Browsing Tag

Indie Anthem

The Doolallys augmented the tribulations of banality in the indie rock anthem of the year, How Long Will This Go On?

Imagine how affecting a synthesis of the most stirring elements of Editors, Audioslave, and Arcade Fire would be, amplify the infectious appeal of that amalgam to the nth degree, then you will get an idea of what awaits you when you hit play on the single, How Long Will This Go On? From The Doolallys.

If any guitar-based outfit with deadpan lyricism deserves to reach the same heights of success as The Reytons, it is this Brighton-based trio, which is already making all the right waves in the industry.

After winning over BBC Introducing in 2018 and snagging a live radio slot in 2019 before honing their sound into a cultivated augmented with anthemics sonic signature, The Doolallys got to work on their upcoming debut EP; months after wrapping up the recording, the band suffered the tragic loss of their founding member and bassist Connor Kilbane in October 2022. After a hiatus, the band decided to honour Connor by moving ahead with the EP; if How Long Will This Go On, is a taste of things to come, it won’t just be a part of the band’s legacy, but UK indie’s legacy. Between the aching relatability in the lyrics which speak of relentlessly monotonous banality and the kinetic chemistry that cuts through the release, How Long Will This Go On deserves a perpetual place in the indie charts.

How Long Will This Go On is now available to stream on Spotify.

Review by Amelia Vandergast

Dolly Mavies – I’m All Sugar: Get Your indie Anthem Fix

Oxford, UK singer-songwriter, Dolly Mavies, set the indie anthem bar impossibly high with her latest single, I’m All Sugar, which surges with the same rhythmic and vocal energy of Somebody to Love by Boogie Pimps in spite of the folky flavour.

Taken from her debut album, The Calm & The Storm, the stellar single from the artist who takes influence from the likes of Patti Smith, The National and Daughter, created a uniquely exhilarating listening experience that makes no bones about pulling you through an ardently visceral arrangement where a curveball lies on the edge of every progression.

If Dolly Mavies isn’t as big as Mumford & Sons by the end of the year, someone may as well scorch the earth of the music industry so we can start again. It’s punk as fuck, yet, Mavies still maintains that ever-addictive girl-next-door appeal.

I’m All Sugar will officially release on March 24th. Hear it on SoundCloud.

Review by Amelia Vandergast