Browsing Tag

Hip Hop producer

Twivee orchestrated an RnB hip-hop vignette of resilience and motivation with Ray of Hope

Twivee, the UK-based RnB and hip-hop fusionist delivered a compelling narrative of resilience and motivation in his latest single, ‘Ray of Hope‘.

‘Ray of Hope’ is a storm of fiery emotion, rampaging through Twivee’s distinctive vocal lines. His voice carries a unique blend of rough and smooth, soul and gruff grit, consolation and conviction. This duality in his voice mirrors the complexities of life’s struggles, making the track an emotional odyssey worth taking.

Twivee orchestrated a perfect backdrop for the mood of the track. The indie lo-fi elements, washed in saturation, amplify the intimacy and vulnerability of the release, while the grooves in the chorus are infectious, locking listeners into the momentum, making it a go-to anthem for anyone doubting their ability to navigate through life’s chaotic moments.

Twivee’s talent as a writer, producer, engineer, singer, and rapper shines through in this self-produced track. The bridge serves as a pivotal moment in the song, bridging the gap between the negatives and the positives. Lines like “Behind these eyes, I’ve seen pain” and “But I’ve seen skies and where it rains, it clears sometimes” encapsulate the essence of the track – a message of hope and perseverance.

Ray of Hope will hit the airwaves on April 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Baby T echoed the soul of the ‘MISUNDERSTOOD’ in his hauntingly hard-hitting hip-hop hit.

After a four-year break from the airwaves, the Emmy award-winning hip-hop artist, producer and emissary of innovation, Baby T is back, and his sound isn’t just bigger than ever; MISUNDERSTOOD stirs emotions from the depth of the soul to evoke a viscerally profound response.

Waxing lyrical around the nostalgically arcane air and cinematic flair of the 1960s classic, Don’t Let Me Be Misunderstood, may have been a sure-fire way of Baby T playing havoc with heartstrings, but his fiery original verses – modernised for maximum resonance – and the percussive passion which brings bass-drenched depth allowed MISUNDERSTOOD to hit hard enough that you’ll feel the emotional bruises.

As we exist as ideas in the minds of everyone we meet, there’s plenty of our identity that can be lost in translation when we’re poured through everyone’s perception filters, but even the knowledge of this irrefutable fact isn’t enough to take away the sting of feeling unseen, disrespected or underestimated. Baby T’s candid introspection, laid out through instantly ensnaring vocal hooks, is all the consolation and motivation you’ll need to stay on your authentic path.

MISUNDERSTOOD is a flawless testament to his prestige. Haunting and hard-hitting in equal measure, it’s a serious contender for our favourite hip-hop track of the year.

Stream MISUNDERSTOOD on all major platforms via this link.

Review by Amelia Vandergast

Spotlight Feature: Tago – D.A.M.N: An Eternally En Vogue Hip-Hop Anthem of Resilience and Enlightenment

Elevate your rhythmic pulses and bolster your resilience with “D.A.M.N,” the latest euphorically elevated hit from Tago, the Texan titan of hip-hop. The track is a seismic shift in the musical landscape – not by pandering to trends or pursuit of viral fame – but through unflinching perseverance to remain authentic and uplift music fans from all walks of life.

The cross-over appeal is unreal. Between the modernised grooves, which expose Tago’s electronica influences and determination to produce anything but pedestrian beats, you just can’t help but catch the fever of his positivity as he proves that while life might throw curveballs, it’s the grit and grind that keep you going.

Crafted by the multi-platinum producer whose name is fated to become synonymous with longevity in an industry where stars often flicker out as fast as they ignite, D.A.M.N is a firestorm of soul, wisdom, and exhilaration. This track is a bold declaration that Tago isn’t just playing the game; he’s setting the rules, delivering a sound that’s not just for the moment but for the ages.

Merging the raw, unfiltered essence of old-school hip-hop with a glimpse into the genre’s future, Tago’s invitation to embrace your journey towards self-actualisation and peak individuality is irresistible.

Tago Said:

“When I wrote D.A.M.N, I was going through a lot of trials and tribulations and it had me feeling like “DAMN”. In a sense, you can say the feeling of struggle is what created the track.

In this record, I’m trying to convey a story of resilience and inspire others to not give up on their dreams or themselves despite the pain, pressure, and people’s expectations. Always be authentic and never fold under pressure because diamonds are created under pressure.”

D.A.M.N will be officially released on all major platforms, including Spotify, on February 29th, followed by the upcoming accompanying official music video, directed by the cinematic titan, Ori Evans. 

Review by Amelia Vandergast

Lost Gold grooved soul into old-school hip-hop instrumentals in ‘FILE.0016’

lostgold.file.0016 by lost gold

With ‘FILE.0016′, Lost Gold, the moniker of Minneapolis-based multi-instrumentalist Dylan Heidt, crafted an instrumental odyssey that resonates with the warmth and soul of old-school hip-hop. This track, part of Heidt’s ambitious solo project, is a testament to his versatility and deep-rooted appreciation for diverse musical genres.

The track opens with a beat that could easily be mistaken for an Alabama Shakes number, immediately setting a tone of nostalgic familiarity. It’s a rich, soulful foundation that harks back to the golden era of hip-hop, yet feels refreshingly contemporary. The warmth of the beat is palpable as the track progresses and the impossible-to-resist grooves take centre stage.

The keys cascade with a melodiousness that’s both playful and profound, while the guitars add a shimmering layer of complexity around the robustly funk-infused basslines that are meticulous when carving pockets of rhythm.

As Lost Gold continues to release more music through Bandcamp, ‘FILE.0016’ stands as a shining example of his talent and vision. It’s a piece that connects with listeners globally, proving that true artistry lies in the ability to blend the familiar with the new, creating something uniquely resonant and timeless.

FILE.0016 was officially released on January 3rd; stream or purchase the single on Bandcamp.

Review by Amelia Vandergast

KADREN blazed his trail in his electronica-hip-hop-soul mash-up, DASH!

KADREN’s latest track ‘DASH!’ is a high-energy, soul-infused Tour De Force, which marks a new zenith in his artistic journey. With over 14,000 streams of the official music video in just four days, this Portland-based prodigy unleashed a cultural phenomenon.

‘DASH!’ is an electrifying blend of Labrinth-inspired high-voltage beats and deep, soulful rhythms that resonate long after the track ends. KADREN, originally a producer, has skilfully married his dual passions for beat-making and lyrical expression. His influences, from the astronomical Travis Scott to the legendary Kanye West, are seamlessly integrated into his unique style without overshadowing it.

The official music video is a cinematic journey, intertwining manga-twisted visuals with a soundscape that’s as much a narrative as it is a song. Between the endearing vocal harmonies and exhilarating beats, KADREN achieved a rare feat in today’s music scene. His ability to weave paradoxes into a cohesive and compelling sonic signature is nothing short of visionary.

But it’s not just the technical brilliance that sets ‘DASH!’ apart; it’s the raw, palpable energy that KADREN brings to every beat, every verse. The track doesn’t just pass the vibe check; it sets a new standard. With each drop, there’s a surge of adrenaline, a moment of pure, unadulterated connection with the music.

DASH! was officially released on January 19; stream the official music video on YouTube.

Review by Amelia Vandergast

Tha Blaqsmith crafted a monastery-esque mindscape with the lo-fi beats in his latest release, What is Meditation

The Last Day EP by Tha Blaqsmith

In the bustling sphere of modern music, Tha Blaqsmith, a California-Las Vegas based producer, crafted a unique auditory experience for their latest release, What Is Meditation, and invited his listeners on a voyage into the realms of inner peace and heightened consciousness, led by the guiding light of Edwin “Tha Blaqsmith” McCain’s innovative spirit.

From the outset, the mindfulness bells resonate, echoing the sacred sounds of a Tibetan singing bowl. This introduction is not just an opening but a ticket into a sanctuary of serenity. The bells set the stage, transporting the listener to the tranquil corridors of a Buddhist monastery, a setting where the mind finds solace and the soul, harmony.

As the journey unfolds, a crackling spoken word recording emerges, reminiscent of an old sage imparting wisdom on the essence of meditation. This element adds a layer of authenticity and warmth, bridging the gap between the ancient practice and the contemporary listener. The lo-fi beats then make their entrance, maintaining the tape recording crackles, a subtle nod to Tha Blaqsmith’s affinity for vinyl records and drum breaks. This fusion of the old and the new creates a soundscape that is both nostalgic and refreshingly novel.

The ambient elements that flow into the track further enhance this meditative experience. Tha Blaqsmith’s skill in blending these sounds demonstrates his unorthodox approach to music. With no formal background in composing, his natural inclination towards music shines through, offering a raw, yet refined essence to the hip-hop genre.

What is Meditation was officially released on December 31 in The Last Day EP; stream the EP in full on Bandcamp.

Review by Amelia Vandergast

JAIZE became the voice of reason and rebellion in his standout rap track, FIRE.wav, ft Kwillo

JAIZE, hailing from ATX and one-half of the hip-hop duo Global Octopus, has delivered a potent and thought-provoking track with FIRE.wav from his eponymous EP. Featuring Kwillo, this single is a wavy meditation on the tumultuous times we find ourselves in, a reflection of the chaos and the quest for solace amidst it.

The track stands out for its unflinching stance on the humanitarian crisis in Palestine, a topic many artists shy away from. JAIZE, with his glitchy yet luxurious production, creates a soundscape that visualises the struggle to achieve mental equilibrium in times which normalise humanitarian crimes. His rap bars, delivered with a flawless and steady urgency, do more than just provoke thought; they ignite a fire within, challenging listeners to question and dismantle the oppressive constructs around us.

FIRE.wav is reminiscent of Kanye and Jay Z, yet JAIZE brings fresh conviction to the table while allowing his music to unravel as an authentic expression of himself.  This track is a bold statement, a testament to JAIZE’s ability to blend personal introspection with broader social commentary.

With his self-titled EP, JAIZE has not only created a compelling piece of music but has also positioned himself as a voice of reason and rebellion in an era saturated by superficial sonic themes. His hands-on approach to the EP, handling all the mixing and mastering for the first two tracks, and collaborating with Kwillo for the last three, showcases his dedication to his craft. He’s only going to get bigger from here.

Stream the JAIZE EP which dropped on December 15 on Spotify.

Review by Amelia Vandergast

Mizzery Jones ensnares via culturally cultivated distinction in his seminal rap track, Yes

Mizzery Jones established himself as a master of rhythmic magnetism while battling his introspective demons in his seminal rap track, Yes, which pulls listeners into a space where old-school hip-hop meets a new era of sound.

The track is a testament to Mizzery Jones’s ability to honour the genre’s roots while allowing his bars to flow into uncharted territories with his distinctive style. Vocally, there are touches of Eminem as Jones blends the foundational beats of hip-hop with fresh cinematic production stylings. If you can imagine being sonically guided through a vibrant bazaar of sounds, where each beat and note is infused with a sense of exoticism, you’ll get an idea of the colourfully layered complexity within Yes, which is prised from Jones’ EP, I’ll Be Back Before Too Long.

This sharp and esoteric indicator of Jones’ ability to intellectually stimulate through his wordplay and deliver verses with a hypnotically assertive cadence won’t fail to capture your attention and keep hold of it with a vice-like grip until the very last note. It’s impossible not to be ensnared by Mizzery Jones’s culturally cultivated distinction as he allows his lyrics to unravel as a panoramic picture of determinism, candour and emotional intelligence.

Mizzery Jones’s biography adds another layer of depth to his artistry. Hailing from Cleveland, Ohio, this producer and artist spent a significant portion of his life in the vibrant cultural landscapes of Chapala and Guadalajara, Mexico; experiences that have clearly seeped into the textured layers of his music.

Stream the I’ll Be Back Before Too Long EP on Spotify or purchase the EP on Apple Music.

Review by Amelia Vandergast

Emanuel Arzumanyan freed his listeners from the comparison trap with his hip-hop track, Gotta Get Mine ft Mr Maph

For his latest single and most popular hit to date, Gotta Get Mine, the Antwerp, Belgium-based beat maker, hip-hop producer, guitarist, and audio engineer, Emanuel Arzumanyan, collaborated with the London-based trailblazer of a lyricist and vocalist Mr Maph to deliver a high-octane rap track that will leave you adrenalized with inspiration.

The reprise “gotta get mine, gotta get yours” over the cinematically Grammy-worthy hip-hop orchestration is an efficaciously succinct way to veer listeners away from envy and the comparison trap and towards determination that doesn’t revolve around anticipating and facilitating the downfall of others.

Gotta Get Mine evades all of the usual tropes to unravel as a hit that delivers introspective gold over each of the expertly crafted hooks that will remain sharp enough in your mind to necessitate making Gotta Get Mine a playlist staple.

Stream Gotta Get Mine on Spotify and follow Emanuel Arzumanyan on Instagram.

Review by Amelia Vandergast

MISSISSIPPI SNO raps the Delta blues in his antithesis of a love song, THE WHORE SONG

The Texas-born, Mississippi-raised rapper, producer and independent record label owner, MISSISSIPPI SNO, began his 15-year career with the inspiration of Tupac and Notorious B.I.G; along the way, he’s produced everyone from Frank Whyte to XOXO CoCo and collaborated with Gucci Mane, Rick Ross, Wu-Tang Clan and Sean Kingston.

He’s performed and promoted his music in all 50 states; now he is here with his seminal rap track, THE WHORE SONG, which oozes twangy Delta blues around the solid beats and the uninhibited bars, which construct the ultimate antithesis of a love song. Usually, breakup tracks are filled with perfectly poised and flowery language that no one would usually use to refer to their ex; in the process, they give unrealistic romantic expectations of the dumping experience.

MISSISSIPPI SNO may have used language that would lead to offence from the types of people that reach the height of pleasure when they get their backs up, but we’re more than here for the raw honesty which runs in the same vein of Insane Clown Posse.

Stream THE WHORE SONG on Spotify now.

Review by Amelia Vandergast
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