Browsing Tag

dark pop

Aspen Sawyer has released her apocalyptic love song, ‘When the World is Ending’

Aspen Sawyer

Tucson, AZ-hailing pop artist Aspen Sawyer has been pulling the light out of her dark experiences since she made her debut in 2019 with her single, Self-Love. After experiencing serial abuse and homelessness as a teenager and young adult, Sawyer seeks to inspire her listeners by proving past trauma doesn’t need to hold you back or define you.

Her latest single, When the World is Ending, is an intoxicating feat of darkwave electropop that asks the very relatable question, will you still love me when the world is ending? With apocalyptic thought never far from our synapses these days, When the World is Ending is a powerful release that reflects the paradigm shift that love has taken during the pandemic.

When the World is Ending is now available to stream on Spotify.

Review by Amelia Vandergast

Siobamm has made her dark-pop debut with her alt-indie-electronica EP, ‘Gloom Patrol’.

Siobamm

Toronto, Canada-hailing roller derby skater Siobamm used her time during lockdown to write and self-produce her dark pop debut EP, Gloom Patrol. It is easily one of the most promising alt-electronica debuts so far in 2021.

The standout single, Bones, is a feat of darkwave synth-pop that pulls in gothy discordant textures along with the steady downtempo pace of the pulsating basslines, giving Bones a mesmerizingly mellifluous, almost cinematic, feel. If Gloom Patrol was her 10th EP, we’d be impressed. For Siobamm to make a debut with a sound that is polished as it is authentic is something else entirely. Discernibly, the key to Siobamm’s success was ensuring that connectable emotion ran at the surface of her unique sound.

Any fans of Warpaint, Hooverphonic, Portishead and Bjork won’t want to miss out on this stylistically moody synth-pop release.

Check out Siobamm via her website.

Review by Amelia Vandergast

Close Your Eyes: The remarkable Uma Nite reminds us that we don’t have much time to shine on ‘Memento Mori’

With her piercingly striking clear blue eyes looking rather deeply into your flickering souls characteristics, Uma Nite darkly scripts us the scary story of how fragile we really are at the end with ‘Memento Mori‘.

Uma Nite is a sensationally resolute and mysteriously alluring Norwegian indie dark-pop singer-songwriter who is now based in thriving London, England. She cleverly makes that moody sprayed music theme soundscape, that isn’t afraid of touching on controversial subjects that others hide quickly away from.

My lyrics are dark and theatrical in nature, bridging the gap between fiction and truth.” – Uma Nite

You feel her reflective gaze so suddenly in your throbbing bones — as she keeps things into perspective on this special song which will make your body shiver — as you realize that you can’t take anything with you when you are gone. The story hits home hard, as you wonder thoughtfully if you are on the right track to fully succeed, or if you need to take a good look at yourself in the mirror right now.

Her voice is simply exceptional, each note is sung with such evident quality that holds you close and doesn’t let go of the tight grip. The lyrics are honest, somber and tell it how it really is. This is a self-aware artist who is only starting to find the peak of her powers within, with so much more to come as she detects her path to true self-enlightenment.

Memento Mori‘ from the purposefully electric dark-pop London-based musician Uma Nite, has our hearts ablaze with emotions, as we are told that we are indeed just flesh and bones, when it comes to the end of our time on this crazy planet. Life is short — so to be too full of yourself or to take all things rather seriously — is actually completely pointless, when your eyes close, for the last time ever. Your gold and dreams disappear into the night after all.

See the excellent music video on YouTube and check out the IG music page for more news from this brilliant artist.

Reviewed by Llewelyn Screen

JANEX bares all in her indie alt pop track, ‘Vulnerable’

New York-residing singer-songwriter and producer JANEX began her career at age 14, 6 years on; she’s bringing nuance by the aural bucketful to the airwaves with alt-pop tracks such as ‘Vulnerable’.

If you could imagine what it would sound like if Kate Nash started working with London Grammar, you will be close to the mark getting an idea of what’s on offer in this conversationally immersive track that plays with dark trip-hop textures. But at its core, it’s a stunning exhibition of JANEX’s talent in orchestrating intimate, sonically flawless pop tracks.

Vulnerable is available to stream via the artist’s official website. The official video which premiered on March 27th, is available to stream via YouTube.

Review by Amelia Vandergast

PleasePrettyLea wants to take us and shake us up with ‘You’re Home Finally’

Opening with some very voodoo-y, lynch-type imagery, the superb video for PleasePrettyLea’s new single ‘You’re Home Finally’ firmly sets the scene for our heroine’s witchy, lustful intent. Flipping easily between disdain and flirtation, PleasePrettyLea works her magic to seduce her ex-lover back to the warmth of her bed – soft piano chords and a deliciously tempting smoky, sultry cajun voodoo-blues n’ jazz-inspired vocal draws us in as much as her tantalizing dance-moves and wicked, bewitching lyrics. There’s no doubt about her intent here, the NSFW lyrics setting out very clearly what PleasePrettyLea would like to do to us, over a backing of deliberately discomforting, disquieting bass, drums, and piano. It’s dirty, it’s sexy, it’s entrancing, and it’s very, very, good.

Check out the video for ‘You’re Home Finally’ on YouTube; follow PleasePrettyLea on Facebook and Instagram.

Review by Alex Holmes

 

Emporers introduce themselves in no uncertain terms with ‘We Are The Emporers’

Emporers

Well, all of a sudden the 1980’s turned up, kicked in the door with a lacy sleeve-cuff and some Adam Ant eyeliner, popped their pixie-booted feet up on the table, and announced their intention to stay with a New Romantic frock-coat thrown firmly onto the back of the sofa. And, with ‘We Are The Emperors’, what an entrance it is; a three-piece electro-pop beaut writ large in gated, reverb-heavy snare beats, chocky guitar, and driving bass.

Drawn together by legendary Killing Joke bassist Martin ‘Youth’ Glover (producer for everyone from Bananarama to Pink Floyd, Edwin Collins, Siousxie and the Banshees, and The Verve), there’s some serious writing skills and musicianship behind the frills and blusher; touches of Pet Shop Boys and Yazoo electronica mixed with Spandau Ballet, Kate Bush, Gary Numan, Orchestral Manoeuvres in the Dark, and The Human League, but there’s some serious pop sensibilities too – Bananarama, again, Fun Boy Three, Go West, A-Ha, and Duran Duran, for sure. You get the picture – a United Colours of Benetton picture, framed in Black Ash and lit with neon, at the same time bang up to date and spectacular, pop-driven, and absolutely explosive. Make no mistake – there’s a retro-tinged influence here, for sure, but this is no simple regressive homage to the past; it’s cutting edge, stellar, and absolutely right now – with a superb video to match, ‘We Are The Emporers’ is simply a fabulous pop record.

Check out Emporers on Instagram.

Review by Alex Holmes

Reese Taylor lends her artful touch to dark pop with her standout single, ‘After the Party’

With such a vast array of artists joining the airwaves, phenomenal releases can be overlooked, such as Californian singer-songwriter, multi-instrumentalist and producer Reese Taylor’s 2020 standout single, ‘After the Party’.

At the age of 17-years-old, she not only has the ability to appeal to the human psyche by her eerie, ethereal dark pop melodies, but she can also scathingly berate toxic behaviour that people seem to exhibit without repercussion.

After the Party poignantly attacks hedonists intent on living the high life with little mind to what their behaviour does to people around them. We all know them, the ones desperate for the world to see just how much fun they’re having when anyone with emotional intelligence know they’re trying to fill a gaping hole with superficial pleasure.

There may be a moody edge to Reese Taylor’s take on pop, but she doesn’t hide behind a pretence in the same way that many dark pop artists do. Her sense of vulnerability is still perceptible, but her astute wit dominates the soundscape all the same.

The official video to After the Party is available to stream via YouTube.

Review by Amelia Vandergast

Aimee Saturne has left her sultry mark on the airwaves once more with her dark pop single ‘Silver Screen Lover’

There was no forgetting Aimee Saturne after her audaciously titled debut single ‘Don’t Tell My Boyfriend’, although it was hard to see how the sophomore release could top the entrancing seduction. We clearly underestimated the dark pop songstress who is hell-bent on leaving her sultry mark on the airwaves and on the lascivious streets of LA.

With “I think I’ve finally lost my fucking mind because I think about you all of the time”  as the opening lyric in ‘Silver Screen Lover’, you can’t help but be drawn in by the candid lyricism which Aimee Saturne’s seductive vocal range wraps around as bass-riding notes blazon beneath.

It would be an edgy track, if the empowering feat of sexually charged pop wasn’t so flawlessly produced. What you hear in Silver Screen Lover is an admission of someone entirely in command of their sexual agency. It’s the ultimate antidote to crass faux feminist pop.

Silver Screen Lover is now available to stream via Spotify.

Review by Amelia Vandergast

ZØLTAN – No Deal: seductively poetic semi-orchestral electro-pop

Enigmatic Eastern European pop singer-songwriter and instrumentalist, ZØLTAN, has released the 3rd single from their highly anticipated forthcoming EP, the seductively poetic release is the perfect introduction to ZØLTAN’s timeless symphonic approach to semi-orchestral electro-pop.

No Deal drenches the airwaves with romanticism while celebrating contemporary urban culture by playing with dark and theatrical elements, allowing No Deal to serve as a powerful reminder that love can thrive in the darkness just as well as in the light.

The pull of the classical strings gives the single a panoramic feel while the lyrics spill powerful imagery which won’t fail to draw you in to the mesmerising feat of avant-garde pop.

The official video to No Deal premiered on February 5th. You can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast

Jessamine Barham has released her consolingly baroque ballad ‘Only a Dream’

If you’re as aurally sensitive as me and your dreams are more lucid than your waking life lately, Jessamine Barham’s latest single ‘Only a Dream’ is going to sting.

The singer-songwriter wrote the theatrically baroque ballad with the same intent which simmers behind each of her works; to offer resonance to the lonely, ignored and “those who wish to know the hidden world behind the sound of silence”.

Any fans of Tori Amos, Amanda Palmer, and Abney Park will definitely want to get acquainted with Jessamine Barham’s consoling talent.

Only a Dream was released on January 22nd; it is now available to stream via YouTube.

Review by Amelia Vandergast