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FGA

FGA Pulls the Splinters from Alt-90s Anguish in the Melodic Riptide ‘What’s Wrong’

With hauntingly angular, melodically emotive indie rock guitar hooks working in complete synergy with the vocals as they croon, soar, and get to the crux of the raw core of the emotional underpinnings, What’s Wrong by FGA is a riptide of affecting intensity, packaged within a melodiously cathartic serenade for the wearied.

If you could imagine what it would sound like if the Manic Street Preachers and Interpol converged their guitar styles around vocals that sporadically tease elements of The Strokes, you’ll get an idea of the kind of alt-90s-adjacent sanctuary you’ll find within the blistered yet blissful tonality of What’s Wrong.

Behind FGA is a Texan artist with a gift for channelling emotional devastation into nuanced sonic nostalgia. There’s no sleek posturing, no gimmick-laden distractions—just the unfiltered distillation of angst, framed through reverb-heavy guitars that flicker like failing fluorescents in a memory-soaked rehearsal room.

What’s Wrong doesn’t scream for attention; it coils its intensity around you and waits for you to meet it halfway. The push-pull between the evocative vocal restraint and the guitar lines that rise and writhe like phantom limbs of ‘90s angst leaves a mark without ever begging for one to be made.

What’s Wrong is now available to stream on all major platforms via this link.  If you don’t mind amassing a new nostalgically rich alt-90s obsession, hit play.

Review by Amelia Vandergast

FGA Hits the Open Road at Full Throttle with ‘Hitchhiker’

FGA didn’t reinvent the wheel with his latest single; he gripped it tight and veered classic rock motifs into uncharted territory. ‘Hitchhiker’ is the sound of the open road—untamed, unpredictable, and impossible to resist. From the moment the hypersonically infectious energy kicks in, the kaleidoscope of honeyed riffs and magnetically rallying vocals lock into a momentum that effervesces with soul. Every note carries the free spirit of its protagonist, nothing is tethered, and everything feels effortlessly unshackled.

With the raw nostalgia of tape-recorded rock and the exhilaration of an all-gas-no-brakes production, the track cruises through psychedelia-tinged rhythms that nod to ‘60s surf rock pioneers while charging forward with the force of modern alternative rock. Dan Konopka’s (OK GO) irreplicable percussion adds an infectious dynamic to the track, ensuring indie kids and those who kneel at the altar of unadulterated rock will find plenty of reasons to affix Hitchhiker to their playlists. 

Freddie Gibbs—the Texas-born force behind FGA—has spent years distilling a lifetime of musical education into his craft. Raised on a record collection spanning Led Zeppelin to Pearl Jam, his songwriting carries the weight of experience, shaped by nights spent playing Austin’s underground scene and road-tripping into the unknown. Now working from his home studio, his music lands somewhere between grunge’s bruised introspection and stoner rock’s freewheeling escapism.

‘Hitchhiker’ is a track built for windows-down abandon, a reminder that the road ahead is always calling. It’s now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast