Browsing Tag

Elliott Smith

Winternom – True: Meet your new existential alt-indie playlist staple

The alt-indie-folk-rock newcomers, Winternom, are set to bring souls in from the cold with the standout single, True, from their sophomore album, The Cold or the Crowd. Sonically, the hazily sweet single sits between Elliott Smith and Pavement, with a few proto-punk-meets-psych-pop nuances.

Lyrically, the Ottawa, Canada-hailing artist comes into their own with their witticisms that walk the line between existentialism and affection in a way that pays ode to the Alt 90s while still delivering emotive modernism. Despite its overarching lo-fi vibe, the dreamy textures in True never resonate as brash. Instead, they keep the tones bright to contrast the less than sunny, deeply relatable vocal disposition.

True is now available to stream along with the rest of Winternom’s triumph of an album, The Cold or the Crowd via Spotify.

Review by Amelia Vandergast

OneNamedPeter explores the pleasure-pain connection in his artful cosmic pop single, Hurts

Ahead of the release of his fifth 100% DIY album, Hurts, the alt-indie British singer-songwriter, OneNamedPeter, has given us a teaser by letting us taste the cosmic pop textures in the bitter-sweet title single.

If you took Prince’s solos, Elliott Smith’s raw songwriting style, the dreamy chamber pop style of Daughter, the spacey gravity of Bowie and threw them into an aural cocktail with orchestral motifs to boot, it would pour just like the intoxicating soundscape, Hurts.

Nothing about the high-fidelity production feels less than professional. OneNamedPeter knows just how to conjure enough alchemy to wrap around his lyricism that explores the pleasure and pain connection.

Hurts is one of those tragically rare releases that you immediately know you’ll want to dive into time and time again. We’re stoked to hear how the LP ensues after the title-single set such a blissful and accordant tone.

Hurts will officially release on March 4th, 2022. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Ash Ravens takes us ‘Home’ in his latest emotionally enriched alt-indie single

With gorgeously finger-picked Spanish guitars blended into his latest swoon-worthy indie single, Home, Ash Ravens’ latest offering couldn’t be more soulfully arresting.

The monocultural-mould smashing finesse in Home makes a lot of sense when you start to look at the stamps on the bi-lingual artist’s passports. From his birthplace Bangladesh to the Sunset Strip to Melbourne to his current home Canada, he’s traversed the globe and picked up the sweetest tones along the way.

Ravens’ international experience also puts plenty of context behind Home, which blends pop, rock and country to concoct a consolingly cosy soundscape that will undoubtedly act as the antidote to homesickness. With Ravens’ vocals running at an evocative parallel with Elliott Smith and the instrumentals bleeding as much catharsis as The Beatles’ haziest tracks, Home is an instantly unforgettable triumph.

The official video for Ash Ravens’ latest single, Home, premiered on February 17th, 2022. You can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast

James Gale sings the ‘Summer Blues’ in his resonantly seductive debut EP, Medicine

If James Gale’s debut 2021 EP, Medicine, passed you by, you missed a sweetly psychotropic slice of alt-rock that more than has what it takes to unite fans of Nick Cave, Nirvana, Elliott Smith and the Beatles.

The standout single, Summer Blues, which has now racked up over 14k streams on Spotify, is an indulgent cocktail of psych, blues, indie, and grunge. The dark narrative is delectably handled by the Bruges, Belgium-hailing singer-songwriter and artist. The way the accordant momentum picks up under Gale’s taunting vocals that question if you’re afraid to lose control before bluesily winding the soundscape back down into kaleidoscopically choral grooves is nothing short of arrestive.

We seriously hope that there’s a sophomore release in the pipeline.

Summer Blues is available to stream along with James Gale’s debut EP via Spotify.

Review by Amelia Vandergast

Juliya – Power Lines: A high-vibe lo-fi alt-90s fever dream

With two EPs under their belt, the up and coming alt-indie sensation, Juliya, has unleashed their fever dream of a high-vibe low-fidelity track. Power Lines is as sonically boundary-less as Sonic Youth and Radiohead, and just as ruggedly sweet as Neutral Milk Hotel and Elliott Smith. And there is plenty of room for their garagey no-wave alchemy in between the reminiscences.

There’s scuzz by the smorgasbord, yet, that doesn’t get in the way of the grip of the angular indie guitar notes atop of all the discord. It may be a short and sweet track, but it’s also a sure-fire hit of serotonin in a sentimentally blissful alt-90s time capsule. With enough tracks in the same vein as Power Lines under their belt and the right attention, there is no reason Juilya couldn’t climb the indie charts with ease. Give them a hand on their ascent and stick them on your radar.

Power Lines is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: KAIS is stripped-back and spiritual in his latest acoustic indie-soul-folk single, Healing

KAIS

KAIS bared his spiritual soul in his latest release Healing. The Canadian Cyprus-based singer-songwriter, multi-instrumentalist and producer allowed his acoustic single to explore the deep significance of the messiness of our existence and our ability to clean up through bleeding, breathing and healing.

It is thanks to artists like KAIS, that the conversations around trauma have moved past idiomatic ignorance. Remember when we were all under the impression that PTSD existed solely in the minds of those that had experienced war? Thankfully, we now see it as a common experience; every ego-blow and mental scar imprinted leaves us with the option of carrying trauma or moving past it, and that is exactly what Healing forces you to reflect on. It’s enough to make you step in front of the mirror and check for scars that have been pushed into the subconscious.

With KAIS’ effortlessly artful vocals atop the acoustic guitar strings and nothing else to get in the way of the evocative impact of his lyrics that find a meta way to resonate as confessional, it is easily one of KAIS’ most powerful singles to date. As the perfect example, “fall from grace at god’s own pace I’m travelling through the fire, victim of desire” leaves so much more between the lines than your average lyrical confession for the way it alludes to the conflict between our situational emotion and desire.

For KAIS’ fans enamoured by his new venture into psychy indie-soul-folk, stay tuned for his upcoming EP that is due for release in February 2022. Healing was officially released on December 19th, 2021. It is now available to stream on Spotify.

Connect with KAIS to keep up to date on his new releases on Facebook and Instagram.

Review by Amelia Vandergast

Christopher Kremer has released his elegantly poetic allusion to languor ‘Electron’

If you still hold a candle for the melancholia of Elliott Smith, consider the new EP from folk singer-songwriter Christopher Kremer as an unmissable release. Major/Minor carries just enough reminiscences to tease nostalgia as the Chicago-based artist leaves you enamoured by his down-but-not-out authenticity.

The soul-fizzingly sweet lead single, Electron, is equally as instrumentally melodious as the most cathartic singles from the Beatles and the Rolling Stones. The vocals and lyrics lace the soundscape with an all too relatable languor, but even with the poetic allusions to entropy, the hazy choral textures ensure that Electron resonates as a transcendently uplifting release.

Major/Minor is now available to stream in full via SoundCloud.

Review by Amelia Vandergast

Liverpool’s latest luminary, Louie Miles, has released his latest single, Show the World

If Elliott Smith, Dinosaur Jr and the Beatles met in the middle, the sonic result would be starkly reminiscent of Louie Miles’ latest psychedelically warm and hazy single, Show the World. Instead of following the same old tropes with his tracks, he creates songs born entirely of his imagination. Based on Show the World, I would pay hand over fist to take a vacation in his mind. The sweetly psychotropic instrumentals paired with Miles’ magnetic melancholy-tinged vocals is practically an invitation to nirvana.

The Liverpool-based multi-instrumentalist, songwriter and producer made his solo debut in April this year; before that, he contributed to the Birmingham-based band, Sugarthief and Liverpool’s renowned outfit, Astles. At 21-years-old, Louie Miles already boasts the songwriting maturity that other artists have to wait decades for. We can’t wait to hear what follows.

Show the World is available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Only the soulless won’t be spellbound with Mark Lewis Heavenor’s artfully lamenting folk single, Young Boy.

Scottish songwriter, composer and guitarist, Mark Lewis Heavenor has released his most poignant work to date with his morosely gruff art-folk single, Young Boy. While the soundscape paints a quaint sepia-toned ramshackle town in your mind, the music video juxtaposes it by using a soul-sucking British ghost town as a location to place two dancers as they find inspiration despite the lamentable landscape.

Like many artists, Heavenor pulls plenty of inspiration from Tom Waits to create his own artfully rich sound but in every progression, you hear Heavenor push past assimilation into the realm of authentic creation.

The weight of the heavy yet bright vocals crawls under your ribs as you listen to the art-folk instrumentals quiver, rattle and angularly blossom from the fretboard. With the gentleness of Elliott Smith, the lyrical conviction of Kurt Cobain in his more melodious work and the cinematic pull of his Flamenco/Americana Folk guitars, you’d have to be soulless not to be spellbound.

The official video for Young Boy premiered on October 20th; it is a stunner; go check it out on YouTube.

Review by Amelia Vandergast

 

Apres Pompeii has released his poetic folk-rock single, Clay.

‘Clay’ is the latest poetic folk-rock single released by singer-songwriter Apres Pompeii. What starts as a conceptually intimate and bleary soundscape seamlessly builds into a sonically choral indie hit with sweet psychedelic kicks in the percussion and plenty of colour in the artfully crafted melodies.

After a sonic crescendo of angular indie guitars, the Pittsburgh-based artist brings the tempo back down to conclude the single on a note that will enamour any fan of Violet Femmes, Frightened Rabbit or Manchester Orchestra. If you are always on the lookout for the Elliott Smith of our generation, hit play.

Check out Apres Pompeii’s latest single on SoundCloud.

Review by Amelia Vandergast