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Liverpool Indie

Liverpool’s most Machiavellian post-punk jazz outfit, Laz Berelow, did Friedrich Nietzsche proud in God is Dead

Dives by Laz Berelow

Laz Berelow’s latest single may decree that God is Dead, but Glenn Branca lives and breathes through the histrionically cold feat of post-punk capable of giving your speakers frostbite.

The complex time signatures of the guitars with the obscure jazz nuances and polyphonic chaos is a pairing that ensures God is Dead is a sonic deliverance of comfort to the disturbed. If you’re pious to the Machiavellian experimentalism of Mike Patton, you’re sure to get your kicks from God is Dead. Friedrich Nietzsche would be proud.

When GetIntoThis were tastemakers on the scene before Peter Guy shamed himself during my tenure as an editor, Laz Berelow was dubbed one of the best acts of 2020; they easily lived up to that accolade with God is Dead.

Stream and purchase God is Dead via Bandcamp.

Review by Amelia Vandergast

The Garnetts released the ultimate summer indie-pop staple with their latest hit single, Jealous

The Garnetts have exactly what it takes to follow in the alt-indie footsteps of their Liverpudlian counterparts, Red Rum Club, as they melodically stride towards success with their nostalgically sepia-tinged latest single, Jealous, which is due for official release on June 2nd.

With the angularly funky staccato guitar chops, crooned guitar lines, and definitively 80s atmosphere in the sentimentally sweet single, you will be immersed in the bitter-sweet narrative of romantic possession from the first infectiously carved chorus.

Any fans of The Maccabees, Foals and Mystery Jets will be instantly enamoured by the bubblegum propensity of this emotionally monolithic hit single that could easily become a staple part of your summer indie pop playlists.

Stream Jealous via SounCloud from June 2nd.

Follow The Garnetts on Facebook and Instagram.

Review by Amelia Vandergast