From the first vocal note in the standout single “Cinderella’s Fancy Eyes” from Fade’s debut EP “After Midnight” the arrestive pull of the soundscape takes its firm grip. From there on out, the bitter-sweet Neo-Classic Indie Pop melodies kick up an evocative storm whilst keeping the progressions poised and piercing.
The lyrics in Cinderella’s Fancy Eyes poignantly and deftly capture the darker side of romanticism – the side which any fans of William Blake and Jack Kerouac will appreciate. While the playfully dark tones will easily enamour anyone who finds themselves drawn to Nick Cave’s artfully bleak approach to songwriting.
Cinderella’s Fancy Eyes is a tender masterpiece which we certainly won’t forget about in a hurry.
You can check out Cinderella’s Fancy Eyes along with the rest of Fade’s debut EP which dropped on May 8th for yourselves via Spotify.
Keep up to date with new releases from Fade via Facebook.
With a tumultuous past behind him and a newly found motivation in music, English artist Calboa has released his new single ‘Same S**h’, an ode to living through the same everyday problems and being able to atone for the mistakes we make, changing our way of life.
Indie to the bone and melancholic in his lyrics, Calboa inherits precious knowledge from acts such as The Doors, Nick Cave and The Libertines, demonstrated through a creative and straightforward approach to his music. He covers both personal and universal themes such as the loss of friends and loved ones and the dangerously easy descent into the world of drugs.
In this light, ‘Same S**h’ represents a relatable anthem for us all. Starting with a syncopated organ to set the tone for the first verse, crunch guitar lines quickly kick in to expand the rocky sound of this ballad, while his vocals reverb passion and honesty.
Calboa can classify as a poet – a multi-instrumentalist who finds in music his greatest expression and a way out of the “s**t” he’s had to deal with by using his experience as a means to inspire listeners.
Though the song is titled ‘Same S**h’, it’s definitely not the “same shit” you’re used to hearing, so go check it out on Spotify.
Annika Brown’s Latest track Apocalypso is a theatrical spectacular. Nothing quite could prepare me for what was about to unfold over the next three minutes as I hit play on YouTube. It’s hard to pay attention to the actual sound of the track after watching the official music video in which she embraces Kate Bush style dramatics. I certainly won’t be forgetting what I’ve just heard in a long time.
Annika’s sound Is definitely an acquired taste, I’m not sure tracks such as Apocalypso will ever fair well in the mainstream, however she’s created an eclectic mix of sound which she imparts her Emily The Strange demeanour within. Even when she’s playing an acoustic guitar in the woods her unique charm is never dampened. . But that’s just part of it’s charm. Alternative music fans are in for a treat with this act. With operatic vocals, doom riddled melodies and classic piano backing track. There’s a hint of Victorian hysteria within her music, which she reincarnates through her Gothic Soprano vocals. The Same as can be heard with acts such as a Emilie Autumn and her signature Fantasy Rock styling.
Head on over to her website where you can keep up date with her musical ventures. Her latest album The Devils Story Book featuring Apocalypso is available to download or stream now!
Nathan Degner is a singer songwriter, multi-instrumentalist and music composer that is just starting to put all of his deft skills into practice with his upcoming album ‘Mr Badger’. It’s so delectably twee. I can’t help but love the name of the album. Romantics aside. The man reeks of talent. Seriously.
He has the home grown allure that a lot of British indie acts revelled in through the Brit Pop rock phase of the 90’s. I have no doubt in my mind that Nathan can contend with the likes of Johnny Marr, James Dean Bradfield, and Thurtson Moore when it comes to his guitar riffs and solo’s. When they’re put up against the punchy beat of the bass and it’s just irresistible. I’m sure he can be forgiven for the baseline being oddly familiar to the rhythm of Parklife by Blur.
Nathan’s voice definitely isn’t something that you hear every day, he’s followed in the footsteps of the likes of the Talking Heads and Nick Cave when it comes to the vocals which he eloquently conveys with almost apathetic command.
To check out Nathan’s new track Willow Tree, head on over to his website where you can download the track for FREE.
If there is one thing which connects the various reference points that Machinic Demiurge it is a dark, agitated claustrophobic vibe that comes from its hushed menace and hypnotic backbeats. It employs fractious industrial splinters, gothic otherworldliness, strange skittering dance beats and enigmatic bass riffs to create a Bauhaus-esque, horror movie soundtrack for a new generation.
Oddly for all its sharp, jagged edges and sense of impending doom, Mechanically Separated Human is strangely elegant in its oddness, after all you don’t have to understand beauty to appreciate it and to a legion of Goths, anarcho-punks, darkwave dancers and other denizens of the night, this will be one of the most beautiful records they have heard recently. To others it will be strangely enticing and to yet others it will be confounding and challenging and no matter where you stand on the matter you won’t forget it in a hurry.