For his latest release, hip hop writer, mixer, and producer, Twivee, collaborated with new wave pioneer Jay Will to create a stormer of an impassioned alt hip hop hit. GODLIKE is enough to leave you feeling pious to the aggravatedly experimental talent.
The bass is just about enough to rival the wild energy that carouses through Twivee’s rap bars that are rampant with hook-filled cursive. The UK artist’s intensity has already been lauded across the board, and he’s become a firm favourite of BBC Introducing with his truly authentic hard-hitting sound. It’s all too easy to see why.
GODLIKE feat Jay Will is now available to stream on SoundCloud.
Here to finish what Atari Teenage Riot started is the alt hip hop artist, Bradspectacular, and his glitchy chiptune hit, Games, produced by Trust201. The Virginia-born, Houston-based artist takes influence from Zack Fox and Baby Keem, but in his latest stormer of an alt electro-rap track, he is standing in a fiery 8-bit league of his own.
The energy in his bass-riding playful yet convictive track is nothing short of infectious, and with his authenticity making an instant impression, it is only a matter of time before Bradspectacular ascends into the mainstream.
Games will officially release on March 18th. You can check it out for yourselves by heading over to YouTube and Spotify. Keep up to date with new tracks via Instagram and TikTok.
Dioneesus (Dennis McGrath) is an Avant-Garde hip hop pioneer that sonically pushes the envelope into obscurity with each new release while dissecting what it means to be human in his fiery old school hip hop rap bars. His latest single, COVID-23, plays on the fear that we’ll never see the back of the virus that has cost some of us our sanity and cost others infinitely more.
I couldn’t help but draw parallels between COVID-23 and Insane Clown Posse’s ‘The Great Milenko’; it carries the same eerie atmosphere atop of the bare-bones 808s and around Dioneesus’ bars that lull you into introspective subjugation.
The Long Island-born artist spent a decade in Nashville before he made his way to Pittsburgh in 2021. If your Ancient Greek history is rusty, his apt moniker plays on the Greek God, Dionysus, the god of ritual and ecstasy. He’s got a lot to live up to, but he’s well on his way with his subversively stylish flair.
From 80s goth to new wave rap, few sounds evade the fusionist style of the up and coming Dallas, TX-native, themoonmustset. His latest single, Make It Home, is a trippy-to-the-point-of-being-ethereal release that uses glitchy distorted beats under his urgent and visceral rap bars.
I’m fairly sure you would have heard the phrase “it’s a vibe” before; this track becomes the epitome of it with its spacey, wavey progressions and the full-frontal human element pouring into the mix through the tuned and effect-laden vocals.
The 22-year-old artist produces, records, mixes and masters every release put out under his name. We can only hope that there are more locked, loaded and ready to drop releases from themoonmustset.
Make It Home is now available to stream on Spotify.
US alt-hip hop trailblazer, Spitta Zay, is proving to be just as much of an aural force to be reckoned with as Saul Williams, especially on the basis of his latest evocatively experimental single TRST.
With the alt-indie guitars wrapping around the solid 808 snares in the atmospheric track that teases you through spatial effects and unpredictable downtempo rhythms, you can’t help but be drawn in by the refreshing sonic palette. Yet, it is the façade-less expression in the lyrics and downtrodden-but-still-soulful vocals that make hitting play on TRST an unforgettable experience.
Tracks like TRST mark a pivotal societal change in the openness in our trauma and idiosyncratic behaviour. If more artists found themselves with the same unfiltered motivation as Spitta Zay, I can’t help feeling that the world would be far more empathetic.
You can check out TRST for yourselves by heading over to Spotify.
LA-born, San Antonio-based experimental artist SORAthaMOON has released his latest dark trap single, Damn, featuring Ivytheterrible, produced by sil; the genre-melding lo-fi track runs free from stylistic constraint. Discernibly, the artist doesn’t follow trends; he creates vibes and eases you into them with the rhythmic pull of his viscerally eerie instrumentals.
Despite the chilling tone, SORAthaMOON’s playful attitude ensured that the ensnaring release isn’t without a potent shot of charisma. The roots of old school hip hop pull through in Damn, but SORAthaMOON contorts them into his signature sound that we are sure will see him go far.
Check out Damn for yourselves by heading over to SoundCloud.
Experimental artist terrel flower has released his sophomore single, I’m not me, it may be difficult to pigeonhole in terms of genre, but in terms of feeling, it’s a reflection of dissociative ennui that kicks with an artfully Lynchian feeling of desolation.
Sticking to the darker side of the tonal palette in the downtempo and minimalist single, terrel flower gave the single a chilling atmosphere that allows you to carouse in monochromatic lament. With elements of glitch hop and ambient EDM within the single, fans of Portishead and Hooverphonic will want to indulge in the dark yet compassionately resonant single that welcomes you in and offers solidarity from the track title alone. It may not be everyone’s cup of tea, but neither was Albert Camus’ poetry, and therein lies the outlier beauty in I’m not me.
I’m not me is now available to stream via Spotify.
‘Roses Have Thorns’ is the lead track from Rose Venom’s new single ‘Love Shit’, a neat little slab of Hip Hop which opens with a soft, chilled little piano riff before Venom’s angry-yet-beautiful vocal. Telling the story of a ruined love, Venom’s tale of growth and finding oneself amidst the fallout and wreckage – ‘left me so broke inside…/I’m glad I survived you/ I grew some thorns to fight you, boy…’ – ‘Roses Have Thorns’ mixes Rose Venom’s soft-yet-strong voice with an equally soft-yet-strong message among the delicate instrumentation and multi-layered delivery.
A mother of two children originally from Moscow but now living in Philadelphia, this is no story of brotherly love but rather a lost-love letter to hurt, regret, and quiet, simmering rage. It’s potent, powerful, and poetic.
Check out ‘Roses Have Thorns’, and the rest of ‘Love Shit’, on Spotify. Look up Rose Venom on Instagram.
Detroit-hailing artist and producer, 7:AM is riding on the new wave of trap with their debut EP ‘Raw Talent’. The spacey adrenalizing EP kicks off with ‘How It Feels’ which makes no bones about immersing you into a distorted feat of alt-electronica with tribal new age rhythm.
The dizzying swathes of reverb in How it Feels may resonate as excessive to those who haven’t found an affinity for psychedelically mind-altering textures in electronic hip hop, but anyone who appreciates electrifyingly visceral ingenuity will find themselves hooked on 7:AM’s unapologetically unique sound.
‘Genius’ isn’t a word I like to bound around a lot, but there is no adjective more apt when it comes to describing US Rap artist Neza and their explosive, witty and effortlessly charismatic sound.
Their latest album ‘My Imaginary Reality’ is a solid offering of meta urban alchemy which not-so-gently disturbs the complacency of your psyche by reminding you that none of your memories are real and your experience in life is entirely subjective.
The standout track, Class-N-Session, is the perfect introduction to Neza’s mischievously adrenalizing approach to Hip Hop. With a rap flow which could rival Butah Rhymes and their expansive multi-layered instrumentals which make it clear that there are very few constraints on Neza’s expression, it’s hard not to get excited about this artist’s potential. Hitting play on Class-N-Session instantly pays off, you’d be hard-pressed to find another contemporary artist who throws themselves into their mixes as viscerally as Neza.
You can check out Class-N-Session for yourselves by heading over to Spotify.