Browsing Tag

Folk Singer Songwriter

Oliver James Brooks synthesised contemporary sickness with the fever of the 70s in ‘Technologically Stoned.

https://bit.ly/OJB-TechnologicallyStoned-Video

To hold a mirror to the dystopic sickness of the day, the critically acclaimed Toronto singer-songwriter, Oliver James Brooks, lyrically narrated our iPhone co-dependency issues in stark contrast to the 70s fever of psych-folk timbres with his alt-folk-rock single, Technologically Stoned.

Illuminating the reality of the evolution of technology which is spurring the regression of society while orchestrating a lava lamp warm soundscape that consoles through the dusky hues couldn’t have been an easy feat; the resolving raconteur succeeded nonetheless.

The accompanying music video, shot on super 8mm film along the Humber River Valley, also acts as a compelling visual exposition of how the chokehold of our phones is blinding us to the natural beauty that is everywhere we turn. If any single is going to convince you to get your dopamine fix in a more organic way, it is Technologically Stoned; the organic and raw production leads by efficacious example.

Technologically Stoned was officially released on September 22; it will also feature in the artist’s third studio LP, A Little Long While, which will be available to stream on all major platforms from November 24.

Watch the official music video for Technologically Stone on YouTube now.

Review by Amelia Vandergast

Brian Berggoetz tenderly chases an ethereal spectre in his orchestral folk score, Just a Dream

Just a Dream is the latest orchestrally ornate single meticulously crafted by the Tucson, Arizona artist, Brian Berggoetz. While the acoustic guitar strings keep the orchestration humble, intimate and folky, the cinematic interplay between the cello and violin strings brings a profound sense of elegant refinement to the lyricism, which tenderly chases an ethereal spectre.

With his backing band, Brian Berggoetz has become a prominent fixture in the Tucson live circuit and beyond; his live shows, whether he’s opening for Reverend Horton Heat, Charlie Sexton and Chris Murphy or topping the bill, have a reputation for rendering audiences enraptured.

Original songwriting is just one of his talents in a vast repertoire; he also has an affinity for reimagining classical songs in his distinctive style, which balances euphonic decadence with the intense affability of folk rock to make classical overtones effortlessly accessible to a wide audience. If Eddie Vedder’s soundtrack for Into the Wild infused more orchestral strings, I’m not entirely convinced it would emanate the same delicate visceral mesmerism of Just a Dream.

Just a Dream is now available to stream on Spotify.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Mark Ben Wilson is searching on the other side in his compassionately warm folk-pop single, Horizons

Some tracks allow you to fall in love with a three-minute experience; others allow you to develop a deep kinship with the artist through their inviting warmth. After listening to Mark Ben Wilson’s single, Horizons, it is safe to say that he puts his listeners in the latter camp with the evocative resonance in his guitar work that is only matched by the compassionate honey that drips from his vocal lines.

His humble yet highly assured approach to passionately pure acoustic folk-pop is intoxicating from the first melodic breath; as Horizons continues to unravel, you’re taken along for the emotive ride as he searches for meaning on the other side of the kind of storm that leaves you alone holding up an umbrella. It’s a stunning vignette that will easily enamour any fans of Ben Howard, John Butler and Fink.

Horizons will release along with Wilson’s LP, Roots & Wings on September 22nd. Stream it on SoundCloud.

Review by Amelia Vandergast

Unknown River set the bar for honkytonk hits plateau-high with ‘Outlaws on My Trail’

The Floridan singer-songwriter and multi-instrumentalist Unknown River set the bar for penning immersive escapist honkytonk hits plateau-high with the standout single, Outlaws on My Trail, taken from his debut album, The Dead River Passage.

The fiddle and banjo-driven single delivers a vignette of a man coming to regret the repercussions of his down-and-out actions; the combination of the simple country living exposition and the upbeat arrangement and vocals is enough to make the experience of outlaw-evading sound like a riotous way to see the sands of time slip away, and therein lies the beauty of Unknown River’s indomitable magnetism.

By taking the influence of bluegrass, delta blues, country, rock and old-timey traditional tunes, Unknown River’s amalgamated Americana signature is designed to strip away the plight of modern-day malaise and entrench you in the ease and euphoria of eras that are far from bygone – roots-crafted sanctuaries are just one hit on play away. Press it.

Outlaws on My Trail is available to stream on Spotify.

Review by Amelia Vandergast

Alexander Joseph illuminated the airwaves with his elevated folk-pop single, Guiding Star

If your folk-pop playlists need a boost, the evocatively uplifting latest single, Guiding Star, from Alexander Joseph will elevate them until they reach a new plateau of accordant soul.

If you know all too well how it feels to fear fading into obscurity, Guiding Star will deliver illuminating resonance. Traversing themes of desperation to escape while having no sense of direction was the ultimate affirmation that the singer-songwriter crafted this compassionately melodic single straight from his jaded soul.

There may not be any way to abstract the complexities and uncertainties of life, but hitting play on a track and knowing you’re not the only dog in the disjointing fight is as close to a sanctuary this society can provide.

If you can’t get enough of Alexander Joseph’s consoling lyricism, you don’t have long to wait for the UK artist’s EP, Stop and Breathe, which is due out in October. The EP will be used to raise funds for the charity One Tree Planted, which is combatting the impact of global warming through vital reforestation work.

Guiding Star was officially released on August 25; stream it on Spotify.

Review by Amelia Vandergast

Ervin Munir left us on the hook with his lo-fi indie folk single, Pick up the Phone

Ervin Munir

Norfolk’s most affable folk raconteur, Ervin Munir, has left us on the hook with his latest lo-fi indie folk pop single, Pick up the Phone, featuring the honeyed vocal lines of Tina Blaber.

With plenty of songwriting and vocal reminiscences to Nicky Wire’s debut solo LP, it is impossible not to be endeared by the quintessentially folky sticky-sweet sentimentality of the release, which amplifies around the fiddle solos and the irresistibly enrapturing melodies that find the perfect places to blossom in the single.

The diehard romanticism of the lyricality, which shows you the beauty of taking a few non-reciprocal arrows and still not faltering on the optimism front, also plays its captivating part in making Pick up the Phone an unforgettably exhilarant release.

Pick up the Phone will officially release on July 14th. Stream it on Spotify.

Review by Amelia Vandergast

It is ‘All About You’ in Cristina Movileanu’s summer folk-pop serenade

If you noticed it got a little hotter on the 16th of June, that may have been due to the scorching hot summer folk-pop single, All About You, from the vibrantly vivacious singer-songwriter Cristina Movileanu.

Each year, artists compete against each other to orchestrate the hit that will become their audience’s upbeat soundtrack to the summer. Never one to make pedestrian or predictable moves, the Emerald Isle-haling originator created a gateway to a parallel world brimmed with positive energy and joyful moments.

The jangly upbeat indie folk guitar melodies will be your main mode of transport, while Movileanu’s soulful vocal timbre will take you the rest of the way. There really is no overstating how captivating All About You is. For your own sake, don’t hang around in delving into the carresive Elysian chemistry in All About You.

Check out the official music video for All About You on YouTube, or add the sun-bleached hit to your Spotify playlists.

Review by Amelia Vandergast

The Marsh Family instilled empathy for refugees in their single, See Your Face Again

Released to raise awareness for 2023’s Refugee Week, The Marsh Family’s compassion-driven and strings instilled latest single, See Your Face Again, is as devastatingly beautiful as it is necessary. In a time when tribalism and prejudice are so pervasive in the mainstream discourse, and when it is painfully evident that empathy is the only remedy, singles don’t come much more seminal than See Your Face Again.

The indie folk single by the musical family gives the listener a view into how heartbreaking it is for migrants to decide to tear themselves away from the ones they love in search of a future that is brighter. There’s no sacrifice greater than leaving family behind in landscapes where more rubble amasses every day.

Instead of preaching to the choir, the Marsh Family collectively put themselves in the unenviable position of migrants, allowing the listener to come to their own emotional conclusions, whilst being guided by the euphonic grace of the release.

The single features Ali Esmahilzada, who fled from Kabul to LA without his violin, but was benevolently given one by a US benefactor. The single itself pushed me to the brink of tears; the stunning contribution from the resoundingly talented Ali Esmahilzada pushed me over the edge.

Stream See Your Face Again from the 16th of June via SoundCloud.

Review by Amelia Vandergast

 

Bay Bryan’s debut LP is a reverie of ubiquitous art-folk revelation

Life often imitates art, but LPs which emphasise realism and naturalism to such a vivid degree that you find yourself open to the purity and vastness of reality on this 1,000-mph spinning rock are a little harder to find, making the debut album, The Meadow, from Bay Bryan a ubiquitous revelation.

With vocals as diaphanous as the quiescent folk motifs, the omnipresent grace of the 10-track release becomes a paradox in its freeing yet arrestive proclivities. With sounds of the forestland flourishing in the same vein as Cosmo Sheldrake’s nature-sampled work in the opening singles before the LP embraces some folk traditionalism and elevates it through tantalisingly minimalist guile, The Meadow unravels as a release you should consume whole so that the euphonic album can return the favour.

There may be a lot to lament in this Anthropocene. Yet, as euphonically alluded by the Colorado-born, Manchester, UK-based artist, beauty still exists in the totality of our existence. Allowing the release to spill the solace of resonance; around the brushstrokes of pure rapture are conjurings of pensiveness, which give the LP as much soul as the euphoric dream-like layers.

The concept album may portray the tale of a protagonist trapped in an endless daydream, but with the infectious flower child celestiality, you may just find the inspiration to forego reality too, if only for the duration of The Meadow.

The singer-songwriter is often gratifyingly guilty of bringing their theatre-making talents into their imaginatively cinematic soundscapes, which have garnered rave reviews and airplay from BBC Radio 3. In an era when there is so much hate and fear, artists able to implant us in the sanctity of a daydream away from the waking terror are worth their weight in gold; Bay Bryan may just be the richest artist in the UK.

“I want you to stop. I want you to breathe. And for the next 30min I hope that you let yourself go —immerse yourself in world of the meadow —and get lost with me in it’s golden hue. The adventure is yours for the taking.” ~ Bay Bryan

Stream The Meadow via Spotify

Review by Amelia Vandergast