Browsing Tag

emo

HeadFirst Tore Through the Fabric of Modern Disillusionment with ‘Retrograde’

Retrograde, taken from HeadFirst’s LP, Modern Role Models, serves as definitive proof to anyone over 30 that emo was never a phase while welcoming a new generation of grungy pop punk to the sanctity of raw augmented sincerity. With rapid-fire Bloodhound Gang-adjacent vocals snarling through the distortion and melodic hooks that are sharp enough to carve through any former earworms and lacerate a place for this infectious anthem, there’s no denying that Retrograde makes a monumental impact.

If you can imagine how affecting the middle ground between Fidlar, Foo Fighters and Dinosaur Jr would be, you’d get an idea of how the pulse of this track is given the reins to your rhythmic pulses as the lyrics latch onto the tension tearing through your world and give you an outlet.

Formed by Siraj Husainy, Coby Conrad, and Bima Wirayudha, HeadFirst fuse raw post-grunge fervour with the melodic pull of pop punk. Hailing from Boston, the trio pours electric, visceral energy into every performance, whether lighting up dive bars or packed-out venues. Their music rides the tightrope between nostalgia and cutting modernity, crafted with relentless rhythms, emotionally charged lyrics, and hooks designed to leave a lasting scar.

With Retrograde, HeadFirst have solidified their status as a powerhouse for anyone who craves loud, honest expression in a disillusioned world.

Retrograde is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Careful, King redefined resilience with trap-pop reverie in ‘Don’t Test Me’

In his latest single, Don’t Test Me, Careful, King redefined resilience through the lens of vulnerable trap-pop introspection. While the title may prepare you for a fiery diatribe, there’s a tenderness to his sonic touch which speaks volumes of his ability to stand his ground while never relinquishing his aura of pure intent.

As emotive as Lil Yachty, but with authenticity coursing far deeper than any superficial resemblances, Careful, King delivered a melodically aching arrangement where every rhythm and every lyric feels earned. It’s not just his vocal flow that marks itself with distinction; the way he arranges his wavy trap-pop instrumentals into rhythms of pure candid catharsis is proof that even if you did a full lap of the contemporary trap scene, you’d never encounter an artist in the same vein as Careful, King.

By channelling the emotional weight of lifelong battles with self-perception, self-worth, and the desire to be authentically seen, Careful, King injects raw humanity into his scar-mapping aural canvas. His story of wrestling with the need for validation, finding solace in self-love, and creating purely from the drive within himself resonates through the track’s bruised yet hopeful core.

Through ‘Don’t Test Me’, Careful, King proves that life’s most powerful moments happen not under the spotlight, but in the quiet spaces where we choose to love ourselves enough to be whole.

‘Don’t Test Me’ is now available to stream on all major platforms, including Spotify and Apple Music. 

Review by Amelia Vandergast

The Emotional Guillotine Falls with Hyper-Trap Pop Precision in Yung Blasian’s ‘I’m Sorry’

With every scathing line and serrated hook riff in I’m Sorry, Yung Blasian proves that vulnerability in hyper-trap pop doesn’t have to come wrapped in polished platitudes. Instead, it hits like a sledgehammer wielded by someone with nothing left to lose. The Philadelphia-based artist, who has been quietly sharpening his sonic edge on SoundCloud since 2017, goes in for the emotional kill in his breakthrough hit, which carves through the noise with Latin-laced guitars, delay-drenched choral hooks, and a beat that knows no mercy once it drops.

There’s no pretence in his lyrical candour—just a supercharged vignette of coming-of-age heartbreak told from the raw end of rejection. The Haitian-Japanese vocalist and producer doesn’t just wear his heart on his sleeve; he shreds it open to expose how quickly self-esteem can be reduced to rubble when left picking through the wreckage of fading affection. The emo-adjacent anguish isn’t self-indulgent. It’s methodical. Calculated. Intentional. Yung Blasian doesn’t give you space to pity him—he drags you into the chaos of every self-effacing lyric and leaves you reeling in the aftermath.

Yet somehow, through the storm of scorn and dejection, he keeps the energy high. It’s a whiplash-inducing contrast that’s fast becoming his signature. With his ahead-of-the-curve production style, sincerity at the core of every expression, and an authentic voice that cuts through the noise, he’s not just riding the hyperpop wave—he’s building the playground it thrives in.

I’m Sorry is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Xy Gala Wires Electricity into the Mundanity of Existence in ‘Lifeless Life’

‘Lifeless Life’ opens a pop-hooked Pandora’s box of a paradox, reflecting on how life often inhibits feeling alive, especially as we become numb to atrocities and the monotonies of daily existence. Between the diaphanous candour pouring from Xy Gala’s confessions and the beat that brings a pulse of resistance to the mediocrity of reality, it’s impossible not to lock into the track and feel that he has a gift for unifying those who aren’t content to go through the motions, who struggle to find meaning and pleasure within their autonomy.

It’s a haunting track, sure to vindicate anyone who knows how emotionally paralysing it is to keep your head above water. The electro-rock riff blazes through the mix before the hauntingly pensive, cinematically raw outro, affirming that Xy Gala never pours half measures into his alchemic cocktail of pop, rock, electronica, and trap. The soaring chorus and the Santana-esque guitar solo inject an unforgettable energy into the track, fusing genres into a sound that fans of Post Malone, Falling in Reverse, and The Kid LAROI will appreciate.

The London-based luminary, Xy Gala, has never sounded more authentic or essential. ‘Lifeless Life’ is out on 21st March 2025. Hear it on Soundcloud.

Review by Amelia Vandergast

ShadowHart’s ‘Calcified’ Hits Like a Gothic Cathedral Crumbling Under the Weight of Time

ShadowHart, AKA Richard Nelson, redefines pop-punk with the weight of his orchestral motifs and baroque-leaning vocals. ‘Calcified’ commands attention with its colossal crescendos and atmospherically charged angst.

A lifetime of musical obsession and technical expertise bleeds through every note. Raised in a household where guitars were practically heirlooms, Nelson cut his teeth young, climbing the ranks as one of Tennessee’s top jazz musicians before taking his talent through Auburn University and a career in aerospace engineering. Now, armed with a Master’s in Music Technology, he’s sculpting sound with the precision of someone who understands its mechanics from the inside out.

‘Calcified’ is a haunting contradiction. It carries the visceral energy of early 2000s pop-punk but leans into a cinematic darkness that sets ShadowHart apart. The emotive riffs and orchestral undertones carve out space for his vocals to amplify every lyric’s weight, swelling with the kind of gothic grandeur rarely heard in the genre. The theatrics never overshadow the sincerity—his voice cuts through the production like an elegy for youth, delivered with wisdom most of his contemporaries lack.

For a genre oversaturated with imitators, ShadowHart’s approach is an anomaly. With his full-length debut album dropping on April 25th, 2025, he won’t be lingering in the shadows for much longer.

‘Calcified’ is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Chelsea Lyn Meyer Fires Up the Future of Pop-Punk Nostalgia with ‘tease’

Chelsea Lyn Meyer slams the accelerator on early 2000s pop-punk nostalgia with tease, a track that revisits the era and rips through it with full-throttle energy. Over crunched, hyped, and gnarled guitar chords, she fuels the anthemic momentum with cannonball vocal lines, unleashing heavy emotive artillery. The hooks hit hard, the attitude is undeniable, and while the sound may spark memories of the genre’s golden days, Meyer is pushing it forward with visceral conviction.

Before launching her solo career, Meyer cut her teeth in the pop-punk outfit 2AM, where she built a reputation for crafting infectious, high-energy anthems. The band’s success led to music award wins, radio play, and slots supporting Capitol Records-signed artists. After 2AM disbanded, Meyer’s solo releases, including Between the Lies and This One’s On You, dominated indie radio charts, securing #1 spots on stations like Gaslight Radio in NYC and Indie Rock Radio in Nashville. Working with producer Michael Wuerth, she continued to amplify her presence with tracks that critics hailed as reinventions of the genre.

Now leading her debut EP, tease proves Meyer’s ability to reignite pop-punk’s essence while keeping it firmly planted in the present. With high-energy hooks and sharp, seductive confidence, this is a revival with teeth.

tease is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Ever So Good Sunk Their Pop-Rock Hooks Into a Frenzy of Euphoria with ‘Super Friend’

‘Super Friend’ is the latest sugar rush of pop-rock energy from Marcus Perry’s long-running passion project, Ever So Good, which has been fine-tuning the formula of melodic punk-tinged rock anthems since 1998. The ever-shifting collective of collaborators has never lost sight of its mission—turning raw emotion into soaring choruses that demand to be shouted back.

With ‘Super Friend,’ Ever So Good proves once again that knowing how to ignite nostalgia doesn’t mean getting lost in it. Their dopamine-drenched pop-punk and power-pop influences shine through without a trace of pastiche. The instrumentals pulse with enough power to light up a city, while Perry’s vocals glide through melodies that cling to the memory like a long-lost favourite from the early 00s.

Only an alchemist of sound could turn the despair of the friend zone into such a riot of serotonin. ‘Super Friend’ doesn’t wallow; it soars, inviting listeners to shake off their ennui and revel in the chaos of longing. For anyone who grew up blasting anthems from the golden era of pop-punk, this track is a sharp reminder of why those hooks still hit home.

‘Super Friend’ is available now on all major streaming platforms, including Spotify

Review by Amelia Vandergast

Interview: Warlet on Authenticity, Neurodivergence, and Finding Strength in Vulnerability

Warlet doesn’t hold back when it comes to honesty in her music. The Brazilian-born, Nova Scotia-based artist uses her platform to explore deep emotions, societal expectations, and the realities of being a neurodivergent Latin immigrant in the music industry. Inspired by artists like Twenty One Pilots and NF, she aims to offer listeners the same sense of understanding and comfort that once guided her through difficult times. With a sound shaped by emo, trap, pop rap, and RnB, her music carries both weight and intensity, reflecting her passion for raw expression. In this interview, she discusses her approach to songwriting, the intersection of her creative skills, and how she balances vulnerability with the energy of live performance.

Warlet, welcome to A&R Factory, it’s a pleasure to have you with us to discuss your backstory, achievements and ambitions. To give our readers an idea of your ethos; what does it mean to you to be an artist? 

Thank you guys for having me! It’s a pleasure! To me, being an artist means using one of the most amazing things human beings can do, which is to create, and give it back to people by making something meaningful in any form. I always say that I love making music because I want to make people feel something, whatever that is. Emotions are so beautiful and art is an outlet to explore that on us.

You never shy away from vulnerability in your songwriting; how does it feel to be so candid in your tracks? 

I don’t think I could ever be any other way. Being sincere about my feelings is my natural instinct with everything in life, maybe because of my autism, I don’t know really… But to me, vulnerability is powerful and being your true self should always be encouraged in society even though it really isn’t… Talking about the hard things once in a while is just as important as being entertained! I wish we all reminded ourselves of that more often.

What motivates you to speak so openly about these issues?

I think I was heavily inspired by Twenty One Pilots and NF on this one. In different moments of my life, these two artists literally helped me organize my own thoughts and feelings when I needed the most, which led me a moment where I thought to myself, “that’s exactly what I want my music to do to people”. I am motivated by the idea that there is someone out there listening to my song and relating to the lyrics, and that this brings them comfort, just like one day somebody’s music changed my life as well.

What has your experience of the music industry been as a neurodivergent Latin immigrant? 

Honestly, the music scene where I live in Nova Scotia is pretty opened and welcoming. These factors do affect my daily experiences in other areas more often than I would like, but at least the music world I am currently in, is one of those safe spaces away from all of this. I know once my horizons open up to the bigger world of music, it will be different, as this is a smaller community, but at least I have a good base to start building on.

What initially drew you to synthesising emo, trap, pop rap and RnB into your sonic signature? 

My passion for all these genres! The interesting thing is I think all these genres speak about deep topics whether on a social context or an emotional place, which is probably what drew me into these types of music more. I’m also very attached to heavier sounds overall, I’m passionate about heavier sounding beats, stronger vocals and any impactful sound on a song.

With your background as a beatboxer and visual artist, in what ways do these creative skills intersect when you write and perform your songs?

I always try to do at least a small beatbox showcase every time I perform! Eventually, I want to make some of my music being fully organic – with “mouth” sounds only, per say, it’s a plan for the future. I’m as well always drawing and designing my own cover arts and concepts for my music, so it’s quite helpful to mix all these worlds together!

Having just released your debut EP, which track do you feel best captures your reality, and what inspired its creation?

That’s hard to say, since the whole idea behind this EP was to be as genuine and raw with my emotions as I could, so in a way, all of them could fall into this category of capturing my life perfectly, but in different aspects. I do feel like “SOCIALMASKS” will always be that song that describes the struggles of being an autistic woman the best and more precisely though, if I had to point out one of them.

When it comes to your touring plans, how do you intend to connect with audiences on an emotional level during live performances?

I want to be real with every performance. Yes, I want to make people hyped and willing to dance as well, but I am hoping my passion for my own lyrical process comes through when I am singing on stage.

How do you balance the rawness of your personal backstory with the polished demands of performing on stage?

It is actually quite challenging – and funny. I feel like I am extremely awkward inside, but I did in the past take classes with my mother, who is a performance coach, and I just try to embody her lessons on my whole body in order to be a good performer. I have a lot to work on though, and I’m slowly trying to find ways to feel comfortable moving on stage regardless of my disability that kind of makes me a little terrified of being perceived! It’s the big irony of my life. I love to be an artist and show true myself just as much as  I’m scared of being seen. It’s a work in progress for sure!

Looking ahead, what role do you see touring playing in the evolution of your music career, and how might it influence your future projects?

I’m still very underground and frankly, just want to put my music out there in the world and form my own community of people that enjoy what I do. Making connections with people is what makes this whole music thing stronger, and I look forward to what other opportunities this project will open up for me. These are the first steps of what will eventually become a bigger achievement but I want to enjoy and appreciate every detail of the journey.

Stream Warlet’s discography on Spotify and stay up to date with all her latest aural antics on Instagram and TikTok.

Interview by Amelia Vandergast

Lil Dom reigned as trap royalty in his emotively heavy hit, ‘emo prince’

Lil Dom has staked his claim as emo trap royalty with emo prince, a dark, immersive plunge into raw vulnerability. The track’s opening minor-key Latin guitar strings set a deceptively tranquil tone before the instrumentals dissipate into wavy obscurity, amplifying the emotional weight carried by his confessional lyricism. Every beat and verse swells with unfiltered emotion, creating a soundscape where ennui and exhaustion echo with haunting relatability.

Known for reshaping contemporary music’s edges with his blend of emo rap, cloud rap, and hyperpop, Lil Dom’s artistry pushes boundaries without losing sight of raw authenticity. emo prince exemplifies his ability to bridge the sonic gap between introspective lyricism and cutting-edge production. The track’s cathartic undercurrent doesn’t just narrate the tortured psyche—it invites listeners to sit in its midst, offering a shared solace for those wrestling with the weight of burnout.

As the song builds, its brooding atmosphere fractures with the bite of a raw rock riff, giving a powerful, climactic release that anchors the listener within its emotive grasp.

emo prince dropped on December 27; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Toronto’s Premier Alt-Rock Outfit NAKEDBURN Entered the Post-Hardcore Pantheon with ‘Jaded’ ft Liam Cormier

NAKEDBURN

Electrifyingly frenetic emo-rock furore pierces and pulsates through the latest sonic juggernaut from Toronto’s premier post-hardcore outfit, NAKEDBURN.

‘Jaded’ featuring Liam Cormier is enough to put the generalisation that Canadians are placid to perpetual rest; the onslaught of intensity starts with an intro which wouldn’t be out of place on a Rocket From the Crypt LP before NAKEDBURN intravenously injects modernistic hypersonic power into the Post-Hardcore installation of angst that any fans of Dillinger Escape Plan will want to devour.

As a precursor to their debut EP, Drowning, which is set for release in early 2025, Jaded is a blistering statement of intent from a powerhouse that will show the alt-rock scene no mercy as they prepare to enter the post-hardcore pantheon.

Jaded will storm the airwaves on November 29th; stream the single on all major platforms, including Spotify.

For more ways to listen and connect with NAKEDBURN, visit the band’s official website.

Review by Amelia Vandergast