Browsing Tag

Country singer songwriter

Sarah McCulloch painted a mountainous vignette with her honkytonk hit, Back In Them Hills

Sarah McCulloch’s single Back In Them Hills is a vivid portrayal of the landscape her soul calls home, offering listeners a sanctuary in its upbeat honkytonk rhythms. The track goes beyond a mere tribute to country folk’s roots; McCulloch becomes a conduit for the genre’s enduring spirit. Her vocal lines which spill over with soul are as panoramic as the landscapes she paints with her lyrics.

McCulloch, a renowned folk singer-songwriter and country artist from Florida, is known for her exceptional storytelling and poignant lyrics. Her ability to weave captivating stories through her music has earned her a loyal fan base and critical acclaim, with Americana-UK and Lonesome Highway praising her previous works for her modern yet traditional sound.

McCulloch’s upcoming full-length acoustic album, Driving Me Home, produced by Jim Bickerstaff and featuring Florida musicians like Raiford Starke and Jeanie Fitchen, is an inspiring collection of aural stories which reflect themes of triumph over adversity and the courage to embrace vulnerability. Born in Miami and raised near the Big Cypress Seminole Reservation, McCulloch’s music, recognised by the State of Florida’s Division of Arts and Culture, draws inspiration from her unique upbringing.

Back in Them Hills was officially released on March 22nd; stream the single on SoundCloud.

Review by Amelia Vandergast

Dave Wilbert was born to take the wheel and drive in his country-rock earworm, Tractors and Trucks

Springsteen was born to run, but Dave Wilbert was born to take the wheel and drive in his country-rock earworm Tractors and Trucks, which delves beyond the stereotypes and into the intricacies of the identities of people who spend their lives outside of the city smoke.

Tractors and Trucks rips up all the tropes and cliches of country and scatters them like confetti within the anthemically polished production which will lure you in with the bluesy pop grooves and ensure you’re suitably hooked by the slide guitars which follow the solos which exhibit Dave Wilbert’s command of a fretboard.

The Fairview, Tennessee-residing artist was born and raised in rural Indiana, where he practised the hard-working virtues extolled in this infectiously feel-good hit, which will undoubtedly give those living the rural life a potent shot of pride.

Tractors and Trucks was officially released on October 6th; add it to your country-rock playlists by heading over to Spotify.

Review by Amelia Vandergast

Get your recklessly raucous country rock fix with Tracy Inman’s latest single, I’m Drunk Again

When only boozy & bluesy tongue-in-cheek country rock will hit the spot, dig into the latest single, I’m Drunk Again, from the recklessly raucous singer-songwriter Tracy Inman.

From endearing accounts of encounters with bullfrogs to tales of hedonism that make Charles Bukowski sound like a lightweight to sing-along choruses and foot-stompin’ rhythmics, I’m Drunk Again delivers it all in one tidy, polished, and infectiously feel-good package.

Even though the country genre is proliferated with songs about whiskey, the St. Louis-hailing singer-songwriter still managed to pull something original out of the brown paper bag. I can only imagine how well I’m Drunk Again goes down in a live performance in crowded and bleary rooms.

Stream I’m Drunk Again on Spotify, or check out Tracy Inman via his official website.

Review by Amelia Vandergast

Madison Hughes painted a vignette with the poison arrows of a lothario in her country single, The Heartbreak Kid

If Helen of Troy could launch a thousand ships with her face, trailblazing country songstress Madison Hughes could do the same with her velveteen vocal lines in her latest single, The Heartbreak Kid.

Not one to skate by on her most obvious talent, Hughes always ensures her vignettes come to life in enthrallingly vibrant colour. With her latest slice of Americana, she painted a portrait of the kind of lothario you will always hope to never know while providing pitch-perfect solace to the ones that have been shot with poisoned arrows.

The Florida-residing artist started her journey at 10 years old. Since, she has won over all three judges on NBC’s The Voice, which subsequently resulted in her cover of Knocking on Heaven’s Door being streamed half a million times on YouTube. Her most popular single, You or the Whiskey, found a place on the Billboard “7 Must Hear Country Songs” list and the New Music Friday County Spotify playlist. The Heartbreak Kid is easily deserving of the very same accolades.

Stream The Heartbreak Kid on all major platforms via this link.

Review by Amelia Vandergast

Brandon Bing became the superlative raconteur of country rock gospel in ‘Rat Race’

With one of the most emotive opening guitar melodies we’ve heard in, well, forever, and guitar solos that Slash couldn’t have done better in the middle-eight, which leaves you reaching to crank up the volume, Brandon Bing’s polished country rock vignette of working-class culture in Rat Race is as tenacious as it is electrifying.

It seems somewhat paradoxical to derive so much pleasure from a single which traverses the precariousness of stability for the billions of working-class people trapped in the rat race and numbing themselves by any means necessary, but therein lies the beauty of Brandon Bing as a raconteur of country rock gospel.

It’s a drastic contrast from the last time we heard Bing with his feel-good honkytonk hit, Don’t Bring Your Car to a Rodeo, and while we didn’t dare underestimate his versatility, Rat Race gave us infinitely more than we bargained for with the earworm which starts with an instant hook. Just try telling us he isn’t one of the best contemporary country writers around.

Rat Race was officially released on June 9th; hear it on Spotify.

Review by Amelia Vandergast

Lorne Riley has released his page-turning upbeat country earworm, That’s All She Wrote

‘That’s All She Wrote’ is the latest quintessentially country single from the singer-songwriter Lorne Riley, who ingeniously cloaked his latest pop and rock-encompassing feat of Americana with swathes of 80s nostalgia to take you on a sonic journey you’ve never muddied your metaphorical boots with before.

You just can’t help falling in love with the small-town boy who has dug up his Northern Ontario roots and implanted them in his new residence in Dubai. Evidently, you can take the boy out of the country, but you can never take the country out of the boy.

Since making his debut in 2019, he’s featured on the Nashville Music Row Chart; That’s All She Wrote is yet another hooky chart-worthy hit from the singer-songwriter who knows exactly how to infuse his vignettes with bold imagery and a sense of soul that will awaken your own.

That’s All She Wrote was officially released on April 28; hear it on Spotify now.

Review by Amelia Vandergast

Spotlight Feature: Country luminary, Colt Graves, released the ultimate anthem for positive defiance with ‘Dirt on Me’

Colt Graves

Much like imposter syndrome, people coming out of the woodwork to attempt to drag you down to their depressive imbittered depths is a sign you’re on the right path; Colt Graves’ latest single, Dirt on Me, is for anyone who traverses this mortal coil with nothing but compassion, positivity, ambition, and autonomy fuelling their world-weary souls.

It is one thing to speak to the haters; it is another entirely to vindicate the people on their own paths with a country rock anthem that can easily define the future of the genre. Just as his grandfather, Josh Graves, got inducted into the Bluegrass Hall of Fame after introducing the resonator guitar to the genre, Colt Graves is making innovative waves of his own – which is easier said than done in 2023!

Dirt on Me is an adrenalized amalgam of Southern rock in the vein of Shinedown, Lil Nas X hip hop elements, vicious pop hooks, and modern beats, all tied together with country instruments and the depth and class of Steve Earl.

The genre fluidity within Dirt on Me may be bang on trend, but clearly, Colt Graves will never be one to sell his soul at the expense of his veracity, which makes the superlative hit one of the most visceral anthems the Country genre has ever contained.

“Have you ever felt like no matter what you do, it just isn’t good enough for some people?

Dirt On Me is for the people living true to themselves and trying to do the right thing, regardless of what anyone else has to say about it. It’s a ‘fed up of the bullshit’ anthem and a call to confident and more prideful arms; you can’t please everyone; the harder you try, the worse you will end up.

People are always going to ‘Throw Dirt On You’ and try to drag you down, but positivity always wins, and the best thing we can do is ignore the noise and keep moving forward.”

Stream Dirt on Me on all major platforms from May 11 via this link.

Follow Colt Graves on Facebook, Instagram and TikTok.

Review by Amelia Vandergast

Chris Landry un-reliced roots music in his debut album ‘Marylou’

Chris Landry is a well-known name in the Ottawa music scene; the singer-songwriter and musician has been writing, recording, and touring since the turn of the century. At the start of his accoladed journey, he livened the punk and rock scenes. Now releasing music as a solo artist using his own name as a moniker, he’s delivering roots music entwined with a sense of soul that brings to life his observationally arresting lyricism.

His debut album, Marylou, was officially released on November 8th. The title single is a compellingly contemporary reiteration of country that proves his maturity as a songwriter. After the desert-y bass rumbles in the prelude, on top of the foot-stompin’ percussion, his vocal melodies soar above the pedal steel and organ wails, giving that iconic country sound a new lease of life with the same zeal of Kurt Vile.

Chris Landry’s debut album is now available to stream on Spotify.

Review by Amelia Vandergast

The country rock renegade Brandon Bing is back in the saddle in his roughneck hit, Don’t Bring Your Car to a Rodeo

Before you head to your first rodeo, learn the ropes from the Floridian traditional country rock raconteur Brandon Bing. Taken from his latest whisky-soaked album, Huckleberry, his seminal single, Don’t Bring Your Car to a Rodeo, is an enlivening invitation into the roughneck culture of rodeos.

The foot-stompin’ rhythms drive good vibes right through the upbeat hit while the folky strings bring the gravitas that Brandon Bing is renowned for in the country music scenes far beyond his own turf. Off the back of his 2021 EP, Dyin’ Breed, he received accolades from the International Singer-Songwriters Association, and he’s toured his sound across the states with appearances at Live Oak in Nashville and at the BMI Songwriters Festival in Florida.

Don’t Bring Your Car to a Rodeo video is is now available on YouTube and you can also stream it on Spotify

Review by Amelia Vandergast

Copperhead Jones is down by the water in his narratively blissful country single, Cold Beers and Tight Lines

While deployed with the US Navy in 2012, the Texan country crooner, Copperhead Jones, started to pen his roots-deep Americana songs. A decade down the line, he is fresh from the release of his narratively escapist sophomore album, Anchor.

The standout single, Cold Beers and Tight Lines, lyrically sets the scene of a more serene time, while the upbeat Americana instrumentals feed the euphonic highs through the flair of the bluesy piano motifs, winding Country guitars and assuredly steady percussion that would have a dive bar crowd tapping their feet to the tight snappy rhythmic magnetism in no time at all. Regardless of the mood that Cold Beers and Tight Lines catches you in, the soulfully sincere soundscape is sure to brighten it.

Cold Beers and Tight Lines is now available to stream on Spotify along with the rest of Copperhead Jones’ 2022 album, Anchor.

Review by Amelia Vandergast