Browsing Tag

Leonard Cohen

Growing Boi made a malady of sentimentality in his psychedelically experimental single, Overflow

Posted on 24 February 2023

After years of success as a touring artist, session musician, songwriter and producer, Chris Matthews obliterated the notion of genre with his exploratively alternative single, Overflow, under the moniker Growing Boi. The artfully melancholic track makes a malady out of sentimentality while exhibiting the same instrumental alchemy and ingenuity as the Legendary Pink Dots and the vocal gravitas of Leonard Cohen.

The spacey amalgam of psych, folk, electronica, trip-hop and 70s pop is devilishly clever, but never to the detriment of the accessibility of the intimately bold score that will stay with you for long after the complex chords have faded into silent obscurity. From honkytonk piano keys to motifs you’d expect to hear in a Tame Impala production, Overflow is a treasure trove of artful beguile that allows you to drift to a higher plateau.

Overflow will drop on February 24th; hear it on SoundCloud.

Review by Amelia Vandergast

Sanchez. delivered an off-kilter folk-rock confessional masterpiece with his latest single, Feeling

Posted on 2 March 2022
Sanchez

Following his debut 2022 album, Burgundy, which was produced by the legendary Pete Maher, the already iconic singer-songwriter Sanchez., is here with his latest single, Feeling. With that title, the artist set the evocative bar high; he heart-wrenchingly transcended it with his folk-rock-inspired confessional.

In the cavernous intro that consists of little more than rugged folk-rock pulls of acoustic strings, names like Cohen, Waits and Dylan spring to mind. Yet, Feeling steadily grooves into its own distinct and artful gravitas as the soundscape is enriched by ascending melodies, raw and off-kilter choral sonic power and blisteringly luminous organ notes. It’s Richard Hawley meets Pixies. It is also the aural evolution that melancholic outliers have been waiting for.

Feeling is due for official release on March 2nd; dive into it yourselves by heading over to Spotify.

Connect with Sanchez. via Facebook and Instagram.

Review by Amelia Vandergast

 

Bluebyrd cut through the static in their latest alt-folk single, Too Much Noise

Posted on 5 February 2022
Too much noise by Bluebyrd

The Wolverhampton, UK-based alt-folk duo, Bluebyrd, has aurally triumphed once again with their latest single, Too Much Noise, which cuts through the static in our cacophonous existence.

For anyone that acquired a new level of overwhelmed anxiety as a parting gift from the pandemics and other chaos that leaves us feeling powerless, Too Much Noise should be considered an essential release. Not only do Bluebyrd deliver resonance hand over fist, but they also create a cathartic indie-folk soundscape that sits somewhere between Cohen, Billy Brag, Semisonic and the Levellers. I couldn’t think of a better new release to drown out the world to.

Too Much Noise was officially released on January 28th. It is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Laurel K Adams has released her artful country-pop crossover single, Dancing in the Eye of a Hurricane.

Posted on 20 October 2021

The 17-year-old singer-songwriter and instrumentalist Lauren K Adams has released her debut alt-county-pop crossover EP, The Introduction. The standout single, Dancing in the Eye of a Hurricane, carries the coveted gravitas of an artist that has dedicated their life to honing in on their craft, but discernibly, the melodies that her poetic lyrics breeze through are as natural as breathing. If you could imagine a hybrid of the best parts of Cohen, Stevie Nicks and Kate Bush, you’ll get close to imagining the ingenuity on offer here.

You’d be seriously hard-pressed to find another up and coming artist with such succinct talent when it comes to capturing the multifaceted complexities of the human experience. The airwaves are an infinitely better place for her debut. The motivation for it goes beyond the yearning for accolades; it stems from the far less factious inclination to empower her listeners.

Dancing in the Eye of a Hurricane is now available to stream on Spotify.

Review by Amelia Vandergast

Award-winning alt-folk artist Colin Clyne has released his latest single, ‘Within Hindsight’

Posted on 22 June 2021
Colin Clyne

Award-winning Scottish alt-folk singer-songwriter Colin Clyne’s latest single, Within Hindsight, takes you back to the time when ballads were tender and minimal instrumentation carried alchemically profound magnetism.

The tones in Within Hindsight are enough to evoke synaesthesia as you drink in the sepia colours weaved into the acoustic guitar progression and soft neo-classic-style meanderings of the piano. The gravelly whisky-soaked vocals hit the high notes with soaring ease, allowing Clyne to exhibit both his arresting vocal range and emotional range. They say that there are 34,000 possible human emotions, Within Hindsight resonates as capable of evoking most of them.

After spending ten years in California collecting accolades, including being a two-time winner of ‘The Best Acoustic Act’ at San Diego Music Awards, and featuring on a list of the best singer-songwriters curated by NBC that listed him alongside Tom Waits, it is safe to say that he made quite the impression. There is no reason why he can’t celebrate the same success on this side of the pond.

Within Hindsight is due for official release on June 25th.

You can check out Colin Clyne via his website, Facebook and Instagram.

Review by Amelia Vandergast

Walker Tex delivers mesmerising grunge folk in his latest single, ‘Make Me Smile’

Posted on 3 June 2021

Under the influence of 70s folk and grunge, up and coming artist Walker Tex has made major waves since he started introducing his original material to the airwaves in 2020.

His latest release, and his most popular single to date, Make Me Smile (Come Up and See Me), carries all of the soul of a track by Dylan or Cat Stevens and all of the sonic appeal as My Bloody Valentine and Slowdive.

The singer-songwriter carries the same hypnotic magnetism of Cohen with his whiskey-soaked vocals; when blended with alt-90s-inspired tones, Make Me Smile is simultaneously a shot of nostalgia and an introduction to the future of alt-indie folk.

Make Me Smile is now available to stream via Spotify.

Review by Amelia Vandergast

Hunter & Girton – Father Time: Solemnly Compassionate Alt Folk

Posted on 1 March 2021
Hunter & Girton

Rural Indiana-residing alt-folk duo, Hunter & Girton, are set to release their most haunting single to date, ‘Father Time’. The sparse and desolate soundscape leaves plenty of room for your own emotions to coalesce with the sentiments delivered through the lyrics which will hold a mirror to your personal relationship with melancholy.

There may be a crestfallen air to Father Time, but it’s anything but depressive. The solemnly meditative single parallels the levels of compassion found in the most tender tracks from Pearl Jam’s latest album while delivering tear-jerking tones which lend inspiration from 60s Folk.

Father Time is due for official release on March 5th. You’ll be able to check it out for yourselves by heading over to the artist’s official website.

Review by Amelia Vandergast

Nathan Rodd revived old school alt-folk blues with their sonorously sonic single ‘Natalie’

Posted on 12 February 2021

How do you make old school alt-folk blues just as mesmerising as Tom Waits did in the 70s? You’ll find the answer in up and coming artist, Nathan Rodd’s, debut EP ‘Slowly’.

The standout single ‘Natalie’, finds the perfect balance of sonorous sonic power and delicate intrigue right from the intro. From there on out, pulled along by the tightly packed, intricately progressions which bleed nuances of jazz. But there’s nothing nuanced about the full-frontal emotion which unequivocally confirms that romance is still alive in 2021.

The distinctively raspy whisky-stained vocals give the soundscape an archaic touch while the masterfully dynamic production makes sure that Natalie wouldn’t be out of place on contemporary airwaves.

Nathan Rodd’s debut EP is now available to stream via Spotify.

Review by Amelia Vandergast

P.B Ruck – Some Love: Sonorously Sentimental Americana Folk

Posted on 21 January 2021

Under the influence of Cohen, Waits and Dylan, Southampton-hailing artist, P.B Ruck, released their sonorously powerful latest single ‘Some Love’; the sense of romanticism is just as old school as the sepia-stained tones in the meditative Americana folk soundscape.

Through spatial effect and lyrical sparsity, Some Love is just as much about your introspection and amorous nostalgia as it is about the artist’s. With a touch of modernity on the production, folk roots are firmly implanted in the mix, but it blossoms through the tender vocals which resonate with a nuanced touch of celestially choral mesmerism.

Some Love was released on December 28th, it is available to stream via YouTube.

Review by Amelia Vandergast

Vincent Sonder lights up our day with ‘Camel Lights’

Posted on 20 January 2021

In his day job, Vincent Sonder – the alter-ego of celebrated filmmaker Joe Connor – has worked with bands as diverse as The Rolling Stones, Sam Smith, Coldplay, Paul Weller, The Maccabees, and Placebo (among others), and that shoulder-rubbing pedigree has obviously stood him in good stead when it comes to his own creative flow. Recorded in 2017 but only now available across streaming services, ‘Vincent Sonder’ the album is a gorgeous, glorious affair, and ‘Camel Lights’ is a perfect introduction.

Beautiful, exquisite piano accompanies Sonder’s mellow storytelling vocal, the lyrical flow creating a perfect mood of contemplation and reverie, dreamlike and meditative, with a narrative feel that tells the story of ‘the memory of a man that I can’t find’. It’s bewitching, evocative, and anecdotal, made all the more memorable by the interplay with the second, female vocal intertwined between Sonder’s lead and those plaintive minor piano chords; you listen, and you can practically see cigarette smoke drifting from a discarded ashtray, monochrome, in the rain. It’s beautiful.

Follow Vincent Sonder on Instagram; hear ‘Camel Lights’, and the rest of the album, on Spotify.

Review by Alex Holmes