With a cinematic Jazz ensemble quiescently quivering beneath a poetically enticing spoken-word monologue, The Spice Cabinet’s latest release, “Bittersweet”, is captivating from the intro.
From there on out, the Neo-Classic soundscape demonstrates its efficaciousness in arresting your rhythmic pulses with the subtle yet striking fluctuations in zeal and style, leaving you eager, but assured, you’re in masterfully safe aural hands.
With the nuance exhibited in Bittersweet, it comes as no surprise that Beijing’s 11-piece award-winning Jazz fusion collective have amassed plenty of acclaim. Frontman, arranger, pianist and trombonist Terry Hsieh is able to bring modernism to a genre consistently perceived as archaic. Perhaps more pertinently, he is able to make a plaything of your psyche through his ingenuity.
Taken off the new album ‘NewVista‘, SergeyRybytskyy is back with the new single called ‘Waltz a–Moll‘.
SergeyRybytskyy is a name to know in the composer world. Known a wizard from another time with a huge abundance of talent, the Ukrainian creative sets a whirlwind of amazing music for our souls to be inspired by. This is refined and glorious, with many layers of wonderful music. Creating an emotional experience is the aim here and this goal is achieved effortlessly.
In addition to this music being in TV and Film, Sergey’s work is slowly starting to get heard all over world via internet radio stations. Beethoven’s and Bach’s compositions and influences are heard throughout, as he continues to build his catalog of unique work and incredibly created music.
Ukraine SergeyRybytskyy is quite marvelous on ‘Waltz a–Moll‘. This acclaimed composer shows his new single via a wonderland of special soundscapes, these are splendidly put together to make us relaxed. This is real music to change your perspective.
Commencing with a beautiful, arpeggiated piano motif before being joined by the deep, sonorous swell of cello, ‘Crazy In Love’ is a beautiful, haunting piece, an instrumental duet of resonant, musical artistry and elegance that showcases the talents of two incredible musicians.
Pianist Deborah Robb and cellist Xue Yang Liu met while students at the Mannes School of Music at the New School in New York City. While attending Mannes they performed chamber music together and were members of the Mannes American Composers Ensemble (MACE) under the direction of composer Lowell Liebermann. Their Sonophonix duo merges their composing, arranging and improvisation skills, and ‘Crazy In Love’ is a perfect example of their art, allowing each performer the personal space to breathe whilst intertwining their individual contributions into something altogether greater, a delicate, mellow, composition of refinement and elegance that transcends the classical genre and becomes something altogether of its own.
Ambedo is just one of the celestially graceful compositions which feature on The Ideal Setback’s latest album Nodus Tollens which is due for release on September 25th. It’s safe to say that ambience has never been quite so evocative.
As neo-classic roots entwine with modernistic transcendental tones under the deft composition of Todd Chappell, you’ll be able to feel every fluctuation in momentum and passion. The intricately light soundscape was inspired by and titled after the melancholic trances we enter when vivid sensory details capture us and allow us to drift into a dimension besides the anxiety-riddled hellscape we call 2020. For your own sanity, hit play.
You can check out Ambedo for yourselves by heading over to SoundCloud now.
Ukrainian composer, producer and pianist Olexandr Ignatov has countless accolades to their name. After the release of their Neo-Classic album “Messages”, they can also be proud to have their name behind one of the most stunning albums of 2020.
Each composition invites you to explore a different emotion, Patience, Empathy, Temperance, Loyalty, Trust, the track which hit the evocative spot the hardest for us was undoubtedly “Struggle”.
The precision in timing between the notes is almost otherworldly in the way it sets trepidation, torment and a spiralling sense of despair. Yet, it can’t be said that the piece was without any sense of beauty and resilience. It’s the perfect reminder that if you’re struggling, you’re still fighting and not all hope is lost. And with that revelation, I might have a little cry.
Struggle is available to stream via Spotify with the rest of their ground-breaking album.
When you feature such luminaries as Jazz chanteuse Alexis Cole (possibly the greatest singer ever to hold a top-secret military security clearance), the Grammy-nominated pianist Mike Eckroth (John Scofield’s New Quartet), and saxophonist Marc Phaneuf (Quincy Jones, LA Philharmonic, Aretha Franklin, Iggy Pop…) to showcase your songwriting talents, you’d better hope that your craft is up to the same standard as your performers.
Thankfully, for songwriter and poet Connie Marotta AKA Imagesong, it is. In spades. ‘Lost In You’, from the ‘Imagesong Presents’ portfolio, is everything you could hope for; late-night laid-back New York Jazz Club cool, Eckroth’s beautifully sparse keys perfectly complimenting Cole’s sultry, smoky vocal timbre and Phaneuf’s subtly understated baritone sax fills. ‘Lost In You’ is stunning, seductive, the aural equivalent of twenty-year-old scotch on the rocks and a slowly burning Chesterfield. Gorgeous.
Imagesong’s single Lost in You is available to stream via Spotify.
Ryuho Okawa’s ‘The Thunder” is an epic, rolling, soundscape – 8’15” of soaring composition in three parts, a gorgeous, haunting female vocal cutting in over the orchestral melodrama. It sounds, and I mean this in the most complimentary way possible, like the end credit music to a Michael Bay movie or, even more, a Hideo Kojima game, Metal Gear Solid or Death Stranding cut scenes rolling as the strings swell and the tympani crash. It’s that expansive and evocative.
It is a beautiful, well-crafted piece; a slow build of melancholy orchestration, deep long-drawn out ‘cello notes underlying pizzicato violin, and then three minutes in there’s a drop, the calm before the musical storm. That stunning vocal cuts in before a huge peal of orchestral thunder, a lift, and the drums rise to a militaristic tattoo, all snare rolls and marching beat, then the resolve at 5’30”, crescendo to key shift and then peace, the slow play out, the fierceness of the storm abating, tranquillity returning as the volume fades.
‘The Thunder’ is stunning; an absolute tempest of a track. You can hear it here, but be warned – you may need to take a moment after to catch your breath.
With an intro which wouldn’t be out of place in a Nils Frahm composition, Ian Chamberlain kicks off his latest single “Disruption” with a teasing Neo-Classic start before throwing an unexpected aural curveball your way and throwing you headfirst into an experimentally electrifying soundscape.
The Adelaide, Australia-based artist and producer poured his passion for both Classical music and mechanical sounds into Disruption. Which may give you an indication of just how distinct and alchemic their sound is. Yet, to truly appreciate their talent, you’ll have to immerse yourself in the cinematically avant-garde single yourself.
Listening to Disruption is practically a full-body experience for the way the visceral notes seem to make every cell in your body stand to attention. For your sake instead of theirs, hit play. It’s not every day you’ll get to encounter such a mind-blowing feat of ingenuity.
You can check out Ian Chamberlain’s single Disruption for yourselves by heading over to Spotify.
From the first few baroque notes in the award-winning composer and songwriter Alise Ashby’s latest semi-orchestral single “Gotta Learn to Love” featuring the vocals of Gabriela Martina, I was transfixed. The cinematic release is resounding in every possible way.
The pandemic and lockdown gave the world an opportunity to better themselves on a global scale. I was filled with naïve optimism that humans would start to act through empathy, love and compassion instead of hate and fear. Yet, we seem to be moving in the exact opposite direction. Alise Ashby’s latest single is a powerful (in more ways than one) reminder that we can only progress as a society if we learn to love, not just romantically, but to extend that love to the rest of the world. If they won’t listen to Gabriela Martina’s vocals, we may be doomed.
You can check out Gotta Learn to Love for yourselves by heading over to YouTube.
EDM artist and producer Isaac Schein has made their debut with their intensely progressive single “I’ll Make It Through” featuring Gabrielle Zwi.
You’ll have trouble deciding what hits harder, the resounding vocals or the striking piano chord progressions which introduce the entrancing mix. There was no anticipating the colossal bass-heavy build-up which I’ll Make It Through contains. From a Neo-Classic score to a high-octane EDM hit which will leave you galvanised. You’ll find all of that and more in the expertly-crafted soundscape which oozes maturity, ingenuity and sheer transfixion.
It is only after I’ll Make It Through has faded to a close do you get an idea of how truly rhythmically arrestive the soundscape was. Debut singles are rarely as exciting as this. Evidently, Isaac Schein is one to watch. Get them on your radar.
Isaac Schein’s single I’ll Make It Through is available to play via all major streaming platforms via this link.