Browsing Tag

Fantomas

Liverpool’s most Machiavellian post-punk jazz outfit, Laz Berelow, did Friedrich Nietzsche proud in God is Dead

Dives by Laz Berelow

Laz Berelow’s latest single may decree that God is Dead, but Glenn Branca lives and breathes through the histrionically cold feat of post-punk capable of giving your speakers frostbite.

The complex time signatures of the guitars with the obscure jazz nuances and polyphonic chaos is a pairing that ensures God is Dead is a sonic deliverance of comfort to the disturbed. If you’re pious to the Machiavellian experimentalism of Mike Patton, you’re sure to get your kicks from God is Dead. Friedrich Nietzsche would be proud.

When GetIntoThis were tastemakers on the scene before Peter Guy shamed himself during my tenure as an editor, Laz Berelow was dubbed one of the best acts of 2020; they easily lived up to that accolade with God is Dead.

Stream and purchase God is Dead via Bandcamp.

Review by Amelia Vandergast

Harry And The Hootenannies and ‘The Scam That Never Ends (Part 1)’

https://soundcloud.com/harry-and-the-hootenannies/the-scam-that-never-ends-part-1

Harry Braswell, Ben Wescott, and Nick Woehrle – aka Harry and the Hootenannies – are all University of South Carolina graduates who met in a bagel shop and – long story short – put together a trio that’s been variously likened to Primus, the Grateful Dead, Rush, and Led Zeppelin. There’s certainly a proggy, psychie, rocky sort of feel to ‘The Scam That Never Ends’, but there’s some serious funk groove too, courtesy of some proper five-string bass grind and jazzy, folk-inspired drums.

‘The Scam That Never Ends’ is upbeat, bouncy, wacky, zany, and disjointed in a totally good way; there’s elements of Fantomas, early Faith No More, and Mr. Bungle in there too, with elements of ska and psychedelia amidst the funk-rock chaos. It’s all damn good fun, with an impressive amount of musical virtuosity and time-signature-changing noise-making (especially for a three piece) on offer here.

You can hear ‘The Scam That Never Ends (Part 1) on SoundCloud. Follow Harry and the Hootenannies on Facebook and Instagram.

Review by Alex Holmes