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Grunge Metal

New Zealand powerhouse Thess have made a monolithic hard-rock return with ‘Kombakke’

If Coal Chamber, Deftones, Alice in Chains, Mushroomhead and Pantera were placed in a smouldering sonic pot, the simmering amalgam would groove in the same hard-rock vein as the latest single from the Nelson, New Zealand-hailing fourpiece, Thess.

After a recording hiatus, the monolithically hard-hitting powerhouse released their brand-new single, Kombakke; and there’s the promise that there is plenty more in the pipeline from the criminally underrated act, which more than has what it takes to send ripples through the industry that are powerful enough to move tectonic plates.

The extended single melodically pulls you through a myriad of progressive stylistic exhibitions of the band’s dynamism – never allowing you to get complacent with the ever-transitory rough rancour that efficaciously delivers catharsis to anyone on the same pissed-off page.

Kombakke was released on February 14th. Hear it for yourselves by heading over to Spotify.

Review by Amelia Vandergast

BackIVBlood – Cuts: Cowboys from Cwmbran

The recently forged South Wales metal three-piece, BackIVBlood, is laceratingly sharp in their debut single, Cuts. With elements of Pantera, Drowning Pool and Static X all legible in the adrenalized off-kilter ride through their progressive furore, it’s impossible not to get sucked into their grungy alt-metal antagonistically cathartic antics.

The caustically sharp vocals rail across the consistently evolving instrumentals that lustfully flirt with nu-metal in the rhythm section, stylise the ferocity with dynamic hard rock guitar licks and add nuanced layers of industrial metal to the fresh production, which unravels as an amalgam you’ve never tested the capacity of your neck with before.

Based on this exceptionally promising debut alone, the juggernautical powerhouse can count on me to be at the front row on their future tour dates.

Listen to Cuts on Spotify and YouTube.

Review by Amelia Vandergast

The alt-rock powerhouse, Silence in Surrender, is ‘Coming Up’ in the first single to be released from their forthcoming album.

South West London’s riffiest prodigal sons of hard rock, Silence in Surrender, have teased what it is to come in their forthcoming album with the release of the first single, Coming Up.

As soon as I hit play, the virtuosic furore shunted me right back to the early 00s metal and hard rock scene; as the dynamic track progresses, they keep the instrumental curveballs coming with the infusion of thrash and the Seattle sound.

I never thought I would see the day when a track could appease fans of Mastodon, Bring Me the Horizon, Faith No More, Velvet Underground and Pixies simultaneously, but Silence in Surrender delivered that and a whole lot more with Coming Up. It appears that they’re the only one that got the memo about bringing the sex appeal back to rock too – the guitar solos should come with an X-Rating.

Coming Up is due for release on March 4th. You can check out the official music video via YouTube.

Review by Amelia Vandergast

Angils delivered a stellar slice of progressive metal with their latest single, Drowning.

‘Drowning’ is the latest melodic metal single from the arrestingly talented alternative artist, Angils, who puts their own sludgy signature spin on the genre – to an atmospherically enticing effect.

With nuances of grunge in the harmonised vocals before they break into visceral, guttural angst, the progressive nature of the consistently unpredictable track keeps you hooked from start to finish. From grungy reminiscences to Alice in Chains to angular instrumental interludes to straight-up Pantera-Esque aggression, Drowning definitively offers it all. If the metal scene continues to sleep on Angils, they may as well be in a cultural coma.

It isn’t every day that we discover an artist whose instrumental ability is on par with their immersive songwriting prowess. We can’t wait to hear what follows.

Drowning was officially released on December 30th; you can check it out for yourselves via YouTube.

Review by Amelia Vandergast