If you always turn to Cohen, Waits and Nick Cave for sonic solace, redirect your quest for sanctity toward Jack Cade’s folk-meets-alt-country LP, Bewilderland.
His gruff baritone notes against Helen Muggeridge’s glassy-with-soul harmonies create a heart-wrenchingly sentimental dynamic in the standout single, The Glitter Around Your Eyes. Like all of the most affecting love songs, the alchemic feat of Americana lyrically locks into the minute details of affection to elucidate how deep in the veins the affection runs.
Around the bluesy guitar bends, honkytonk piano keys that give the track a touch of the 70s and the roots-wrapped tones as a courtesy of the slide guitar, the two vocalists portray a hesitant yet fervent testament of passion which reaches the epitome of compelling. Slow dance to it, cry your heart out to it as you mourn lost loves, or make it a playlist staple; whatever you do, don’t pass up on this timelessly touching serenade from the UK-hailing conduit of candour.
The Glitter Around Your Eyes was officially released on January 26th; stream the single and Jack Cade’s seminal LP, Bewilderland, on Bandcamp.
If you thought Nick Cave’s rendition of Nobody’s Baby Now from his 1994 album, Let Love In, hit hard, brace yourself for the evocative impact when delving into the bitter-sweet folk reimagining by Nick Cody featuring Towse, Harry Orme,Corwin Zekley.
Atop the Bob Dylan-esque instrumentals, the harmonised to-the-nines vocal arrangement pulls at the heartstrings with devastating precision. Though the lyrics have always been tragic in their forlorn romanticism when depicting a woman living a loveless life, Cody innovatively found a way, through the beguile within orchestral folk crescendos, to impart even more empathy for the female protagonist.
It takes an exceptionally talented artist to find more room for resonance within an already hauntingly captivating single. Clearly, Nick Cody can consider himself amongst the few sonic visionaries with the ability to breathe new painfully provocative life into already stunning scores – even though his humbleness, evidenced in this reworking, would never allow such an ego to show in his work.
Nobody’s Baby Now will debut on Valentine’s Day; stream the single on SoundCloud and wait for the LP, which is scheduled to drop on April 26.
To sear the post-punk genre with their own brand of authenticity, FloatLikeCandy, scuzzed and fuzzed their latest single, The Girl & the Peacemaker up to the nth degree. As the basslines growl, the garage-y guitars swagger and shimmer through the progressions as the drawling with deadpan conviction spoken-word vocals work to ensnare fans of Nick Cave and Swans.
Far from your ordinary allegory, The Girl & the Peacemaker depicts a dark and murky tale of the grim sadness of war, the death of innocence and the gaslighting tendencies of politicians and warmongers as they win public favour as blood spills. With the ongoing conflict in Gaza, The Girl & The Peacemaker is a tragically timely release that signifies the importance of keeping experimental truth-sayers on your radar.
Stream The Girl & the Peacemaker on SoundCloud and follow FloatLikeCandy on Facebook to be the first to know when the rest of the EP drops.
An amalgamation of influences from Bowie, Nick Cave, Arcade Fire, Velvet Underground and Pulp was always going to transpire as a cosmically compelling Tour De dark melodic Force, but what wasn’t a given was how much This Thing Called We by Northern Arms would stir the soul to such a viscerally amorous degree.
Northern Arms lifted the veil on Americana alchemy in his latest single, for which the Philadelphia-haunting song crafter enlisted the help of a stellar lineup of instrumentalists, who all brought their own profoundly deft touch to the art-rock installation.
If This Thing Called We came before Bowie’s Heroes, the single that will never be lost to history would easily be considered derivative. That may sound blasphemous until you’ve drenched yourself in the decadently morose romanticism; feel free to hit play and argue with me, because the way the single encapsulates the heart-wrenching pain that true love can leave us to linger in couldn’t be closer to the agonising mark.
PJ Harvey will want to eat her heart out to the latest orchestrally raw single, You Call That Love? by the Australian songstress, Grace Woodroofe, who always dials the beguile up until it is off the scale.
With the ‘Fever’ of Peggy Lee, the dark gyrating rhythmics of Nick Cave’s Red Right Hand and arcane layers of etherealism lending themselves to the artful scintillation, the Perth-born, Melbourne-based artist blended light and dark to prove that emboldenment is always a possibility after your power has been nefariously stripped away by someone who needed to weaken you to gain control.
With the line “You call that love? How does it feel to call that love?” worked into the mix, lyrical blows scarcely punch harder. Even if her abuser doesn’t acknowledge how she efficaciously disempowered them by holding a mirror to them for a stark reflection of their sociopathy, the rest of the world is listening and learning.
After supporting Ben Harper on the Italian leg of his tour, Woodroofe primed herself to exhibit her freshly honed sound after an eight-year release break; You Call That Love is only a taste of the commanding alchemy that is set to come in the form of her upcoming sophomore LP release. In a bid to help more women find their voice following emotional abuse, she has also written an essay to accompany her latest single.
You Call That Love was officially released on August 17th; stream it on Spotify.
Liverpool’s Mark Docherty created a brand-new wave somewhere between new-wave and no-wave in his latest defiantly distinctive single, Reckless Abandon, which is set for official release on June 3rd.
By bringing distortion-heavy buzzsaw riffs into the post-punk arena, the innovator, who will undoubtedly become renowned for the dualistic tendencies in his vocal performance, succeeded where very few artists of this era do; by drenching the airwaves in originality. From Nick Cave-ESQUE croons to raw rock magnetism, it all lingers in Docherty’s vocal arsenal.
Fans of Pixies and Depeche Mode alike will want to clamour all over Reckless Abandon, which is a sonic depiction of just what it says on the uninhibited tin.
Stream Reckless Abandon from the date of release via SoundCloud, and stay tuned for the debut LP, which is set to drop on June 16.
The latest folk sonnet, People, from the singer-songwriter duo, Malcolm Duff & Maristela Da Silva, is a sombrely enlightening lesson in universal compassion.
Stepping out into the fray of the world, it is hard to contemplate the lives led by everyone you encounter. But in the intimacy of this timeless piano ballad which finds itself between the repertoires of Cohen, Waits and Nick Cave – on a sentimental day – the beauty in the shared experience of sentience shines through the delicate piano notes that spill arcane resonance beneath Malcolm Duff’s contemplatively honeyed vocal lines, which compel you into mindfulness.
People also resonates as a message of hope, conveyed to everyone who feels alone, regardless of how many people surround them. As The Legendary Pink Dots once said, it’s a loveless world, so what’s the point in looking? The point lies in the soul of this profoundly succinct release.
Stream People, which debuted on March 15, on SoundCloud.
Taken from the debut EP, I Cannot Go on Reaching, LÌONADH’s achingly artful lead single, European Man,consumed us with the emotion it was eloquently constructed through. The poet-fronted Glaswegian ensemble with a classical string section at their disposal may be fresh from their inception, but they are already garnering critical acclaim and causing catholic outcries.
Before the launch of their debut EP, the poet, Sean Lìonadh, shared his viral poem, Time for Love, which has amassed over 16 million streams, been published by BBC Scotland and driven the petulantly pious to frenzy by speaking for the LGBTQ+ community. Anyone that upsets the archaically moralistic applecart is instantly venerable in my book. There’s no taste quite like the salty tears of zealots.
As for the single, with the chill-imparting spoken word verses, around Nick Cave-Esque keys and operatic vocal grace, LÌONADH delivered pure art. If you thought that Arab Strap’s comeback album was something, delve into the hymnal sanctity of European Man.
Lancashire singer-songwriter Michael R Shaw has teased the humility and ornate originality in his upcoming album by giving us a preview of the short and profound dark-folk single, Lord of All.
Straight away the Nick Cave, Guy Garvey, and Richard Hawley influences start to resound around Shaw’s art-folk ingenuity which carries a touch of tenderness, poetry exhumed from a plaintive soul and a bold alchemic appeal that almost takes this folk track to a celestial level. It certainly wouldn’t be out of place on the Peaky Blinders soundtrack. Lord of All could have been the track to prevent the criminally excessive use of Red Right Hand.
Lord of All is the intro to Shaw’s upcoming album, which is due for release on September 1st, 2022. Check out Michael R Shaw via his website and SoundCloud.
If James Gale’s debut 2021 EP, Medicine, passed you by, you missed a sweetly psychotropic slice of alt-rock that more than has what it takes to unite fans of Nick Cave, Nirvana, Elliott Smith and the Beatles.
The standout single, Summer Blues, which has now racked up over 14k streams on Spotify, is an indulgent cocktail of psych, blues, indie, and grunge. The dark narrative is delectably handled by the Bruges, Belgium-hailing singer-songwriter and artist. The way the accordant momentum picks up under Gale’s taunting vocals that question if you’re afraid to lose control before bluesily winding the soundscape back down into kaleidoscopically choral grooves is nothing short of arrestive.
We seriously hope that there’s a sophomore release in the pipeline.
Summer Blues is available to stream along with James Gale’s debut EP via Spotify.