The Slow Day’s 2019 debut single “The Poet” became a playlist staple after the first time I hit play and it resulted in instantaneous infatuation.
There was something incredibly visceral about the amplified emotion poured into their ridiculously accessible feat of Indie Rock. It came without frills, but who needs frills when you’ve got sheer polished instrumental power and arrestingly expressive vocals? Supposedly, the eyes are the window to the soul, but for The Slow Day vocalist Adam Moss, I’m inclined to believe his lies in their larynx.
They’ve followed on from their debut with the equally as resounding single “I Can’t Sleep” released on January 20th. It’s raunchy, it’s smoky, it’s psychedelic and it’s a sublime feat of Americana-inspired Alt Rock which proves that it can be done just as well on this side of the pond.
I Can’t Sleep is a gorgeous mash of reminiscences of bands such as The Black Keys with much heavier, grinding instrumental friction offered by the likes of Mudhoney and Velvet Revolver.
It’s probably the most serpentine Alt Rock earworm which you’ll hear this year. If you find a way of unsticking the tensile rhythms from your synapses, don’t tell me about it, I’m quite fond of my new neural companion.
If there’s any Manchester band worth getting excited about in 2020, it’s the Slow Day with their anthemically-charged sound. Their artist title is criminally deceptive.
Manchester, UK based Duncan Reed is an alternative singer songwriter, dabbler in acoustic rock and an all-round master of melodic, effervescent resonance. His latest track Hard as Stone is one of the most melodic pieces of music that I’ve had the transcendental pleasure of listening to since I first discovered Glen Hansard.
Hard as Stone demands the illustration of his raw fingers floating over the strings of the guitar as the track spirals through the soul wrenching melody fuelled through deeply illustrative and abstract lyrics.
There’s a point in the track where his fingers delectably stumble over the strings, this was the moment that I fell in love with the pure cacophony of sound that was brought to life with just one man full of poetic synergy and his acoustic guitar. I love that there’s static toward the end of the track to entice you into the nostalgia you are treated to after a well-loved vinyl record has reached the end and you’re drenched in the white noise; the departure and the aftermath of experiencing something spectacular.
There’s a great power in his voice, although the vocals aren’t as strong as they are in his other tracks on his debut album Hypnotise; there’s a plethora of tracks that vary in the dalliance of amplification creating it a spectacularly immersive experience. You can definitely hear the Fleetwood Mac inspiration that invokes his pensive style lingering within some of the jingles of the track.
You can check out Hard as Stone, along with the other hits on his latest album on the Spotify link below!
Brooksy is a UK based acoustic singer song writer; orchestrating an innocent sound for all of the modern romantics out there. The artists flits between London and Manchester, he’s certainly got the classically dulcet Manchester twang to his voice. It’s a sound that’s been infectious since the 80’s, and acts like Brooksy prove that Manchester Music won’t be laid to rest quite yet with his angelic sound revival.
Following the same beat as Pulp’s iconic hit Year 2000, it’s instantly catchy as you embrace the infusion of the iconic Manchester sound. To say that Brooksy has a unique voice would be quite an understatement, his wonderfully raw voice has the ‘boy next door’ quality that is all too easy to become infatuated with. There’s no excessive polishing of the track, the finished product sounds like a humbly blissful love song that every girl craves to hear. His voice is wonderfully raw that most would find adorable, yet some may believe to be a little awkward. I’m glad that Brooksy didn’t churn out yet another hit for the masses to indulge, that’s what makes the experience of listening to his music that little bit more enjoyable.
As a Manchester girl myself, it’s hard not to be a little biased, however he harnesses everything that bands such as Oasis, Joy Division, and The Smiths have achieved. His acoustic sound, with a wonderfully light piano arrangement to uplifts the guitar in empyreal sound to create a colossally adorable track.
Summer may be coming to an end but Sacha Allen is determined to not let it go until she has to, proof of which can be found in her sunshine infused single High. The vibes are lazy, the vocals are soulful, the beats vibrant and the overall result is a tune that is perfect for dancing along but equally great to chill out to.
As her debut release this puts the Manchester singer firmly on the map. A song such of this from a seasoned, big name would have the industry movers and shakers clamouring to be associated with it, coming out of the blue as it does is an even bigger story and not only will those in the know marvel at how great the song is, they will also realise that this is just the first step and that the real story here is really Sacha’s potential.
Natasha-Leigh Smith is a young British singer/ songwriter. Born near Manchester and currently living in Liverpool.
Her genre is dark pop and all her songs are based on her own life experiences or that of close friends. She has just released her first teaser video “Omen” which has already received over 8000 plays on YouTube. The track was produced by Luke Marley & Mark Winterburn (Plan B, Nine Black Alps)
Natasha is putting the final touches to her new EP which will be released in February.