There aren’t many tracks that can get me to proclaim feelings of love before the chorus even begins. But Handmade Amigo’s second debut single “Let it Roll, Or the Whale” hit the spot like no other musical collective have before. The Psychedelic Soft Indie Rock & Roll Jam is a carnality of uplifting pleasures that reminded me of the sweet melodies of bands such as Dinosaur Jr.
They teased the introduction with a lullaby of sonorous sound before crashing into the verse with a raucous ensemble of percussion headed by a bass soaked atmospheric beat. Attempting to deconstruct this track is ion impossible. The complexities and melodies fuse themselves so tightly together, it’s just best to sit back, relax and enjoy the cacophony on offer from The Orlando, Florida based quartet.
The Handmade Amigo’s switch from rattling guitar riffs with an adequate pinch of moody reverberations straight through to piano sweeps to reincarnate the song through every second of the 04:26 duration.
Judging by the innocently charming music video, they’ve got a long way to come in the industry, but I’m most definitely sold on what they have to offer.
Check out their latest hit via BandCamp now:
Head on over to their website to check out the official video to Let it Roll, Or the Whale:
I recently attended a De La Sol set at a festival in Queens. I enjoyed an interlude in which a voice from the trio said that sometimes you just need to let the beat play. It’s always nice to hear how artists feel about the things they make and how they make them. It’s also nice to see how artists whose styles vary greatly can agree on certain sentiments. Such is the case with Crow Quilled Confessions. Their track A Human Being on the Planet Earth perfectly demonstrates a group who know how to let the beat play when it needs to.
For the first half of the song, there are several elements introduced that seem to orbit around the catchy, strongly-mixed beat. You might miss some details along the way if you aren’t careful, but one thing is for certain, you will feel that beat. It doesn’t seem like a drum part that needs much elaboration. It may not have much to say. This doesn’t stop Crow Quilled Confessions from letting it lead the charge into the second half, which quickly but organically reinvents its status quo with fuzzy guitars and a bass that triumphantly makes its presence known.
From here, the track becomes a ride. Suddenly the beat has taken a backseat for the exploration of all the other themes that had previously been allowing it to lead. For such a dramatic change in priority to occur while holding onto the mood and tone of the song is a major challenge. Even as the song fades out in its last 30 seconds, you can’t help but feel the beat play on in your mind. This is a song that leaves the speakers and really does affect your mind for moments at a time. It’s not overly complicated, but it’s certainly a fascinating track.