Browsing Tag

Bauhaus

Grave-bound malaise saturates the alt-indie post-punk lament, ‘running out of time’ by the tonal alchemist, whywhy

whywhy could only be described as an alchemist when attempting to allude to the hypnotic mesmerism within his balance of distortion, sustain, timing and tone in his standout single, running out of time. The Switzerland-based indie rock artist, real name Guy, writes and records his music at home, shaping dreamy, melancholic guitars into masterstrokes of slow-burning indie post-punk lament that feel far larger than their bedroom-born origins.

Even though the sands of time are slipping all around us, people have set aside enough collective hours to stream the nostalgically art-house official music video over 700k times, and we can see why. The meditation on losing your grip on reality as it withers and pushes you into obsolescence is as haunting as it is transfixing.

There is a presence of Peter Murphy within the drawl of the vocals, set against harbinger-like wounded rings of guitar as they echo a procession to the grave. Fans of Bauhaus, Joy Division, The Cure and Interpol will recognise the shadowy lineage, yet whywhy’s restraint gives running out of time its own fogged-glass tension.

The track holds its malaise in the body rather than leaving it as an abstract mood. No matter how thick the fog in your mind gets, running out of time cuts through like a knife.

running out of time is now available on all major streaming platforms, including YouTube. 

Review by Amelia Vandergast

CIGARETTE AFTER SCHOOL teased their pain into the chill of their sludgy post-punk release, YOU CANNOT UNDERSTAND

CIGARETTE AFTER SCHOOL

The Montreal-based Ukrainian breakthrough artist CIGARETTE AFTER SCHOOL bridged the gap between Bauhaus and Nirvana with the standout single, YOU CANNOT UNDERSTAND, from their debut EP, NOTHING BUT A GAME. By orchestrating a sub-zero tundra of a sludgy landslide with cold, angular guitars and dense production, backed by deadpan vocals that paradoxically howl, they have unequivocally staked their claim as grungy post-punk fusionists with serious command of their source material.

YOU CANNOT UNDERSTAND keeps its edges tetanus sharp; the single sits in the aftermath of late-night conversations and empty streets, where introspection sours into volume and distortion pedals hit like concrete to the nervous system. The band’s bio frames their music as thinking out loud, and the single carries that exact sensation: private turmoil forced into a room too loud to ignore.

Their reverence for both genres never collapses into cosplay. CIGARETTE AFTER SCHOOL know their way around grunge and post-punk down to the smallest footnotes on the map, letting raw energy, theatrical restraint and working-class gloom meet inside a release that feels immediate on stage and brutally internal through headphones.

NOTHING BUT A GAME becomes a grimy, ensnaring, maleficent conduit for the artist’s tumult of pain. If YOU CANNOT UNDERSTAND is only a glimpse into the mind of CIGARETTE AFTER SCHOOL, their inner worlds must be a carousel through those seven infamous circles.

YOU CANNOT UNDERSTAND is now available to stream on all major platforms via this link.

 

Review by Amelia Vandergast

Call To The Void rampaged the UK rock scene with their eclectically experimental debut single, Uncontrollable

For their scuzzy garage rock debut, Uncontrollable, the Southeast, UK-hailing prodigal sons, Call To The Void, pierced protestive proto-punk energy with a gothy 80s atmosphere that will beguile any fans of Bauhaus.

Doused in Nirvana’s Bleach with a touch of the New York Dolls’ rancorous attitude and fleeting Pantera-esque guttural vocals, the eclecticism of Uncontrollable is an achievement in itself. With each member bringing their own sonic penchants to the table to blend into the same soundscape, their heavy, raw, and haunting alchemy was always an inevitability.

After operating as a duo under the moniker, DENY ALL, the brother duo enlisted the boundless dynamic vocal prowess of the frontman, Jack Osborne. His ability to switch between post-punk crooning in the same vein as Echo and the Bunnymen, PIL-reminiscent snarls and Kurt Cobain on a vehement day is a gift that will undoubtedly see Call To The Void go far.

Uncontrollable is now available to stream on Spotify.

Follow Call to the Void on Facebook and Instagram.

Review by Amelia Vandergast

Asher Musgrave brought us into a post-punk season with, SummerBelle

https://www.youtube.com/watch?v=vgAKuIiNDeQ

Tampa’s boldest goth rock revivalist, Asher Musgrave, has continued in his endeavour to bring the obscure chill of post-punk & darkwave back into the atmosphere with his latest single, SummerBelle.

The up-and-coming songwriter, musician and producer ensued the experimentalism with a Sisters of Mercy-Esque intro, complete with post-punk crooning. Before breaking into an ensnaring dark amalgamation of burning synths, over-driven guitars and vocals which throw you back to the time when Marilyn Manson was known for Fight Song instead of his questionable antics.

Notably, he’s already on the right track to bring goth rock back into mainstream view. With a little production improvement, he has exactly what it takes.

Check out SummerBelle on Apple Music & YouTube.

Review by Amelia Vandergast

Andi Reisner – dark espionage with ‘Die Zwei Brüder’

Soundtrax by Andi Reisner

Composer Andi Reisner was born in Köln in Germany in 1960, and currently has over forty television and movie soundtrack pieces to his name, alongside his founding-membership of new music ensemble Ugly Culture.

With ‘Die Zwei Brüder’, he’s delivered a powerful, disturbing instrumental neo-classical work which evokes images of film noir, monochrome spy thrillers, all rain-soaked streets and cold-war double-dealings. Dark, brooding, Bauhaus-inspired, and filled with impending-doom, echoing and sparse then fierce, distorted and upfront, Die Zwei Brüder – from Reisner’s ‘Soundtrax’ album – is potent, unsettling, challenging, and totally captivating. Inspired, disconcerting, stimulating, and provocative, ‘Die Zwei Brüder’ is quite simply an epic piece of instrumental noir.

You can hear Andi Reisner’s ‘Soundtrax’ album on BandCamp; check out Andi Reisner’s website here.

Review by Alex Holmes

 

Giant Buddha give us all the hurry-up with ‘Better Do It Now’

7 More by Giant Buddha

There’s a rich vein of ‘the right bands’ running through the Giant Buddha’s bio – Oasis, The Cure, Bauhaus, Black Rebel Motorcycle Club, The Jesus and Mary Chain, and the Stones. Now, that by itself doesn’t guarantee a killer track – owning a great record collection doesn’t, of course, automatically translate to creating great original music – but what we have in ‘Better Do It Now’ is a trippy, hippie, stoner grind full of layered guitar crunch and hazy vocals, snippets of harmonica and a droning, driving wall-of-sound groove that’ll be familiar to anyone brought up on B.R.M.C. and Black Market Karma.

There’s a little bit of Velvet Underground garage rock in all of us.

Check out Giant Buddha on BandCamp and Facebook.

Review by Alex Holmes

DR SATSO – Sour Milk: Sonically Frenetic Psych Post Punk

‘Sour Milk’ is just one of the riotously dark and psychedelic tracks to feature on DR SATSO’s debut album ‘A Sour Milk Experience’.

For the non-discerning fans of Psych who stay in the safe confines of the overhyped works of the Beatles and Pink Floyd, the soundscape may be as pleasant as ingesting sour milk, but those with an affinity for truly mind-warping, rhythmically disturbing alternative music will definitely want to delve into this monolithic feat of Psych, Post Punk, Garage Rock and Punk.

As the bouncing frenetic guitars emit enticing similarities to the Oh Sees, the rest of the instrumentals coalesce to bring a cold cutting energy to the galvanizingly pioneering soundscape while the vocals will be a hit with any fans of Poison Ivy, Magazine and SERVO.

While Sour Milk hasn’t done my need to witness fuzzy and frenetically insurgent music live any favours, it did affirm that DR SATSO is undoubtedly one of the most viciously revolutionary artists to hit the airwaves in 2020.

You can check out Sour Milk along with the rest of DR SATSO’s sonically visceral album via Spotify.

Review by Amelia Vandergast

West Wickhams – Where the Creatures Rule: Horror Noir Has a New Sound

There’s no better introduction to the Psychedelically-inclined Dark Punk duo, West Wickhams’ sound than the horror noir single ‘Where the Creatures Rule’.

The entrancingly dark single will undoubtedly enthral any fans of Bauhaus, while the accompanying music video pays ode to one of the greatest horror films ever made, Romero’s ‘Night of the Living Dead’, obviously.

I can’t help but feel that Where the Creatures Rule has very ‘2020’ connotations. As the artistically inclined creatively document the movements of the masses, the populous prove that Romero’s anxiety about unrest and wariness in the 60s was spot on.

You can check out the official video to Where the Creatures Rule via YouTube.

Review by Amelia Vandergast

Samuel H James – Summer: Tenderly Nihilistic Darkwave Murder Folk

https://soundcloud.com/samuelhjames/summer

Portsmouth, UK-based Multi-Instrumentalist, Composer, Artist and Producer Samuel H James has released their entrancingly chilling darkwave murder folk single “Summer”. Considering the Summer we have all just endured, the despondence and tender nihilism ensure that Summer is one of the aptest new releases that you’ll hit play on this year.

Any fans of the macabre lyrical styling of Nick Cave, Arab Strap and Jack Ladder will definitely want to give the cutting Post Punk track a listen. As the powerful beats retain tribalistic rhythmic momentum, Samuel H James seeks dramatic vengeance for the loss of a fictional lover, allowing you to get wrapped up in the atmospheric imagery which is crafted from the verses which run through as pensively cutting meta poetry.

Summer is available to stream via SoundCloud.

Review by Amelia Vandergast

Mercury Teardrop – Noise in a Vacuum: Sonically Dystopic Post-Rock

If you’re looking for aural escapism, Mercury Teardrop’s mesmerising 2020 album ‘Blinded by a Dark Star’ serves as the perfect divergence from reality.

Noise in a Vacuum’ efficaciously sets the cold tone for the second album released by the Vancouver-based Experimental Post Rock artist. If Bauhaus gives you chills, prepare for your skin to prickle under the command of sonically dystopic tones.

The soothing instrumental melodies bring the comfort while the entrancing reverb-laden effects paired with Rosalie Sonsalla’s vocals bring an atmospheric intensity to the soundscape which borders on Avant-Garde, but there’s plenty of accessible grounded realism to ensure that the evocative message behind the single still resonates.

You can check out Noise in a Vacuum for yourselves by heading over to Spotify.

Review by Amelia Vandergast