Browsing Tag

Folk Pop

Where Dust Weeps and Thunder Waits: Welcome Stranger’s Folk Reckoning in ‘When They Let Up’

With a vocal timbre that chews on gravel before spilling its soul across the mix, Welcome Stranger drag folk-stitched Americana through the thorns of emotional reckoning in When They Let Up, taken from their EP You’ll Never Mind How I Leave. The title alone sets the tone: departure is a foregone conclusion, and this track unfolds as the moment of clenching before the storm finally breaks.

Their emotive echoes of alchemy will simultaneously leave you reaching for the tissues and to turn up the volume as you envelop yourself within the artful architecture of the single that is constantly opening new stylistic doors. From the first notes of the acoustic guitars, you’d never expect to be greeted by rougher-than-Waits vocals, or how the single builds into an intricately ornate tableau before building into an augmented chest-swelling anthem of radio-worthy, foot-stomping, full-bodied catharsis. Scored with scorned emotion, arranged with sweeping euphony, rendered through succinct reflection and refined through a poetic sense of emotional intellectualism, When They Let Up is an invitation to lose yourself in sound and connect the dots rhythmically laid before you to piece together the poetry with perspective.

Welcome Stranger don’t rely on sonic frills or overplayed tropes to hit their mark; they hit harder by digging into the quieter tragedies, letting the rough-hewn vocals crack through the instrumentals like dried earth under flood. There’s more bruised beauty in a single bar than most artists summon across an album.

When They Let Up is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

IAMCORNELIUS – Life: A Sonic Altitude Check at 35,000 Feet

IAMCORNELIUS

Life by IAMCORNELIUS escapes easy articulation and categorisation. Even if you think along the lines of electro-infused soft melodic rock-tinged folk pop with Avant Garde motifs of soul, you’ll still struggle to run in parallel with the single, which is driven by emotion instead of restrictive genre parameters.

IAMCORNELIUS doesn’t need to make a statement with his moniker when he does it so viscerally through his sound. With his consolingly gruff timbre lifting in the light of the chorus, his intricate acoustic guitar notes bleeding intimacy into the single, and the artful electronic sequences shaping its filmic soul, Life nestles you in its expansive interstellar embrace. If you’re ever caught up wondering about the meaning of life, this track doesn’t offer answers—it reflects the weight of the question in exquisite, untethered form.

Originally from Kenya and now based in Cincinnati, IAMCORNELIUS has spent a life between continents, filtering experience through a diverse musical history. He’s not confined by genre or form—his work is rooted in honesty, written for those tired of looking in the mirror and ready to search their soul.

There are no clean comparisons here. The only adequate metaphor is watching the clouds disappear from the window of a plane as you realise, with both clarity and quiet panic, just how infinite it all really is.

Life by IAMCORNELIUS is available to stream on all major platforms.

Review by Amelia Vandergast

Just Xris Painted a Sun-Soaked Memory With His Acoustic Folk Pop Debut, ‘Mother Leah’

With his debut single, Mother Leah, the up-and-coming singer-songwriter Just Xris turns nostalgia into melody, offering a vignette steeped in warmth and reverence. His folksy acoustic pop signature runs parallel to the introspective musings of Cat Stevens and Paul Simon, but the heart of his sound beats entirely in its own time. Every note lands softly, yet speaks volumes, unburdened by excessive amplification.

Rooted in childhood weekends spent on a farm called Leah near Ellisras (now Lephalale), Mother Leah is a sonic love letter to the people and places that shaped him. Those early days of exploring nature, working hard, and sharing unforgettable moments with family and friends fuel the song’s reverie-rich melodies. There’s nothing but love and adoration reverberating through the single, which allows you to imagine what Elliott Smith’s discography might sound like if it were soaked in serotonin, yet not drowning out the affecting quiescent vocal inflections.

Music has been a lifelong passion for Just Xris, first sparked at age 13 when his mother gifted him her old nylon-string guitar. After spending his teenage years playing in a band, he finally took the leap into music production, leading to the release of Mother Leah on January 21, 2025. Blending folk, country, and indie influences, his succinctly sweet melodies speak volumes without excessive embellishment. Whatever he delivers next, we will want to devour it.

Mother Leah is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Heather Dolly Turns Back Time with her Retro Chamber Folk-Pop Ballad, ‘My Love’

Don’t be fooled by the wavy, lo-fi, tape deck-esque intro—‘My Love’ doesn’t linger in nostalgia for long. From the mind of one of 2025’s most authentic aural architects, the single unfolds into a euphonically intimate trip across the decades. Heather Dolly flits between the 60s and 90s with a sound that carries echoes of icons from both eras, yet her sonic signature remains unmistakable.

Between Beatles-esque chamber pop crescendos and the aching touch of Hurt-era Christina Aguilera, ‘My Love’ sells sanctuary to wearied lovers, embedding them in the tonal catharsis of a track classic in all the right places, innovative in all the rest. It plays out like an affectingly poetic diary entry, wrapped in orchestral swells and folk-pop warmth, with hints of jazz rock swimming in the underpinnings.

At just 19, the Welsh singer-songwriter—now based in Liverpool—has already mastered the delicate balance between timeless and contemporary. With influences ranging from Laufey and Faye Webster to Bob Dylan, she’s not just borrowing from the greats; she’s reinterpreting their legacies with a voice that could heal the deepest of emotional scars.

‘My Love’ was officially released on Valentine’s Day and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Blue Rose’s ‘If I Had a Rose’ Finds Harmony Between Heartache and Hope

Blue Rose

Chicago’s most authentically affecting singer-songwriter duos, Blue Rose, have etched their names into indie folk pop with a rawness that refuses to be polished away. Their latest single, ‘If I Had a Rose’, carries all the hallmarks of their sound—rootsy warmth, soul-deep sincerity, and a perfectly weighted electric guitar solo that teases technical skill into an emotion-driven production.

Originally penned by Adam Wright and recorded by Kelly Willis and Bruce Robison, Blue Rose honoured its sentiment while making their own mark, writing a chorus and instrumental section, which is as euphonic on the ears as it is on the soul. Under their duress, the melodies progressions sweep up in the atmosphere around you, transcending sound to comfort you with the consolation that everyone has known the bittersweet beauty of longing.

If Blue Rose’s songwriting chops get any sharper, they’re gonna sear their way right through the earth’s core with their innovated odes to tradition; the duo’s chemistry is undeniable—Jori Griffith’s vocals carry a weight of lived experience, and Marcus Gebauer’s instrumental textures offer an unshakable foundation.

‘If I Had a Rose’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

your friend juniper’s ‘makesmehappy’ Builds a Bridge Between Fantasy and Fearless Living

What begins as a Disney-esque ballad in makesmehappy doesn’t stay in the realm of romantic fantasy for long. your friend juniper—Nashville-based singer-songwriter, producer, and videographer—obscures the whimsical with artful neo-folk instrumentation, her textured rhythm section syncopating beneath vocal lines that don’t just soar but ascend into something divine.

Seamlessly shifting from delicate reverie to something far more profound, this track solidifies her as much more than a vocal powerhouse; she’s an artist who doesn’t just perform but pours her soul into sound.

With a background spanning musical theatre, classical, and contemporary music—honed at Berklee College of Music—your friend juniper wields her vocal versatility with intent, never relying on sheer power alone. makesmehappy resonates with the same evocative energy as her inspirations Hayley Heynderickx, Madison Cunningham, and Regina Spektor, yet the emotional depth and spiritual warmth in her sound make this track unmistakably hers.

If any single can convince you to chase your happiness without hesitation, it’s makesmehappy, which only becomes more of a revelation with each repeat listen.

The first single from her upcoming full-length album is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

‘My Morbid Tone’ by Alpine Jubilee – When Affection and Discord Collide in Twee Indie Folk Pop Harmony

Few debut releases arrive with such a firm grip on authenticity, but Alpine Jubilee ensured theirs did. My Morbid Tone makes no effort to dilute its raw humanistic essence—it presses it to the forefront with piercingly poignant intimacy.

The alternative duo entwine the hallmarks of traditional folk singer-songwriters with jangly indie pop guitars to resonate with fans of Julian Cope. As meta as music gets, My Morbid Tone employs multifaceted devices to lay bare the dissonance of emotional and ideological distance. The morose vocals steep the track in melancholy, yet the luminous longing in the guitar tones offers a contrast potent enough to mirror the ache of being tethered to someone whose nature exists in opposition to your own.

Clashing perspectives, musical tastes, and the unspoken chasms between people manifest through every note, turning this into a deeply personal exploration of isolation that is rarely approached with such lyrical and melodic precision.

Formed by brothers Trevor and Glenn O’Neil, Alpine Jubilee’s folk-tinged indie pop is the result of a transcontinental collaboration between Toowoomba and Geneva who extrapolate influence from 80s new wave, twee-jangle pop, electro, and contemporary nu-folk to orchestrate accessible Avant-Garde installations of often unspoken introspection. 

My Morbid Tone is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Spotlight Feature: Indie Pop Meets Folk Symphony: The Dynamic Contrasts of Woodstone’s ‘Touch of Adrenaline’

Woodstone

Woodstone, a rising indie pop singer-songwriter from New Jersey, offers an emotive glimpse into his forthcoming fourth LP with the release of ‘Touch of Adrenaline.’ The track captures the essence of early 2000s indie pop while throwing back a little further to 90s Britpop, evoking memories of Plain White T’s and stoking the nostalgia of Oasis while infusing his own raw, heartfelt style.

This intricately crafted track intertwines folk elements with chamber pop strings, allowing contrasting layers of ornate orchestration and winding folk guitar lines to showcase Woodstone’s skill in bending and blending texture and tone into affecting aural contours. Reflecting on the ephemeral nature of intense feelings, Woodstone demonstrates a sophisticated approach to scintillating the senses of his growing fanbase.

Woodstone Said:

“Touch of Adrenaline is about a relationship with an end date, with both parties knowing it will end, and the last fleeting moments being marked by intensified emotion. 

The single explores what it really means to truly feel and be present with someone you love for the last time while conveying an image of romance in the midst of a dystopian world. 

Like all songs on the upcoming concept album, it was inspired by a relationship that could have worked but wasn’t the right time, and life forced us to drift apart.”

Touch of Adrenaline will be available to stream on all major platforms, including Spotify, from December 13th, with Woodstone’s fourth album, Glass Skin, set to follow in early 2025.

Follow Woodstone on Instagram to stay up to date with all of his latest releases and news.

Review by Amelia Vandergast

Candour cascades in John O’Brien’s acoustic folk-pop ballad, Can’t You See That It’s Me

With all the emotional intricacy of Buckley, the spacey etherealism of Bowie and ELO’s tender hits, and the all-encompassing soul of Tom Waits, John O’Brien’s latest single ‘Can’t You See That It’s Me’ pulls you into its evocative core.

The acoustic folk-pop ballad invites you to live vicariously within the lush layers of this stripped-back exposition of the heartache which ensues when romantic expectation forces us to feel as though we’ve fallen short despite giving our all to fulfil desire and sate our own.

if you don’t feel a cascade of emotion fall over you to the tune of John O’Brien wearing his heart on the acoustic guitar strings that drift into the euphonic atmosphere, you can probably consider your soul defunct.

As a performer, recording artist, and songwriter with over four decades of experience, O’Brien has graced stages worldwide—from the US to Madrid, Amsterdam, the Caribbean, Japan, Australia, and beyond. Equally as successful on the airwaves and radio waves, hits from his acclaimed LPs have amassed millions of Spotify streams, while his 2022 UK tour saw his hit ‘The Spider’s Love Web‘ climb to #2 on the UK radio charts.

Can’t You See That It’s Me was officially released on November 15; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Emmett McGrath revisited 70s folk-pop with visual lyricism and achingly panoramic sonics in ‘Outlaw’

Cali singer-songwriter Emmett McGrath is a testament to the power of lyrical storytelling in his latest single, Outlaw. The orchestrally embellished 70s folk pop vignette is driven by Elton John-esque piano keys which let you feel the heart in every note and enlightened by McGrath’s intensely evocative harmonies that put him in the same league as Cat Stevens.

With lyrics as poignantly poetic as Paul Simon and Bob Dylan, it’s impossible not to feel like you’ve found a diamond in the rough with Outlaw; the way it sweeps you up in the tenderly orchestrated panorama as it traces the steps of a woman on the run towards refuge is a cinematic triumph.

Between his visual lyricism, ability to pay homage to the greats while staying true to his sonic blueprint and the lush reverberations of his sepia-tinged compositions, there’s no denying that Emmett McGrath has one of the most impactful voices in modern folk-pop.

Outlaw was officially released on November 2nd and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast