Forget what you know about New York from the over-romanticised depictions and acquaint yourself with the true nature of the cityscape, which juxtaposes grit and grime with the monolithic architecture and the egregious egos of Wall Street wolves. snailosaur’s standout single, ‘Apartment Boxes (nyc poem)’, taken from their indie rock LP, Talk Therapy, paints a fond vignette of the infamous city over the luminous tonality of their angular guitar lines, which weave elements of new wave into the nostalgia-kissed release.
While the upbeat melodies embed the single with a light and dreamy air as they cruise through the Pavement-esque progressions, the vocals act in contrast with their nonchalant drawls, adding depth to the track as they allude to the sins and cultural salvation of the city that never sleeps – and now, thanks to snailosaur, we know why; the working class are confined to coffins as they live and breathe. Yet, suffocation is a small price to pay to walk the streets that become portals in time, if you know which avenues to take.
Apartment Boxes (nyc poem) is now available to stream on Spotify.
Tracks originally written and recorded in 1995 by Brighton’s Giant Killers when they were signed to MCA Records have finally reached the airwaves. The standout indie jangle pop single, Around the Blocks, from their forthcoming LP, is an authentically nostalgic dream. With hints of Coffee and TV within the R.E.M.-esque college radio rock production, which sees the choruses endlessly ascend and the verses pull you in deeper through the affectionately sharp hooks, Around the Blocks is a tonic for the melancholic soul.
With a frenetic closing sonic chapter which echoes the palpitating pacing of the hit Brimful of Asha, Giant Killers clearly know how to make an ever-lasting impression with their sound, which doesn’t go as far as sticky-sweet; there’s far too much indie rock renegade grit within their compassionately confrontational lyricism.
With their ‘songs for the small places’ LP, Giant Killers aren’t only delivering melodic salvation to the ennui-inclined. £2 of every sale of the LP will be donated to Campaign Against Living Miserably, a charity dedicated to saving lives through suicide prevention. Given the gravitas of Around the Blocks, which will see your soul sweep higher than the transcendentally tight melodies, you shouldn’t need any additional incentive to partake in the nostalgically euphonic bliss. But it’s incredible to see an artist not solely skating by on the signals of their virtue. Giant Killers are putting momentum behind real tangible change.
With jangle pop guitar melodies reaching the epitome of effervescence under the dreamy vocal honey which tastes just as sweet as the harmonies that ensured Debbie Harry’s name would never be lost to history, the latest single, Turn Left, from the Chicago Indie Rock outfit, Midamerican Elevator is a resonant revelation.
By lyrically tracking how hard it can be to keep pace with the tumultuousness of modernity and how easy it can be to go around in circles, Turn Left speaks volumes to anyone who knows how it feels to be consumed by the franticness of society that leaves so many of us without a compass.
Between the killer chord progressions which elucidate that Midamerican Elevator will never be pedestrian at best and their capacity to fuse soul with style, they’re ones to watch out for. We’re stoked they’re back on the airwaves following the successful launch of their 2022 debut LP, Moon Ruler.
Turn Left will give indie rock fans a sense of direction on November 17th; stream the single on Spotify.
Even though the track title leaves little room for guesswork in regards to the sentiments that flow through the swoonsomely crooned pop hit, the debut single, Not Over You, from Coming Up Milhouse, is a riot of candied curveballs.
With vocal lines that could tender the heartstrings of Elliott Smith, synths that create an odyssey of retro mutant pop in the same vein of Trudy and the Romance, and indie jangle pop melodies which add to the trending trajectory which spawned from revivalists such as the Midnight, Not Over You is a debut which plateaus above indie landfill releases.
The self-described soft boy indie rockers from Birmingham know just where to find the sweet spot when balancing lyrical melancholia and earwormy indie hooks.
Not Over You was officially released on May 5; hear it on Spotify.
The London-hailing prodigal sons of jangly new wave pop-rock, Good Time Locomotive, put the silver lining on your last sanity stripper of a relationship with their debut single, Lines of Symmetry, which allowed them to more than stay true to their moniker.
If you thought that Stranger Things delivered a potent shot of 80s nostalgia, you’ll be wishing your hair was bigger from the first time the crooned-over chorus hits in Lines of Symmetry. This wholly relatable dance-worthy hit is the nearest thing to closure that most disenfranchised hopeless romantics out there will get; consider the absolute earworm of a melody as bonus material.
Good Time Locomotive may be a fresh-faced outfit, but it comprises a collective of seasoned musicians who have enough musical chops between them to officially dub themselves as a powerhouse. We can’t wait to roll with the emotional punches in their forthcoming EP, due for release this summer.
Lines of Symmetry will officially release on May 13; hear it on SoundCloud.
Asbury Park, NJ-hailing solo artist Chris Cosmo set the bar for 2023 debut singles transcendentally high with his single, Oblivion Blues. In contrast to the titular melancholy, the alt-indie pop earworm unravels with dreamy, colourful accord spilling from the jangle pop guitars and vocal harmonies reminiscent of his main influence, the Beatles. Don’t worry; you’ve never walked down the yellow brick road in quite the same way as Oblivion Blues pushes you through. Lyrically, the single takes the opportunity to ponder the mechanics of doubt and its tendency to lead us away from our true paths.
Staying true to his motivation to drive infectious melodies and thoughtful lyrics into his music, Cosmo leaves stardust in the soul when he’s had his melodic way with you. With just enough of a contemporary kick behind the 60s psych-pop tones, you’ll be on a sonic plateau before the kaleidoscopic chorus runs through.
After falling head over heels for music at a young age, which left him inseparable from his guitar, he formed bands through his teenage years before his passion became an obsession following the disillusionment that ensued after graduating college. We can wholly relate, which goes a fair way in explaining the sticky-sweet resonance in Oblivion Blues.
Oblivion Blues will be available to stream from January 13th. Catch it on Soundcloud.
Any indie artist that kicks off their career with a track as bold as Paranoia Song is one that we will always champion. The up-and-coming artist, Tom Fleur, opened his debut single with the lyric, “I’m on edge on the edge of the bed”, sung in a This Charming Man-esque vocal melody and sealed a place on our radar forever.
To freshen up the iconic new wave indie jangle pop sound, Fleur threw in the influence of 60s girl group melancholia and Ray Davies characters, but he’s every bit as self-aware as Morrissey was back in the day before he couldn’t figure out why his career tanked around his rampant racism.
After promising that his lyrics also explore the themes of hedonism, anxiety, and love, we can’t wait to revel in more of his intellectual introspection wrapped around his colourfully distinctive guitar lines. Finding a new artist that compels you to drink in every swoonsome syllable so as not to miss any of the disconcerted resonance doesn’t happen every day. I haven’t felt this lyrically seen since I first slipped into the solidarity of The Fear by Pulp.
Paranoia Song is now available to stream on Spotify.
Discussing inter-generational trauma no longer has to be confined to the therapy sessions you can’t afford, and posting statuses online that will result in a cascade of patronising care reacts. Atlanta’s most relatable alt-indie three-piece, yin, is here to make sure of it with their latest single, Trauma.
The infectiously maniacal high energy lets you ride the rare peaks that intersect the depth of the isolated lows. Strap yourselves in for the most anthemic indie jangle pop guitars you’ve ever heard as they sail through the dynamism that brings Take on Me to mind with the eccentrically soaring climactic choruses that leave the 1975 and Bleachers in the archetypal dirt.
In the style of Yung Blud, yin pair euphonic sonics with dark lyrics that make no bones about alluding to the dark places we drift into and all of the even darker thoughts that keep us company during the bouts of anxious madness that late-stage capitalism has left us to linger in. With their debut LP, Someone Who Isn’t Me, set to release on November 22nd, all eyes and ears should be on yin right now.
“There’s something really wonderful and terrible about being human in the modern age. We’re all struggling with the mere fact that waking up and convincing ourselves that we don’t hate each other is normal, and there’s always this emotional and spiritual push to try and love and cherish the little that we have to call our own. We just want to be honest about all of the sad parts as well as the really amazing happy parts.”
Brooklyn—based singer-songwriter, Fading Out (Evan Bieber) has launched the latest single, So Awkward, from his forthcoming debut EP, Maybe I Thought About You Once, and shared the ultimate indie anthem for the socially awkward.
With his upbeat approach to broaching cringeworthy moments, it is enough to instil you with a newfound sense of humility. The single, inspired by those everyday moments that compel you to run the second a micro faux pas slips out, is just a fraction of the introspective gold forged in his upcoming LP.
With a sonic palette that would complement any playlists featuring Peace, Swim Deep, Viola Beach and Jaws, So Embarrassing would be on the cusp of contemporary trends if it didn’t transcend them with the extra vigour in the angular jangle-pop guitars, which any indie rock fan will register as next level. Fading out even gives Marr & Robert Smith a run for their money with the intricately melodic gravitas in this colourful earworm that will stick to your synapses like superglue from the first hit.
So Embarrassing will officially release on October 17th. Check it out on SoundCloud.
With the same floods of bleeding reverb as Slowdive and My Bloody Valentine mixed with the indie jangle-pop melodies and trap pop sensibilities, Goonmetal’s latest single, For the Moment, featuring Treistemm, is a fiery feat of constraint-less experimentalism. It hits the visceral spot whilst leaving you utterly transfixed in the aural chaos as choral tones come up against caustic ones.
The white-hot guitars cut through the mix just as efficaciously as they did in Interpol’s debut record. But there is an accessible lo-fi edge to all of Goonmetal’s tracks that prove his interest in commercial success fell by the wayside as the need for expression took the lead throughout his creative process.
The 18-year-old Glastonbury, CT-hailing artist is a self-taught artist who has made every beat from scratch since making his debut in 2019. He knows exactly how to amplify the raw emotion that is projected into his music. For that reason, he will remain firmly affixed to our radar throughout 2022.
For the Moment is now available to stream via SoundCloud.