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Eighties Matchbox B-Line Disaster

Martin’s Revenge unleashed their gnarled psy-surf nightmare ‘Jack Let Go of the Door’

Martin’s Revenge made the Oh Sees sound like a 90s pop boyband with their latest darkly domineering single, Jack Let Go of the Door, which leads psych rock down a murky and nefarious corridor and surfs up to a gnarled nightmarescape that any fans of aural aggravation will want to repetitively revisit.

After The Eighties Matchbox B-Line disaster left a void in the industry with their departure, Martin’s Revenge has finally filled it with the rolling harbingering drum fills, electrified to the nth-degree guitars, stabbing basslines and drawling vox in their latest release, which revisits a Fear and Loathing-esque drug trip with striking visceralism.

Following the success of their EP, Harry’s Redroom, the Nottingham-based thee-piece is set to let the leash off of their latest EP, VR Porn, on November 6th. After reinforcing and honing their sound significantly between the two releases, Martin’s Revenge has established itself as more than the sum of its parts and the influence of Fugazi, Pixies, Idles and The Jesus Lizard.

Jack Let Go of the Door was officially released on October 23, Stream it on SoundCloud.

Review by Amelia Vandergast

Hotel Security reached the pinnacle of euphonic furore in their symphonic pseudo prog rock hit, Forget It

If Eighties Matchbox B-Line Disaster did an 8-ball of speed before falling into the studio, their sound still wouldn’t match the fervour in the latest single, Forget It, from New York City’s most volatile prodigal sons, Hotel Security, who have been trailblazing through the NYC alternative scene since 2020.

With the symphonic keys adding a histrionic edge to the tumultuously tight instrumentals that revolve around the dizzying guitar riffs that rip roar with Psychobilly-esque furore, Forget It would be an all-out attack on the senses if it weren’t for the melodic hooks infused through the catchy vocal melodies that give you a centre of gravity in the chaos of the pseudo-prog rock orchestration. Ironically, Forget It is as brutal as an MK-Ultra operation.

Forget It was officially released on September 15th; strap yourselves in and experience it for yourselves via Spotify. For more info on the self-professed band of music nerds, visit their official website.

Review by Amelia Vandergast

Embrace your insanity with House of Weirdos’ timely Alt Rock hit ‘Climbing up the Walls’

On Christmas Eve, the adept alchemists of Alt Rock, House of Weirdos, delivered the ultimate antidote to the claustrophobic restlessness with their Psychedelically-layered Garage Rock track ‘Climbing Up the Walls’.

If you could imagine what Queens of the Stone Age would sound like if they incorporated more absurdity, chaos and psychotropic synths into their sound, you might be able to get an idea of what is on offer. Yet, Climbing up the Walls could easily enamour fans of everyone from the Misfits to The Eighties Matchbox B-Line Disaster.

Climbing up the Walls is façade-less, it’s relentlessly ingenious, it’s a visceral invitation to shake off pretence and relinquish shame for the fact that 2020 did a number on your mental health.

The playfully despondent track was made even sweeter with the pairing of the music video which will fill you with gratitude for House of Weirdos, just one of the irreplaceable artists who looked into the stir-crazed frustration and found inspiration so we could be hit with that invaluable feeling of connection and resonance.

You can check out the official video to Climbing up the Walls by heading over to YouTube.

Review by Amelia Vandergast