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Mckay

Never look at apocalyptic fiction the same again after losing yourself in McKay’s indie-folk earworm,  Last Man Alive

Staying true to folk roots while not getting entrenched in its antiquities, the Nashville indie folk quartet McKay made the genre relevant for this generation with their larger-than-life rendition of their latest single, Last Man Alive.

If you have ever immersed yourself in apocalyptic sci-fi media and wondered if you would have the determination to endeavour or simply submit to the same fate that removed the majority of the planet, you’ll hear familiar thoughts and questions echoed back at you. But McKay goes even further by touching on all of the ways that we make sense of space and time as society keeps on buzzing away. It’s impossible not to become caught up in a state of contemplation as you listen to the harmonica blow over the raw folk chords and Hudson Haining’s pontificating vocals, which bring you right into the introspective world the promising outfit constructed.

With the evocative pull of Deathcab for Cutie fused with the sonics of Neutral Milk Hotel, McKay’s sound is original as it is intimately affecting.

Last Man Alive will be available to stream on all major platforms from January 28; stream it on SoundCloud first.

Review by Amelia Vandergast

McKay exhibited cybernetic sickness in their indie folk punk single, Plugged

https://soundcloud.com/mckay-608898721/plugged/s-KL9ziCSNpVD?si=96964519eb94489d9d6a39b352cda082&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

If the Beatles psychedelically strode across Pavement’s indie rock obscurity and checked into the Neutral Milk Hotel, the sonic result would groove in the same vein as McKay’s single, Unplugged.

The indie folk punk outpour of raw striking rancour inhibits nothing as the track veers from kaleidoscopic psychedelia to gritty instrumentation and lyrical volition that allows you to feel the inward visceral frustration that encompasses our inability to be a perfect portrait when the landscape that surrounds us warped by increasingly digital dystopia.

I’m pretty sure we can all relate to the exposition of how toxic dopamine habits compel us to stay hooked up to all the wrong lifebloods and leave us at further odds with ourselves. Given the evocative immersion Plugged provides, it is no surprise that McKay has become one of the hottest indie acts in the Nashville scene.

Plugged will debut on September 14; stream it on SoundCloud.

Review by Amelia Vandergast

McKay versed indie-folk-punk poetry in their latest sardonically scintillating single, Bad Liar

McKay

Bridging the sonic gap between Neutral Milk Hotel, Mumford and Sons, and Bob Dylan is the confessionally exhilarant indie folk single, Bad Liar, from the storytelling four-piece, McKay.

While the vocal melodies prove all too well that McKay know how to hit their harmonised vocal notes with euphonic precision and honed cadence, Bad Liar favours the visceralism of raw spoken word expression, allowing the meta lyrics to hit harder than a candid meteor from space.

With each progression, the single drifts from different eras of folk, while the harmonica timbre will throw you right back to the 70s, the folk-punk energy and massive indie folk choruses fast-forward through the decades at breakneck speed.

The Nashville-hailing outfit may be best known for their passionate performances during live shows, but thankfully, for all of us across the pond, their insightful lyricism and dynamic presence resonate just as well on record.

Bad Liar will hit the airwaves on August 1st; stream it on SoundCloud and follow the affably rogue outfit via Instagram and TikTok.

Review by Amelia Vandergast