Taken from her phenomenal EP, Were You Digging for Some Deeper Meaning? Molly Murphy’s nostalgia-soaked folk serenade, I Miss When We Drove Shitty Cars, will drive you right back to the days when it was okay if everything wasn’t Instagram-worthy.
With all the grace and beguile of Joni Mitchell, this sepia-tinged stripped-back single allows Murphy’s celestial vocal timbre to float atop the quiescently cinematic melodies that lull you into a state of calm before the orchestral chamber strings chorally caress the non-lexical harmonies that will make you Dream Baby Dream.
The NYC indie-folk singer-songwriter is a soulful force to be reckoned with. Watch this space. Or better yet, succumb to the choral mesmerism.
I Miss When We Drove Shitty Cars is now available to stream on Spotify and purchase on Bandcamp.
Layla Frankel’s recent releases may evade genre, but they revolve around style and soul. Her standout single, Dear Jennie, is a stunning testament to her effortlessly uplifting sound. With her influences ranging from Bonnie Raitt to Sheryl Crow to Joni Mitchell to Bob Dylan, she found her own voice in between, and what a voice it is.
With the same ABBA-Esque piano chords that allowed the Manic Street Preachers to get to the top of the album charts when they used them in their latest album, The Ultra Vid Lament, Dear Jennie brings just as much euphoria with her complexly layered sound that indoctrinates unpredictable progressions, cathartic crescendos and sheer vocal dynamism.
With a sound so celestial it sounds like it has been pulled from the 5th dimension, it’s safe to say the lead single ‘all talk’ taken from Julianna Sweeney’s debut album ‘Exit Fo[u]r is stunning.
The 21-year-old singer-songwriter’s approach to jazzy soul pop will undoubtedly enamour fans of Joni Mitchell, Norah Jones and Carole King while arresting you with the originality of her sound. Nothing is forced, everything is effortless, at least on the surface there’s no diminishing the amount of nuanced skill in all talk. With smooth jazzy instrumental interludes between Julianna Sweeney’s vocals, there’s plenty of room in the soundscape to drink in the romantic frustration which transpires before you learn that actions speak louder than words.
You can check out Julianna Sweeney’s debut album for yourselves by heading over to Spotify.
With a delicious blend of folk, pop, rock, and Americana comes ‘Three Hearts’, the new single from Charlotte Morris’ new album ‘Songs For My Next Ex’, and that title probably gives a pretty good lead into what’s on offer here; beautiful, soulful, confessional and personal, soft and gentle and tugging on the heartstrings. There’s a little of Joni Mitchell, a little Sheryl Crow, and a lot of Delta Rae and Brandi Carlisle; a tender and compassionate vocal sitting over gently strummed acoustic guitar chords and a sensitive backing of drums and bass.
Listened to in its entirety, ‘Songs For My Next Ex’ is a soul-bearing ‘story album’, tracing the highs and lows of relationships; her first full-length album, following up 2018’s ‘To New York With Love’ EP, it’s a perfect showcase for Morris’ stunning, plaintive voice. ‘Three Hearts’ is the impeccable, sublime introduction.
Usually, when you think of Christmas music, you think of the grating classics you hear in supermarkets or whichever iconic track John Lewis has decided to butcher with their Christmas ad, but CORBETT’s forthcoming single ‘Under the Tree’ will shatter your perception of festively-inclined aural offerings.
With the London Folk singer-songwriter’s enigmatic whiskey-soaked raspy vocals which will send an ethereal chill up your spine interlacing with a stripped-back jazzy Folk arrangement and lyrics lamenting over lactose intolerance, it’s impossible not to be endeared.
I didn’t think that I’d ever see the day where a Christmas song touched my soul and made me turn a smile, it’s practically a Christmas miracle.
Under the Tree is due for official release on December 1st. You’ll be able to check it out via Spotify.
Put in time and you will get the results. With a soothing piano to start the song, you know this is going to be good. Giving thanks to her parents, speaking about lessons learnt- no matter how hard the occasional trips and falls.
‘Megan Linford’, is making her way on the UK Folk/Indie scene with her sun-kissed melodies and honest lyrics, that shows her humble and grateful attitude to life. She is an Indie artist, doing it herself with the love and support of friends and family. She hosts her own music night in Portsmouth and seems to be learning all the sides of the music industry, a very smart move indeed.
After already pushing out 2 self- released EP’s and 3 singles, Megan is working hard on her first album set for release in 2020. I personally can’t wait to hear the new music and hopefully lockdown hasn’t slowed anything down for her.
From the little I know about Megan, I can tell that this is an extremely industrious and hard working woman who won’t let anything stop her. Her voice is absolutely breathtaking and I can’t wait to see her live at a gig soon. The local music scene needs people like Megan, someone with a positive message and self-awareness, in these troubled times.
‘’Lessons’’ and more stunning vocals from Megan are here on Spotify.
Laryssa Birdseye is a singer songwriter based out of Portland Oregon. Many years ago, she stole her older brother’s guitar, picked up a Beatles anthology book, and taught herself how to play. After realizing her adolescent attempts at writing poetry were best paired with music, a lifelong relationship with songwriting was born.
Having struggled with addiction and an eating disorder for the better part of a decade, Laryssa’s songs reflect the turmoil of heartbreak, dependency, regret, and the persistent strive towards recovery and healing. Herself now firmly in that position, she hopes to touch people in the same struggle by helping to bring catharsis through the power of her honest and frank style of songwriting. Heavily influenced by legendary female songwriters Amy Winehouse, Joni Mitchell, and Ani Difranco, LaryssaBirdseye is not one to be overlooked.
Watch for her debut album, “So What” coming in Spring of 2017.
Erica Cooper announces the release of her debut album Safety Escape, April 29th 2017 on her record label Safety Escape Records. Erica is a Alternative Pop singer/songwriter from the Seattle area.
Her debut album was produced by Alek Edmonds, mixed by Paul David Hager (live engineer for Miley Cyrus, Devo) and mastered by Howie Weinberg (Nirvana, Jeff Buckley).
Erica performs as a solo artist and with her five piece band. She studied Jazz Vocal Performance and Composition at Cornish College of the Arts in Seattle. She took an interest in audio and met engineer and producer Alek Edmonds. There she found her passion for writing and sound. For the last 3 years, she has been writing and recording her debut album.
Erica is influenced by Disco and artists such as Radiohead, The Eurythmics, Grimes, Joni Mitchell, Enya, Florence and the Machine, Imogen Heap, Arcade Fire and Feist. Themes in Erica’s music include the roles we play in love relationships, vulnerability, being present and staying in the moment, loss, addiction, her struggle with Lyme Disease, the highest highs and the lowest lows, self empowerment, setting boundaries, and hope.
Erica was fortunate to record in some amazing studios including London Bridge, Synergy and Avast in Seattle and Encore Studio A in LA.