One Man Electrical Band® (OMEB®) has been taking the Cincinnati music scene by storm since 2003 with his futuristic spin on classic hard rock. With his latest single ‘Sign of the Times’, he hooked up with rock royalty, Vinny Appice (drums) and Steve Stratton (bass) to create an eye-opening juggernaut of a single.
We all know those snobby rock musos, don’t we? The ones who will disagree with any rock made in the 21st-century, Sign of the Times puts those pretentiously-formed opinions to shame.
With an old school Sabbath touch to the vocals, layers of atmosphere akin to what you’d hear in a Ministry track and politically-charged awakening lyrics, Sign of the Times hits the spot in every way possible. One Man Electrical Band’s talent easily parallels the collaborative artist’s, given that Vinny Appice drummed for DIO and Sabbath, it’s no surprise that One Man Electrical Band has shared stages with Journey, Motley Crue and KISS.
On the basis of the guitar solo, Sign of the Times should probably come with an X-rating along with a 5-star rating.
You can check out the official lyric video via Facebook.
Plenty of artists made their debut in 2020; but for London-based alt-rock artist, Musicismost, their debut was 40 years in the making.
The powerhouse first started jamming in the 80s, but it wasn’t until last year that they decided to let the world hear their high-energy approach to timeless rock. Judging by the phenomenal reception of their debut single, ‘Pheromone Too’, released on November 17th, the world was eager and waiting.
Just two months on from the debut, Pheromone Too had racked up over 100,000 streams on Spotify alone, and Musicismost has already left fans insatiable for their fresh, catchy and high-octane sound.
Before treating us to the second release from their forthcoming album, which will be released in full in Autumn 2021, they released ‘Pheromone Too (Hard Mix)’ which amplifies the over-driven energy contained in the original track which was mastered by multi-Grammy-award-winning producer, Howie Weinberg. With the producer responsible for Nirvana’s ‘Nevermind’ at their disposal, it comes as no surprise that Pheromone Too is a flawlessly radio-ready rock earworm.
Fans of 80s hair metal and modern alt-rock alike will want to delve into the sleazy track which holds fleeting reminiscences to Motley Crue, Poison, and Skid Row.
Pheromone Too (Hard Mix) was released on January 14th, 2021, it is now available to stream via Spotify.
Connect with Musicismost via Facebook, for more information, head over to their website.
‘UNSAID’ is the latest sonically infectious track from Canadian Hard Rock artist Rise in Veins, the verses may be filled with caustic momentum, but when the chorus hits, the melodicism of the scathingly high-energy release takes hold.
Rise in Veins succeeded in layering a dark gritty sense of despondency within their sound while providing an upbeat anthem to find catharsis within. UNSAID both validates and absolves frustration as the compassionately commanding vocals run through against the tight synergy of the instrumentals; definitively proving that the Hard Rock powerhouse is a force to be reckoned with.
Any fans of Godsmack, Drowning Pool and Seether are definitely going to want to pay Rise in Veins some attention. Their signature take on hard rock is exactly what the airwaves needs in 2021. It’s visceral and ardent enough to shatter any sense of ennui which you may find yourself in before you hit play.
UNSAID was officially released on January 15th, 2021, you can hear it on Rise in Veins’ official website
I was uncertain if I could love the sound more than the wordplay in the latest track “Los Invisibles” from LA-based Rock artist The Revies. Yet, once I got a taste of the raunchy, punchy, eager sound which The Revies had manifested through their high-octane performance, it became apparent that their linguistic ingenuity is easily outshone by their ability to orchestrate a captivatingly immersive Rock hit.
Any fans of Stone Sour will definitely want Los Invisibles on their playlists. The production couldn’t be higher, the distinction allows you to hear the authenticity and there’s no disputing that The Revies is a force to be reckoned with.
It may have been a while since I’ve been to a gig, but I’m fairly sure that The Revies is exactly the kind of band who would leave your mind blown and your neck sore if you got the pleasure of seeing them live.
You can check out Los Invisibles for yourselves by heading over to Spotify.
Enough time has passed since The All-American Rejects’ iconic track “Dirty Little Secret”, so Alt-Rock faction Crown and the Doubt have paid their own ode to sordidness with their viscerally electric latest single.
As acclaimed as The All-American Rejects were/are, they don’t seem to possess a fraction of the talent which you will hear in the colossally tight heavy and sleazy Rock instrumentals. But it’s with the vocals where Crown and the Doubt really set themselves apart. They’d give Buckcherry a run for their money when it comes to salacious sleaze.
You can check out Dirty Little Secret for yourselves by heading over to SoundCloud.
Through dominating vocals atop of sultry Rock rhythms, Floridian Alt-Rock artist GREYE created an unforgettable release with their latest single “So Far So Good” which is the second track to be released from their upcoming album of the same title.
With the first single release grabbing the #1 spot on the World Indie Chart, it’s easy to expect big things for GREYE. Possibly even bigger than the anthemic sound they alchemically cooked up in So Far So Good.
The vocals find the perfect balance between ferocity and harmony, any fans of Joan Jett and later formed 90s Riot Grrrl artists will undoubtedly be bowled over by this colossal single.
With a powerhouse of instrumentalists laying down soaring riffs and laying the Wah on thick, So Far So Good has all the accessibility of Classic Rock, but underestimating GREYE’s distinctive talent would be a dangerous move.
You can check out GREYE’s single So Far So Good here.
French Heavy Blues Rock band FOLSOM almost left us speechless with their latest single BONZAI.
It took a while for our rhythmic pulses to recover from the arrestive state they were in for the entire duration of the progressively dynamic track.
With vocals switching from blisteringly raw Hetfield-style screams to Bluesy Rock n Roll magnetism, Peter Cattet’s vocals match the influx evolutions which the instrumentals seamlessly make. At this point, I thought I’d heard it all with guitar solos. My jaw literally dropping at the crystal clear tones as BONZAI drew to a close proved otherwise.
BONZAI is pretty much the definition of aural sex appeal. If you’re not dead from the waist down, you’ll be inclined to agree.
You can check out the official video to FOLSOM’s latest single BONZAI for yourselves via YouTube.
Fans of cutting Post-Punk tones and intense Alt-Rock aural furore will definitely want to immerse themselves in Southampton-based artist Hail’s latest single “A Stain in Time”.
The rhythmically serpentine hit will throw you right back to the roots of Rock n Roll. While the atmospheric production and the sheer amount of talent in the instrumental arrangement gives A Stain in Time plenty of commercial appeal.
If any artist could be thought of this generation’s Joan Jett, it’s Hail. Hail not only possesses the same absorbing energy as the iconic artist, but she also offers the same piercing pioneering allure as Joan Jett did when she first told us that she loved Rock n Roll in 1981.
A Stain in Time will be available to stream via Spotify upon its official release. In the meantime, you can check out Hail’s earlier releases.
Keep up to date with Hail’s latest releases via Facebook.
We’re always on the lookout for breaking bands who bring brand-new energy to Rock. And District 13 certainly didn’t disappoint with their transfixingly dark, evocatively visceral offering of Alt Rock “Soma”.
The instrumentals may be heavy, but there’s a striking amount of melodicism to ingest as the progressive hit unravels. Each new evolution in sound leaves you with yet another affirmation of District 13’s talent when it comes to fusing elements of Punk and Heavy Metal. You get the snappy riotous energy of Punk, orgasmically sweet guitar riffs, and harsh heavy tones all wrapped up in one sublime aural package.
That’s all without mentioning the vocals. If Jesus himself wept, it wouldn’t be as emotive as what guitarist and vocalist Jon Hartz Wild brought to Soma. The guttural drawn-out jagged whiskey-soaked screams will stay with me quite some time. But despite all of the raw emotion forcibly thrown into Soma, there was still plenty of upbeat energy to ensure that the track comes to a close without leaving you feeling like you’ve been put into an existential hole.
I’d be willing to put money on the London-based trio’s taking the scene by storm in 2020.
You can check out the official music video to District 13’s latest single Soma via YouTube.
Whatever your sexual orientation, I can guarantee that you’re going to find the riffs in Nashville-based artist Ryan Snyder’s latest single “Some Things Never Change” more than a little bit sexy.
The feisty ode to Rock is a high-octane blast of pure rhythmic wonder. But it isn’t through intensity or speed where Ryan Snyder sets themselves apart (although there’s a lot of that too). It’s how their eclectic array of influences find their way into their sound. Within Some Things Never Change, you’ll find the mesmerism of Blues along with combined with reminiscences of the likes of Guns n’ Roses, Buckcherry, and Led Zeppelin.
Even if you’ve been plugged into a constant stream of Rock music since the 70s, Ryan Snyder will still give you plenty to get excited about. It’s discovering artists like this that makes you realise just how skewed lists of ‘top guitarists’ truly must be.
You can check out Ryan Snyder’s single Some Things Never Change for yourselves by heading over to YouTube now.