Browsing Tag

Doom Rock

No Die by Master Splinter: A Grimm Fairground for the Morbidly Curious

With No Die, Master Splinter unveiled their first single of 2025, cracked open a pit of sonic carnage and dared us all to crawl in. Portland’s prodigal sons’ grotesquely theatrical take on hard rock hit a new stride with this track. They’ve always melted faces with monolithic riffs and psychedelic fretwork, but now they’ve stitched those foundations to a grimmer, more vehement guise—without forgoing the tongue-in-cheek Machiavellian mischief that’s always simmered beneath the madness.

Master Splinter didn’t throw out the rulebook. They rewrote it with charred ink. From the first chug of the bass to the last chaotic breakdown, No Die is a warped mirror to our obsession with death, with catastrophe, with the void. It lurches and prowls with snarling vocals, scuzzy rhythms, and frenetic percussion. The track’s lyrical backbone—sung with visceral theatricality—confronts the magnetic pull of the morbid, the inexplicably compelling urge to peer into the abyss.

Mick Arrell’s songwriting, along with Jason Schauer’s bass work and Aaron Bree’s percussive force, keeps the absurdity of modern existence firmly in the firing line. The drama and politics are stripped away; what’s left is raw energy, dark humour, and warped unity delivered through a warped fairground ride of hard rock.

No Die is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Cagri Raydemir takes us on with ‘Choosing Your Own Battles’

Opening up with a descending acoustic guitar line and some suitably doom-laden lead work, ‘Choosing Your Own Battles’ is taken from independent musician and producer Cagri Raydemir’s fourteenth (yes, fourteenth) record, and the second of two EPs, ‘Outlasting The Opposite Pole’; loosely alt-metal, there’s elements of System Of A Down to the guitar work and Raydemir’s vocal delivery, mixed in with dashes of prog and some bluesy flourishes. It’s unsettling, moody, and heavy without resorting to the sort of ‘everything louder than everything else’ distortion that lesser artists might use to imply ‘heaviness’, relying instead on a relatively clean guitar tone, vaguely ‘Eastern’-sounding scales (think Led Zeppelin’s ‘Kashmir’ or some of Jerry Cantrell’s drop-D tuning-based work), and the power of the lyrics and subject matter to give it gravity and depth. And more power to it, that restraint and emphasis on phrasing and ‘grunt’ giving it a potency that would be lost with a more overdriven sound. It’s solid, powerful, and over far too quickly; a very tasty opener that gives a perfect introduction to the EP.

You can hear ‘Choosing Your Own Battles’, and the rest of the ‘Outlasting The Opposite Pole’ EP, on Spotify.

Review by Alex Holmes