Browsing Tag

London Pop

Holly Wilks’ ‘Me (and all the versions I’ve never been)’ Holds a Mirror to the Inescapable

Never one to scratch at the surface of superficiality with her lyricism, Holly Wilks is building a legacy by piecing together the fragments of the human experience, allowing her fans to see the bigger picture. Her latest single, Me (and all the versions I’ve never been), may be ethereal, but its weightlessness doesn’t detract from its impact. The melancholy within the lyrics cascades through the dreamy ambient hues, nodding to contemporary pop trends before drifting beyond the mould.

With razor-sharp confessions that affirm just how much painful introspection was poured into the release, Wilks is guaranteed to ease coming-of-age pains. Any fans of Mitski and Lucy Dacus will instantly feel at home within the bitter-sweet vignette, which explores how our deepest longings aren’t for material possession, idealised romantic dynamics, or status—it’s being the best version of ourselves, with no idea how to get there.

“I’m smaller than I’m meant to be” is a lyric that will haunt me for the rest of time. Amid widescreen indie melodies and smoky, ageless vocals, raw obsessive thoughts oscillate through the release which occupies instrumental spaces other songwriters wouldn’t dare to fill. If you’re tired of songs that skim the surface, Wilks is waiting with a track that cuts deep.

Me is available to stream on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Stephan Folkes Demands Authenticity in His Genre-Blurred Instant Hit, ‘Say It Like You Mean It’

Stephan Folkes isn’t interested in fitting the mould—he’s too busy blasting past the constricting contours. With his debut single Say It Like You Mean It, the London-based singer, songwriter, and producer channels the soul of the greats while making sure his name rings out on its own terms. The track is a sharp-edged lesson in self-worth, delivered with the kind of vocal command that makes empty words feel like an offence.

Raised on the sounds of Prince, George Michael, and Stevie Wonder, Folkes has been chasing musical excellence since he first stunned school audiences at 11. By 13, he was writing his own songs, sharpening his craft under the guidance of former UB40 backing singer Claude Alexander. Now, as a seasoned performer and sound engineer, he refuses to be boxed in—melding R&B, soul, pop, funk, and even trance into his own brand of sonic storytelling.

Say It Like You Mean It is a bold opening statement for his upcoming LP. Seraphic 80s tones hum in the background, while his voice carves through the mix with an urgency that demands attention. The track reflects on pale imitations of love with a vocal bite reminiscent of Prince, refusing to let wasted time go unnoticed. As “The Visionist” and self-proclaimed “King of Fantasy,” Folkes embodies self-investments

Stream Say It Like You Mean It on Spotify now.

Stay tuned for Stephan Folkes new releases on Instagram and TikTok.

Discover more ways to listen and connect with Stephan via this link.

Review by Amelia Vandergast

JD Kelleher Spins a Groove-Laden Lifeline with Turn It Around

JD Kelleher ignited a movement of self-reclamation with his latest single. In Turn It Around, the queer Irish singer-songwriter spins funk-laced indie pop into an unshakable force of uplifting empowerment. Wrapped in euphoric grooves that strut between disco rhythms and rock ‘n’ roll licks, the track is a pulsating testament to resilience. There’s no saccharine preaching here—just the hard-earned wisdom of someone who has clawed their way back from the brink and now offers a hand to anyone spiralling downward.

No stranger to making waves, Kelleher has spent the past year dominating the UK Dance/Club Chart Top Ten with remix-fuelled anthems, hitting Number 7 with Take The Mon€y & Run. His knack for injecting fresh energy into pop-rock shines again in Turn It Around, which drops on February 21st, followed by remixes in March, including a euphoric rework from 7th Heaven.

With his Catalan bandmates Jimmy Pinol, David Ibarz, Marti Rieira, and Alex Badia, Kelleher continues a legacy of defiant, joy-fuelled releases. From topping the Irish Rock Chart with Love Will Tear Us Apart during the Marriage Equality referendum to his soul-stirring take on Over The Rainbow, his music is a force of resistance against the anti-LGBT+ rhetoric which is now digitally in Vogue.

The official video for Turn It Around will premiere on February 21st; watch it on YouTube.

Review by Amelia Vandergast

Unveiling Layers of Reflection: An Interview with Gemma Felicity on ‘AM I TOXIC’ and the ‘Baggage’ EP

In our conversation with Gemma Felicity, we sink into the introspective depths of her recent single ‘AM I TOXIC’ and the overarching themes within her emotionally charged EP ‘Baggage’. Gemma opens up about the process of creating music that not only reflects personal accountability but also challenges the listener to confront their own roles in relationships. With her raw and reflective approach, she reveals how personal experiences have fuelled her songwriting, transforming pain into powerful lyrical narratives. 

Welcome to A&R Factory, Gemma! Thanks for sitting down with us to discuss your latest single, ‘AM I TOXIC’, and the incredible work you’ve been doing with your EP ‘Baggage’. AM I TOXIC is such a powerfully candid tour de force which brings to light how accountability is such a scarcity in relationships and much of life. How did it feel to bring such an intense track to fruition?

Yes, it is so true that accountability can be so rare nowadays, in relationships and in life generally. Many people prefer to put the blame on others so that they do not have to look at themselves and take responsibility for their own behaviours and actions. I think I am quite an intense person and I think deeply about things, so I didn’t even realise it was an intense track. But thank you! And I feel proud to have brought this track into the world, as it has come from such a personal place.

You’ve mentioned that much of your songwriting is self-reflective, and this track certainly showcases that. What was it like to collaborate with Alex Rossiter and Louis Takooree for this single, and how did they help bring your vision to life?

Both Alex and Louis are always amazing to work with. They are both the complete opposite to the type of men that I wrote the song about. I came up with the idea of the song back in January 2022, just after I had been ghosted by a guy who had treated me like a piece of crap for months. I was really upset about this, and thinking to myself, wondering why it was that I always got treated this way. I started to really ask myself why I thought this might be. Did I not think that I was worthy of more than this? I started to put it into a song. I didn’t finish the song, but I just left what I had written on my phone in a voice note for months and months.

I was then lucky enough to meet Alex, my guitarist, in June 2022 of that year. He asked me in around September 2022, if I would like to work on some of my original songs with him. So, we spent a couple of days writing together in a park, taking the clips I had recorded on my phone and turning them into full songs. I was so happy that he was helping me to finally bring my song ideas to life, as it was what I had wanted to do for so long.

When it came to AM I TOXIC, I remember him saying “This is such a banger”, and we made a full demo of it together at his place. He told me he knew the perfect person to work on it in the studio with me. He then introduced me to Louis, and Louis made the songs really pop in the studio. He was just the perfect person to bring it all to life. I am so happy with how AM I TOXIC turned out in particular. It was such a beautiful process of turning the song into what it is today, and I have the boys to thank for that.

How did you approach translating such an introspective song into a visual format for the official music video? 

I worked on the music video with an amazing team called Grizzly Productions. We first brainstormed ideas together – I knew I wanted it to be quite different to any of my previous music videos. I wanted this one to be more performance-based and visually very exciting, rather than storyline-based (which is what my previous music videos were like). I think the music video does a great job of making an extremely introspective song also very exciting and fun.

What led you to centre your EP around the theme of emotional weight being carried into relationships, and how did your personal experiences shape the stories told in each track?

I guess it was just something I was going through and struggling with at the time. I think relationships are great teachers for us, and they can reflect back to us things we need to learn about ourselves. Through every relationship I had, I would realise and learn more about myself, and I would always observe what the experience I had attracted, was teaching me about myself and how I felt within myself, and I found this very interesting. I started seeing a therapist and we worked through some of these issues, and that is when I started writing lots of music about it. I guess all the self-reflection gave me a lot of songwriting content.

You recently headlined at The Troubadour for the second time. How does performing your songs live compare to the process of writing and recording them, especially with such emotionally charged material?

I won’t lie, I find singing my songs live very challenging because they are so vulnerable and personal. As someone who is fairly introverted, I would say, I find it pretty uncomfortable to be so open about myself in front of a huge room of people like that. The songs can often make me feel quite emotional too when I am singing them. But I have learnt how to try to connect to the emotions of the song, whilst still slightly separating myself from the emotional charge that the song has on me naturally.

When I was writing and recording these songs, I let myself be as emotional as I wished to be. But performing is a bit of a different process, as you don’t want to start crying in front of the audience really, so you have to learn how to feel the emotion of the song without getting overly emotional. I find this challenging because I am a very emotional person.

You have started paving the path to international stardom this year with performances in the US and India, what did you take away from these experiences?

Thank you so much for saying that. The performances I did this year in the US and India were so amazing for my confidence in terms of performing and getting out of my comfort zone. The songs we sang in the performances were much more upbeat and party vibes compared to the original songs that I usually sing. It was a completely new vibe for me, and an amazing experience. We also had to dance and truly perform them confidently to the audience, which really put me out of my comfort zone but definitely has helped me to grow. I think you can’t really grow without a certain level of discomfort.

Your lyrics often explore vulnerability and complex emotions. How important is it for you to write from a place of raw honesty, and do you ever feel exposed putting such personal themes into your music?

Yes, I find it extremely difficult and very exposing writing about such personal themes. It is challenging, to say the least, and often feels way too vulnerable. But I always remind myself that there is beauty in vulnerability and expressing the things you don’t find easy to express. As a songwriter, your words will resonate with other people, and you have the ability to really comfort people and make them realise that they aren’t alone in all of life’s complexities. I think there is beauty in music that is so raw and real. I don’t really like superficial surface level music unfortunately – I always tend to go in at the deep end. Sometimes I really wish I could write about superficial stuff, as I wonder if I might be happier if I were to be more of a happy-go-lucky person. I’m a deep thinker though through and through.

Stream AM I TOXIC on Spotify now, and follow Gemma on Instagram.

Interview by Amelia Vandergast

Sonia Stein became pop’s most scintillating conduit of soul with her single, Blooming Season

When she’s not flitting between Warsaw and London, the icon of soulful pop hooks, Sonia Stein, is honing her sonic signature, which scribes through nuances of RnB, electronica and pop while writing a legacy that the music industry would struggle to lose to history.

Her latest single and the title single for her upcoming LP, Blooming Season, sees her vocally find the middle ground between Swift and Lady Gaga as synth lines strobe beneath her arcane vocal timbre and the syncopated beats kick adrenaline into the mix which is wrapped in an aura of pure scintillation. Equally as affecting as the production by Duit, are the lyrical underpinnings, which explore the bliss of finally letting down your walls and letting love in without the fear of losing everything you’ve emotionally invested in.

My only complaint is that Sonia Stein isn’t sitting at the top of the Billboard charts after unleashing this earworm which even the most rhythmically steadfast will feel themselves melting into.

Sonia Stein’s single, Blooming Season, was officially released on October 8th; stream the single on Spotify.

Follow the artist on Facebook and Instagram to keep up to date with news of the upcoming Blooming Season Part 1 LP.

Review by Amelia Vandergast

London’s Maninder Murfin met the epitome of finesse in her pop ballad, Wonder How We Wandered

The classical pop ballad was refined to a rarified grace in the debut single, Wonder How We Wandered, by the singer-songwriter, Maninder Murfin. The elevated and gilded-with-ornate-motifs release follows the West-London-hailing artist’s collaborative partnership with merfy on the Teach Me the Song You Know EP which hit the airwaves in 2023.

Standing alone, she floods the production of her solo debut with her celestial vocal presence which organically resounds without limit; as diaphanous as the minor piano keys, yet powerful enough to permeate the soul with maximum conviction, her voice embodies the epitome of aesthetic grace while pulling you into the reverie of the lyrics which narrate an almost fantastical tale of affectionate intoxication.

The underpinning essence of yearning painfully attests to how some of the most beautiful facets of existence are ephemeral but there’s no room for melancholy in the dreamy euphonia of this flawless release which paints a promising future for Maninder Murfin who is known for her live performances in Soho and her ability to invigorate hits from Billie Eilish, Adele, Olivia Rodrigo, and Kelly Clarkson with her uniquely evocative sensibilities.

Wonder How We Wandered is now available to stream on Spotify.

Review by Amelia Vandergast

 

London’s introspective indie pop icon, Gemma Felicity, struck again in ‘10 Million Dates’

Our adoration for Gemma Felicity remains unflinching after the release of her intimate indie pop single, 10 Million Dates. With her latest right-on-the-euphonic money release, the London-hailing singer-songwriter captured the collective frustration within the modern dating scene, detrimented by the illusion of endless choice.

The sense of disillusion in the lack of real, raw, and pure connection resounds throughout the artistically profound, poetically bitter-sweet lament which acts as the ultimate consolation to anyone who is losing the motivation to keep searching.

By delicately touching on themes of people pleasing, loneliness, fear of the future, emotional baggage, and the ennui which follows pinning hopes on a transient character in our lives before they disappear within the folky dream pop reverie of the polished production, Gemma Felicity delivered one of the most affecting singles of 2024.

As the introspectively candid icon gears towards the release of her 5-track EP, Baggage, there’s no doubt that she’s inching towards the zenith of her career.

10 Million Dates was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergas

Candy Rush debuted with her quirky pop revelation, Don’t Even Wanna Know

Don’t Even Wanna Know is the satirically sweet quirky pop debut from the Romanian London-based artist, songwriter and producer, Candy Rush (Elena Ilie). Play it loud and amplify the voice of this generation that is becoming increasingly tired of plastic pop protagonists who shirk autonomy while rattling a begging bowl for commercial success.

The debut is stylistically saccharine enough to implant a voracious sweet tooth in anyone who swims in its honeyed tides of the single which allows idiosyncrasy and autonomy to ebb and flow throughout the avant-garde mix of alt-pop, neo-jazz, funk and soul.

“It feels like an infection to deal with your perfection” is just one of the introspectively enlightening lyrics which embody the lyricist’s ability to move far past the tired tropes and deliver lines that catch you off-guard with the resonant obscurity. Her playful approach to vocal arrangement and unorthodox grooves resulted in a ground-breaking debut which embodied her desire to exhibit the quirks and contradictions of modern life.

With the accessibility of the proverbial girl next door and a talent that could rival HONEYMOAN, Candy Rush will prove to be a force to be reckoned with as she rises up from the alt-pop underground.

Don’t Even Wanna Know was officially released on May 24; stream the single on Spotify.

Review by Amelia Vandergast

Awakening to Bella Gate: ‘Sleepwalking’ Melds Classic and Contemporary with Masterful Artistry

If you’re still sleeping on the breakthrough UK singer-songwriter, Bella Gate, her revolutionary approach to power balladry exhibited in her latest single, Sleepwalking, will prise your heart and soul open to her immensely affecting artistry.

The classic songwriting style is enough to slip you back into the 70s before the Florence and the Machine artful touches pull you right back to modernity as Bella Gate’s vocals channel the spirituality of Stevie Nicks and the deep resonant timbre of Adele, with all the emotive authenticity to boot.

While looking back on chapters of teenage love and self-discovery, most will shudder at the naivety; Bella Gate is viscerally living through the torment within Sleepwalking; vicariously join her as the pop-rock piano keys dance beneath her endlessly ascending vocal register as they spill the agony in a retrospective call for clarity.

With plenty more singles in the pipeline for 2024, the 23-year-old Edinburgh/London residing artist is more than worth a spot on your radar. If she’s esteemed enough to have her debut LP mastered at Abbey Road Studios by Geoff Pesche, she, and her talent in bringing a fresh and innovative vibe to the industry, is one to watch.

Sleepwalking was officially released on April 26th; stream the single on Spotify now.

Review by Amelia Vandergast

Make a Date with Cliff Lynch’s Soul-Wrapped Pop Hit, Sex on the Weekend

Cliff Lynch, emerging from his boyband roots with Roman Road, has crafted a pop anthem that is brimming with the exoticism of sonic seduction and offers a refreshing departure from the assimilative new wave pop trend currently saturating the UK indie scene with his latest single, Sex on the Weekend.

Hit play and get into tune with the 90s boyband-esque harmonies and colourfully moody melodies which complement Lynch’s distinctively bold approach to pop, which is charting his own path through a genre often mired in superficiality. Fuck baseless earworms when you can discover soul-stirring experiences which showcase artist’s commitment to depth and authenticity, which is exactly what you get with Sex on the Weekend.

The single explores lust-fuelled emotional themes, yet nothing about it feels salacious. Instead, Cliff Lynch delivers an intimately vulnerable testament to lyrical candour. The Latin guitar grooves and solid backbeat create a backdrop that is both sensual and sincere. This track is a challenge to every lothario who believes hook-up culture needs to lack soul.

Born in South London and influenced by icons like Queen, Michael Jackson, and Justin Timberlake, Lynch’s solo material takes a mature, singer/songwriter approach, blending rock, R&B, and beloved pop elements. ‘Sex on the Weekend’ is a testament to his evolution as an artist, from his early days with Cloud 9 and Roman Road to his current solo endeavours.

As Lynch gears up for his debut EP release in 2024, ‘Sex on the Weekend’ stands as a compelling preview of what’s to come. It’s a track that will leave listeners hot under the collar, not just for its sensual themes, but for its heartfelt honesty and the undeniable talent of Cliff Lynch as a solo artist in the pop domain.

Stream Sex on the Weekend on Spotify now.

Review by Amelia Vandergast