Browsing Tag

Debut EP

Sarah O’Moore – Troubled Mind: A Soulful Reflection on Contemporary Tribulation

Sarah O’Moore’s latest single, ‘Troubled Mind’, from her upcoming debut EP ‘Social Paralysis‘, is a poignant exploration of mental health and the complexities of modern life. The powerful narrative challenges the listener to introspectively sit with societal expectations and personal struggles and proves that good songs make you feel, great songs inspire profound shifts of perception.

‘Troubled Mind’ is a testament to O’Moore’s exceptional ability to blend genres, fusing elements of RnB, Folk, and Soulful Jazz into an indie singer-songwriter production. Her vocal harmonies, reminiscent of Amy Winehouse and Macy Gray, carry endless emotional weight, resulting in a hauntingly affecting delivery as the instrumentals complement her voice perfectly, creating an eye-opening soundscape which addresses the disconnect in conversations about mental health. She delves into the reality of living with the scars of trauma and facing an uncertain future, a theme that resonates deeply in today’s climate. Her music offers a space to sit with struggles authentically, without succumbing to the pressures of toxic positivity.

Inspired by James Joyce’s “Dubliners”, O’Moore’s upcoming EP, ‘Social Paralysis’, promises to delve further into themes of social stagnation and the struggles of today’s youth. ‘Troubled Mind’ sets the tone for this journey, inviting listeners to confront the unspoken and find solace in shared experiences.

Troubled Mind was officially released on March 29; stream the single on Spotify.

Review by Amelia Vandergast

The Doolallys augmented the tribulations of banality in the indie rock anthem of the year, How Long Will This Go On?

Imagine how affecting a synthesis of the most stirring elements of Editors, Audioslave, and Arcade Fire would be, amplify the infectious appeal of that amalgam to the nth degree, then you will get an idea of what awaits you when you hit play on the single, How Long Will This Go On? From The Doolallys.

If any guitar-based outfit with deadpan lyricism deserves to reach the same heights of success as The Reytons, it is this Brighton-based trio, which is already making all the right waves in the industry.

After winning over BBC Introducing in 2018 and snagging a live radio slot in 2019 before honing their sound into a cultivated augmented with anthemics sonic signature, The Doolallys got to work on their upcoming debut EP; months after wrapping up the recording, the band suffered the tragic loss of their founding member and bassist Connor Kilbane in October 2022. After a hiatus, the band decided to honour Connor by moving ahead with the EP; if How Long Will This Go On, is a taste of things to come, it won’t just be a part of the band’s legacy, but UK indie’s legacy. Between the aching relatability in the lyrics which speak of relentlessly monotonous banality and the kinetic chemistry that cuts through the release, How Long Will This Go On deserves a perpetual place in the indie charts.

How Long Will This Go On is now available to stream on Spotify.

Review by Amelia Vandergast

70s Punk was Hooked by Power Pop in Twilight Avenue’s Seminal Release, Road Rage

Twilight Avenue, a band that embodies the spirit of unity and the thrill of discovery, has unleashed a potent force in their eponymous debut EP. At its heart lies ‘Road Rage‘, a track that bridges the gaps between proto-punk and power-pop and serves as a timeless anthem for the disenchanted.

This Southport-based quartet, comprising Myles Thompson, Alex Ormand, Kyle Chadwick, and George Fitton, has crafted a riotous production that echoes the punk ethos, breathing life into the rolling rhythms that are as fierce as the title suggests. For those yearning for a new punk-rock earworm, ‘Road Rage’ is a revelation.

With an endlessly energetic edge, Twilight Avenue pays homage to the 70s punk scene while infusing it with fresh fervour. The hard riffs, groovy beats, and alternating vox create a dynamic that is as infectious as it is efficacious. Hit play and get your fill of exhilaration.

Stream the debut EP from Twilight Avenue in full via Spotify.

Review by Amelia Vandergast

Ty Ellenbogen unveiled the heart of modern RnB with ‘Stolen Time’

Ty Ellenbogen’s latest single and seminal piece of his Day by Day EP is a contemporary continuation of the ever-evolving RnB genre, which carries all the timeless soul of the greats. In Stolen Time, the singer-songwriter, multi-instrumentalist and producer’s evocative vocal range shines as the melodious jazzy neo-pop instrumentals groove, shimmer, and envelop you in swathes of kaleidoscopic colour.

If The Weeknd, Drake and Frank Ocean are always in rotation on your playlists, you’ll easily accommodate this slick-with-innovation release that makes no bones about cutting to the candourous core of his bitter-sweet lament on investing in someone intent on deceiving their way through the dating pool.

The 20-year-old Nashville-hailing RnB Pop artist has been cutting his teeth in the music industry for the past 12 years and writing and recording original music for the past three. With his debut EP, he did more than prove to be a force to be reckoned with; he gave you a reason to fall head over sonic heels.

Stolen Time was officially released on February 23; stream the single and EP on Spotify.

Review by Amelia Vandergast

3G Internet – KRASH: An Anti-Pop Alt-Hip-Hop Debut to Lose Your Head To

3G Internet, the Experimental Hip Hop/Anti-Pop duo from Northeast Ohio, literally crashed into the music scene with ‘KRASH’, a track from their debut EP that defies convention with maximum conviction.

KRASH is a 7-minute audacious trip that rips up the rules and scatters the ashes of mundanity through the harsh tonal hues that pay an ode to the legacy of Death Grips and JPEGMAFIA. It’s a chaotic blend of gritty, glitchy electronic distortions and 8-bit landscapes, that makes no apology for launching an assault on the senses.

It’s a whirlwind of ideas, each vying for attention, yet somehow harmoniously coexisting. The duo’s disregard for industry norms is evident in every beat, every synth, and every lyric. In short, KRASH is a  ballad of the bizarre.

The duo’s approach to music is refreshingly honest. They pursue every idea, no matter how outlandish, and the result is a track that’s as authentic as it is avant-garde. In a world where music often feels manufactured and soulless, KRASH is a breath of caustically fresh air.

The debut EP is now available to stream on Spotify.

Review by Amelia Vandergast

Xther opened Pandora’s Box with the bloodlust in his experimental debut EP, A Disaster at Last

Pandora’s Box opened when Xther unveiled his seductively macabre standout single, Delicacy, taken from his debut release, which came in the form of his inaugural EP, A Disaster at the Least.

With bloodlust in place of the banality of lust, Xther, envisioned by the inventive Davin Casey, created the ultimate protest to the cultural quietude of Southwest Missouri; Davin’s musical metamorphosis stands as a vivid declaration of artistic tenacity and fervour.

After the stabbing piano keys tease a pop ballad, the throbbing synth lines send ravines of reverberance through the synthesis of dark electronic pop progressions and alt-rock manifestations of visceralism. If Deftones make you horny, I don’t even want to know what delicacy will do to you. The sultrily dark magnetism of She Wants Revenge creating friction against the future-ready production which highlights the dust on IAMX hits is a potent aural cocktail which will intoxicate you to Xther’s sonic reawakening which follows the dissolution of Davin Casey’s former hard-rock project, Story of a Ghost.

Stream Delicacy with the A Disaster at the Least EP via Spotify.

Review by Amelia Vandergast

Jump Jump Joan made sparks fly in their vintage tone-wrapped pop-punk hit, This Night

Jump Jump Joan cruised in on a riptide of surf punk with their stylistically exhilarant standout single, This Night, taken from their debut EP, This is Us, which hit the airwaves on September 1st.

By the time the palpitatingly sweet chorus hits, you’ll be wishing that all pop-punk hits were as vintagely hued as This Night; as momentum drives through the overdriven guitar lines, the lead vocals drape seductively magnetic harmonies over the rancour to create a natural anchor amidst the chaos.

There aren’t many outfits that can hold vocal candles to the likes of Debbie Harry and Dolores O’Riordan, but if any powerhouse can hold their own against the icons, it is the Somerset-hailing ensemble who are already making major waves across streaming platforms and winning favour from the likes of Blitzcat Records and Honk Magazine. We’re stoked to see Jump Jump Joan hold dominion over the UK punk scene in 2024.

Stream This Night on Spotify now.

Review by Amelia Vandergast

Classic piano pop made a comeback via Dana Powell’s single, Have I Found You

Dana Powell is reflectively resounding in her debut 4-track EP, Mirrors, featuring the standout piano pop score, Have I Found You.

The Canadian, US-residing singer, songwriter, and pianist applied an elevated classic pop touch to her arrestive single, produced by the Grammy Award-winning engineer Philip Larsen, who has also worked alongside the pop legends Lady Gaga, Katy Perry and Kylie Minogue. Clearly, Powell fits right into that iconic triad of pop icons; her songwriting pulls you through the progressions by your heartstrings as the minor piano keys hammer against her evocatively glassy vocal lines and a vignette of romantic malady and euphoria plays out with arresting panoramic colour.

The tentative romanticism which lingers through the lyricism is the ultimate testament to her maturity as a songwriter. Can we agree as a society to stop championing the 18-year-old artists churning out pop tropes about loving someone forever when they’re just experiencing lust and uphold artists in the same superlative pop vein as Dana Powell?

Have I Found You was officially released on July 10th; stream it on Spotify.

Review by Amelia Vandergast

Chloe Southern painted the portrait of a morally grey romantic in her immersive folk single, Oil & Water

The 22-year-old neo-folk singer-songwriter and producer, Chloe Southern, goes beyond making honesty her brand through the motto, “the more alone I feel in an experience, the more I know I need to write about it”.

The Boulder, CO-born, Brooklyn-residing artist is fresh from the release of her debut EP, Last Man on Earth, which contains five singles, all orchestrated to give a confidant to anyone drifting along the same wavelength. One of the standout singles, Oil & Water, is a quiescent aching lullaby. Atop gentle acoustic guitar strings that weave rich Elliott Smith-Esque melodies, Southern finds her resounding voice as she heightens the emotions to the nth degree through the climactically gentle vocal progressions.

All too often, singer-songwriters paint themselves as flawless protagonists in their own stories. Southern switched the narrative by creating a morally grey character of herself in the single that traverses how she stole someone from the arms of another. But she pulls the romanticism back around by alluding to her ability to love him like no other. We’re officially rooting for her in the romantic saga.

Oil & Water is now available to stream on Spotify.

Review by Amelia Vandergast

London indie-rock renegades JW Paris shared their lascivious appetite for destruction with ‘She’

The shimmer of wavering Pavement-esque guitars meets the indie anthemics of Blur in the standout single, She, from the London indie trio JW Paris’ debut EP, Stuck in a Video, which implanted off-kilter killer hooks into the airwaves on October 28th.

Reminiscences aside, the band that has sent distinction ricocheting through the underground since their 2017 debut always bring a potent shot of their own renegade indie-rock flavour to their tracks. The critically acclaimed act has a habit of drawing you right into the swaggering melodicism through the lyrics that will smother anyone who has ever felt the odds stack against them with resonance.

Never ones to toy with cliches, JW Paris found a gritty way to pay ode life’s protagonists who sell sanctuary to us amid our appetite for destruction with She. With “she tried to run me over, she blows my mind” written into the lyricism, JW Paris cut to the marrow of the human proclivity to gravitate to modern-day sirens. If you haven’t been there, in the words of Bukowski, what truly horrible lives you must lead.

Stream JW Paris’ debut EP, Stuck in a Video, in full on Spotify.

Review by Amelia Vandergast