, and the technical prowess to construct a soul-sating earworm you’ll be humming for days, the UK duo who banded together in 2017 after Darren Knight’s wife passed away have become as essential as the Manic Street Preachers were in the 90s.

Green and Gold was officially released on November 24; stream it on Spotify.

Review by Amelia Vandergast

Behold Andy Smythe’s Orchestrally Lush Vignette of a Homeward Bound Beatnik, Prodigal Son

https://soundcloud.com/smytheandy/prodigal-son/s-PSNv058J9tC?si=e47bea85f2ea48afa369111846732d67&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

‘Prodigal Son’ is the latest baroque folk-rock single from the psychedelically captivating singer-songwriter, producer and arranger, Andy Smythe, who transcended the Bowie and Beatles assimilators with his orchestrally lush vignette of a homeward-bound beatnik after a soul-seeking journey.

Anyone who has ever searched for tangible evidence of an entity or philosophy which contextualises reality while grasping and affirming inner essence will feel the force of a fist full of resonance while Prodigal Son is narratively unfolding under the duress of the London-based singer-songwriter’s magnetic with soul vocal lines.

There’s no overstating the sharpness of the songwriting chops or the compelling Buckley-esque 4-octave warmth in Andy Smythe’s vocal lines. After cutting his teeth for the past 20 years as a songsmith, Smythe could give Nosferatu a run for his money with his quintessentially quirky sonic signature which has garnered rave reviews on both sides of the pond.

Prodigal Son will hit the airwaves on June 23. Hear it first on SoundCloud.

Review by Amelia Vandergast