Browsing Tag

dark pop

Dark pop icon Francesca Monte has released her fierce new earworm, Vertigo.

Italian dark pop icon Francesca Monte has released her fierce new earworm, Vertigo; what Cher started with inventive vocal reverb, Monte has superseded it with her deliciously dark track.

Vertigo allows lyrics to run through like scorned spoken word poetry as glitchy harsh electronica beats make sure that your rhythmic pulses are entwined, ready for the colossal drops and broadsiding aural curveballs.

Instead of pandering to moody pop cliché’s, Francesca Monte ensured that the multifaceted emotion was as visceral as the melodic yet sporadically caustic beats. It is only a matter of time before she is a permanent fixture in the electronic music charts.

Check out Vertigo for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Jamskillet has released his intoxicatingly authentic alt-pop track, Waterfalls.

If you’re sick of superficial love songs, strap yourselves in for the impassioned sincerity in Jamskillet’s latest alt-pop track, Waterfalls.

On the basis of Waterfalls, Jamskillet has the talent it takes to reach the same heights as Mac Miller and Post Malone; his intoxicatingly authentic mash of urban and alternative elements resonates like no other. Thanks to the striking lyricism, intricate cold guitar hooks and dark trappy beats, you’d need a serious concussion to forget the earworm of a melody in Waterfalls.

You can check out the cinematic official music video to Waterfalls that premiered on July 4th via YouTube.

Review by Amelia Vandergast

Johnathan Murray has released his evocatively charged dark pop debut single This is War.

Up and coming pop artist Jonathan Murray has made his debut with the alt-pop single This is War, which captures the fragility of our human existence and emphasises the importance of love within it.

The way that the North Carolina-based artist creates parables between contemporary anxiety and romantic insecurity is nothing short of genius. The ingenuity is extended by his tonal palette that pulls influence from the likes of Twenty-One Pilots and Dragons. The synth-led soundscape is a sure sign that Johnathan Murray’s solo debut was well overdue; despite the raw, evocative nature, there’s a maturity found within his songwriting style and deliverance of pure, unbridled passion.

This is War is now available to stream on Spotify.

Review by Amelia Vandergast

Chris Vega sends a siren call in his alt-pop single, ‘Dangerous’.

Chris Vega

Cincinnati-hailing self-taught singer-songwriter and music producer Chris Vega is set to release his stormy impassioned pop track, Dangerous. The single shines a light on the darker side of love, the side that tells you it is safer to play with the toaster in the bath than it is to fall in love, but we delve in regardless.

It’s no secret or exaggeration that relationships can allow our mental health to take a hit and vice-versa; Vega encapsulates this perfectly. It’s so much more than you’re archetypally prosaic ‘I can’t live without you’ love song; it’s an extension of compassion to everyone that has ever had to battle with affectionate feelings and mental health issues simultaneously.

Check out Chris Vega on Instagram and Twitter.

Review by Amelia Vandergast

PleasePrettyLea has released her dark theatre-pop ballad, ‘Ohheycide’

The darkly delectable princess of ethereal RnB pop PleasePrettyLea has returned with her latest single, ‘Ohheycide’; she’s lost none the arcane air that left us hooked on her preceding singles.

This time, she was daring enough to explore the complexities of suicidal ideation in her deeply conceptual music video. Starting with the lyrics ‘I wish you’d save me but you’re the one that breaks me’ captures the desperation that surfaces when someone tears you apart while you’re internally screaming for them to fix you. As the single moves through its stormy and shadowed progressions, there’s a visceral upsurge of the adrenaline that kicks in when rage starts to join apathy and debasing self-scrutiny.

Ohheycide is a stunning avant-garde vignette of the avenues our minds can take us down as we spiral down a depressive hole. It is the antithesis to plastic pop that always feels the need to follow a redemption story. Ohheycide compassionately tells you that on some days there’s scarcely anything but darkness, but that doesn’t mean that you don’t deserve a tomorrow.

The official music video is due for release on July 14th. You can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast

OFFtrack – Too Dumb for Your Guns: Trippy Ethereal Alt-Electronica

‘Too Dumb for Your Guns’ is the electrifyingly ethereal latest trip-hop single from the mesmerising alternative artist OFFtrack. The Bahrain-based band formed in 2019 to rapturous acclaim before COVID-19 called time on the live music scene.

Their love of post-punk and trip-hop classics worked its way into the latest release which captures the disjointedness we feel trying to connect in anything in our dystopic world through trippy rhythms pulled together with dreamy guitar melodies, cutting overdriven shoegazey discord and glassy synths.

The single questions the ulterior motives of those driving society to destruction through seductively demure vocals and strikingly dark meta poetry serving as lyricism.

Any fans of Warpaint, Policia and Portishead will want to make room on their radar for OFFtrack.

Too Dumb for Your Guns is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

 

Philly Knox has unleashed her ethereally empowering dark-pop hit, ‘Bad Guy’.

After a dark ethereal intro, Philly Knox’s latest single, Bad Guy, seamlessly shifts into an amalgamation of trap beats, RnB pop vocals and rap verses that Knox uses to utterly floor you with the candid demeanour of her soulful yet vehemently fierce bars.

Bad Guy may share the same title as Eilish’s viral hit, but Knox put an ensnaring claim on the name with her dark hip hop hit that sticks with you for quite some time after the haunting lo-fi-style outro. The single feeds empowerment through the deliverance of raw and intimate expression that isn’t commonplace anywhere, let alone on the airwaves.

You can check out Philly Knox on Spotify.

Review by Amelia Vandergast

Lajze – Glue: Meet the Lydia Lunch of this Generation

London-based British/Polish singer-songwriter and composer Lajze has released her latest indulgently obscure, avant-garde trip-hop EP, Red Sea. Any fans of Lydia Lunch, David Lynch’s phantasmal aural works and Marc Hurtado will want to experience the mesmerizingly dark soundscapes for themselves.

The best introduction to the electronically-crafted no-wave release is the lead single, Glue; that is exactly how it will stick to your synapses as you drink in the haunting atmosphere and feel the chill of the ominous droning bass around the glitchy beats. The sensual vocals add even more ethereal ambience to the single as they work around striking meta poetry which serves as lyricism.

Glue is now available to stream via SoundCloud.

Review by Amelia Vandergast

Mak London has released her ensnaringly witchy sophomore single, ‘Cut Ya Clean’.

Dark, witchy, and edgy are just a few of the adjectives that first come to mind when listening to Mak London’s sophomore single, Cut Ya Clean. But it is so much more than your average brooding-pop-princess track, which we’ve heard so many times since Eilish declared herself as ‘the bad guy’.

Cut Ya Clean is an artfully decadent track; full of lavish authenticity that will undoubtedly see the Calgary-based singer-songwriter go far on her path to alt-pop royalty. The starkest reminiscences in the soundscape are the ones that bring Lewis Carroll’s The Queen of Hearts to mind.

Cut Ya Clean officially released on July 2nd; you can check it out for yourselves by heading over to SoundCloud.

For more info, head over to her website. 

Review by Amelia Vandergast

AMOSA has released her ethereally dark electronic pop debut, ‘WALKAWAY’.

Oxford, UK-based singer-songwriter AMOSA has released her debut indie-pop single, WALKAWAY, which runs in the same moody vein as Billie Eilish and King Princess.

The stylishly arranged single flows through downtempo, reflective synth-led grooves in the captivating soundscape that delivers an ethereal atmosphere, direct lyricism, and swathes of emotion that captures the vulnerability in the admission that you want someone to stay who has already started to walk away.

It’s a stunning extension of compassion to anyone who has ever experienced holding onto toxic people, knowing that they’re bad, but feeling the physical addiction all the same.

At the age of 21, AMOSA is already proving that she’s got the contemporary sound and the matured talent to climb the indie-pop charts. We’re stoked to watch her ascent.

WALKAWAY is now available to stream via Spotify.

Review by Amelia Vandergast