Browsing Tag

Folk Rock

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Posted on 25 November 2023
Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Cenzontle’s fusionist sound is sweeter than ‘Nectar’ in their latest seminal Latin folk release.

Posted on 18 November 2023

After enchanting audiences under the GlowStone Leaf Orchestra banner and producing 13 albums that weave a tapestry of profound narratives and complex harmonies, the delectably talented Berlin-based artist, Jorge Hernandez, who has been honing his rhythmic and raconteurial crafts for over a decade stepped into a new ensemble when he assembled the three-piece Cenzontle with Lucie Nana and Kim Kong in 2019.

Monikers don’t come much more apt than Cenzontle, which translates to “400 voices”; it is a nod to the Mexican heritage of Hernandez and the multi-layered essence of his work, which breaks the monocultural mould while proving music is a universal language.

The eponymous LP, which hit the airwaves earlier this year is an opportunity for immersion in a captivating fusion of traditional Latin American Folk and electrifying Rock, delivered with a digital twist. Whether you delve into the vibrant recording or witness the emotional and innovative depth via the live performance of the standout single, ‘Nectar’, you’re sure to be stirred by the spiritually transcendent experience which solidifies Cenzontle’s position at the forefront of genre-bending music exploration.

Stream the Cenzontle LP on Spotify.

Review by Amelia Vandergast

Gain a lesson in virtue with Cagri Raydemir’s Absence of Patience

Posted on 25 October 2023

Taken from the four-track EP, Absence, which extolls the virtues of patience, candour, courtesy and tolerance, the opening single, Absence of Patience, featuring Julian Hesse on trumpet, is some of the Munich-based singer-songwriter and producer, Cagri Raydemir’s finest work to date.

After teasing a post-punk atmosphere in the intro, exotic folk nuances begin to weave their way into the progressively avant-garde production before Cagri Raydemir’s vocals become a magnetic centrepiece in the sonic pool of beguile. Imagine Serj Tankian turning his talents to folkish prog rock, and you will get an idea of the organic alchemy caged within this exemplary feat of artistry.

12 LPs and 7 EPs down, it is safe to say the qualified recording engineer and artist has honed his sound and his ability to bring lyrical concepts which explore the human condition to life within his soundscapes. We can’t wait to hear what he conjures next.

The Absence EP was officially released on October 16th; stream it on Spotify.

Review by Amelia Vandergast

Sadness plays the blues in the latest folk composition by Italian virtuoso, Stefano Manotti

Posted on 10 October 2023

A cosmically arcane air breezes right through the latest folk single from the Italian singer, songwriter, composer and guitarist Stefano Manotti. He may be only a few years on from the release of his Soulgem Records-distributed debut single, but he is already making major waves in the industry by climbing the charts and supporting internationally acclaimed artists.

The amorous melancholy that lingers in his vocal lines as they drift above the folky instrumental arrangement in Endless Road, which paints a panoramic picture of estrangement and wantonness for connection, invites you into an intimately electrifying and orchestrally ornate world. Sonically visualising the middle ground between Bowie & Tom Waits while orchestrating an exemplary manifestation of Italian folk, Manotti’s sound couldn’t be more refined in this odyssey of folk blues.

Endless Road is now available to stream on Spotify.

Review by Amelia Vandergast

Rossa Murray & the blowin’ winds will warmly render your heartstrings raw with ‘Who Really Wants to Get Clean’

Posted on 29 September 2023
Rossa Murray & the blowin' winds

The hype around the Irish alt-folk/rock outfit, Rossa Murray & the blowin’ winds, may be louder than the melancholic quiescence in the title single from their latest EP, but the accolades are far from hyperbolic.

Who Really Wants to Get Clean is a cutting- with razor-sharp precision – exposition on society’s issues around addiction; so much pressure is put upon the people numbing themselves by any means necessary to change, while the societal issues that make it a necessity for so many get ambivalently swept under the rug.

I can’t even remember the last time a track hit me this hard. The evocative delivery, the desperation in the vignette, the agony that lingers in the tempo of the minor keys, the profoundness in the strings, it all synthesises into a tear-jerking performance that leaves you in a sombre state of contemplation.

Fans of Bill Ryder-Jones and Frightened Rabbit won’t be able to tear themselves away from the Rossa Murray & the blowin’ winds’ discography after Who Really Wants to Get Clean has warmly rendered their hearts raw.

The Who Really Wants to Get Clean – Part 2 EP will officially release on September 29th. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Spike Casino has unveiled his surreal sophomore folk-rock single, Lobsters and Guns

Posted on 23 September 2023

Surrealism is never far from the equation when the LA-hailing singer, poet, writer, producer, and general music shape-shifter Spike Casino turns his hand to a new sonic creation.

His sophomore single, Lobsters and Guns, unravels as a kaleidoscope of obscurity; if New Model Army shared a few tabs of acid with the Legendary Pink Dots, their always panoramic lyrical pictures would share the same quintessentially out-there air as this alt-folk rock harbingering serenade.

Once you’re immersed in the spiritedly cadenced single, the minimal connotations between lobsters and guns in the world outside of this track won’t dare to phase you. Instead, you’ll be enthralled by the depiction of a gangster-fuelled seaside town they should probably close down if this single is anything to go by.

Lobsters and Guns was officially released on September 1st; stream it on Spotify.

Review by Amelia Vandergast

Skittish became the ultimate purveyor of folk-rock nostalgia with ‘Mannequin’

Posted on 2 September 2023

The LA-residing indie folk-rock artist Skittish is fresh from the release of their eclectic era and genre-spanning seventh LP, Midwest Handshake. Genre-fluidity may have become the default position for artists in the 21st century, but few succeed in making a smorgasbord of style as cohesively electrifying as Skittish.

Midwest Handshake is a route back to the golden era of emo via a road never taken. Jeff Noller’s vocation in film sound production in recent years allowed him to sonically visualise his concept in panoramic colour.

This time, Skittish enlisted Ben Etter (Deer Hunter, Kaiser Chiefs) to mix and master the album in his analog-centric studio, resulting in a project that draws you in with nostalgia and quells modern malaise with lyrical resonance that could have only been rendered in our blighted with dystopic blues era.

With the Weezer-esque guitars lending themselves well to the earwormy hooks and the drawling with deadpan attitude vocals in the verses evolving into adrenalized harmonies in the standout track, Mannequin, you couldn’t ask for more serotonin from a single. The raucously riled deliverance of unity is the ultimate olive branch to the disenfranchised by ennui outliers. After one hit, you will want to devour the cinematic album whole.

Mannequin hit the airwaves on August 25; stream it on Spotify.

Review by Amelia Vandergast

Sahara CyberStars illuminated the airwaves with their alt-folk-rock score, Light Shines into a Space

Posted on 21 August 2023

After unveiling six LPs and six singles to date, the Dublin-forged, Australia-residing duo Sahara CyberStars, comprising the award-winning singer-songwriters Dave and Trish Long, exhibited how honed their synergistic sound has become in their latest single, Light Shines into a Space.

The duo may have gone down under, but their arcane Irish folk roots still linger at the epicentre of their theatrically inviting sound in Light Shines into a Space, which allows you to imagine how New Model Army’s post-punk musings would unravel with more ornate and orchestral instrumentals infused into their atmospheric stylings.

The deeply original score’s authenticity is only matched by the evocative pull of the release; from the first verse, you’ll be inseparably combined with the celestially scintillating experimentalism, which bends genres with the grace of an Olympian contortionist.

Light Shines into a Space is now available to stream on YouTube.

Review by Amelia Vandergast

Not Foolish to Check Out This Track

Posted on 15 July 2023

“Foolish Things” by Felim is an outstanding folk rock anthem that blends elements of funk and soul to create an irresistibly catchy and uplifting track. The song features a captivating tenor vocal that’s pitch-perfect, with equally ornamental backing vocals that add depth and richness to the arrangement.

The acoustic guitar in “Foolish Things” provides a solid foundation for the rhythm section, creating a tight and cohesive sound that’s impossible not to tap your foot to. The song’s catchy chorus and infectious groove make it an instant earworm, with a sound that’s both familiar and fresh.

On Felim’s website, the artist describes his music as “a celebration of life, love, and the human experience.” This sentiment is evident in “Foolish Things,” with its upbeat and positive energy that’s impossible not to smile and dance along with. Felim’s music is deeply rooted in the folk tradition, but his unique blend of genres and styles gives his sound a modern edge that’s both fresh and timeless.

“Foolish Things” is a prime example of Felim’s exceptional songwriting skills, with a melody that’s both catchy and sophisticated. The song’s lyrics are poetic and introspective, exploring themes of nostalgia and regret with a sense of empathy and understanding. Felim’s ability to capture complex emotions in his music is a testament to his talent as an artist and his dedication to his craft.

“Foolish Things” by Felim is a fantastic folk rock anthem that’s both uplifting and introspective. The song’s catchy chorus, infectious groove, and sophisticated lyrics make it a must-listen for anyone who appreciates high-quality music with a modern twist. Felim’s music is a celebration of life and love, and “Foolish Things” is a perfect example of his exceptional talent as an artist.

Behold Andy Smythe’s Orchestrally Lush Vignette of a Homeward Bound Beatnik, Prodigal Son

Posted on 23 June 2023
https://soundcloud.com/smytheandy/prodigal-son/s-PSNv058J9tC?si=e47bea85f2ea48afa369111846732d67&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

‘Prodigal Son’ is the latest baroque folk-rock single from the psychedelically captivating singer-songwriter, producer and arranger, Andy Smythe, who transcended the Bowie and Beatles assimilators with his orchestrally lush vignette of a homeward-bound beatnik after a soul-seeking journey.

Anyone who has ever searched for tangible evidence of an entity or philosophy which contextualises reality while grasping and affirming inner essence will feel the force of a fist full of resonance while Prodigal Son is narratively unfolding under the duress of the London-based singer-songwriter’s magnetic with soul vocal lines.

There’s no overstating the sharpness of the songwriting chops or the compelling Buckley-esque 4-octave warmth in Andy Smythe’s vocal lines. After cutting his teeth for the past 20 years as a songsmith, Smythe could give Nosferatu a run for his money with his quintessentially quirky sonic signature which has garnered rave reviews on both sides of the pond.

Prodigal Son will hit the airwaves on June 23. Hear it first on SoundCloud.

Review by Amelia Vandergast