After spending years keeping her talent hidden, PINAR stepped out with a boundary-breaking dark RnB-pop debut that spellbinds from the first breath. Almost Believe introduces the Turkish-rooted, Germany-born, England-based singer-songwriter as an independent artist who has been writing in private for years, waiting until one track finally demanded to be heard.
Latin guitars weave shadowy melodies through the slow, atmospheric production, while PINAR’s layered vocal harmonies give her debut a theatrical, almost baroque art-pop feel without tempering any of the intimacy or soul within the more traditional echoes of RnB pop. The song sits in the space between doubt and hope, where part of you knows you may be holding onto an idea in vain, but another part still wants to believe it. The emotional dissonance ricochets through the production, refusing to leave the soft euphonic glow of the release to feel fragile..
There is a dark, cinematic pull here that fans of BANKS’ moody RnB architecture, Sevdaliza’s spectral drama and FKA twigs’ art-pop intimacy will understand immediately, but PINAR’s voice carries its own siren-esque invitation. Her harmonies move like smoke around the confession, drawing you deeper into the mind of one of the most fascinating new RnB acts we have heard this year.
PINAR let her demons out to play with her debut; she is absolutely going to slay with her sophomore.
Almost Believe is now available on all major streaming platforms, including Spotify.
Review by Amelia Vandergast


