Browsing Tag

Avant Folk

Favourite Armchair Landed in the Cosmos Between the Flaming Lips & Grandaddy with ‘Overflow’

For their latest release, the indie folk troubadour-comprised outfit, Favourite Armchair, debuted a remastered version of their single, Overflow; the quaint indie folk aesthetics which have become quintessential to the artist’s sonic signature remain, but with this release, they dug his sound deeper into the cosmos than they’ve ventured before, giving the still intimately lo-fi release a touch of the soul-tingling euphony of the Flaming Lips and Grandaddy.

In the same way that the Flaming Lips’ iconic single, Do You Realize?, which will always have a place in the pantheon of ingenious aural invention, seems to loosen the knots in your heartstrings, Overflow is a stunningly affecting exhibition of Favourite Armchair’s ability to transform an outpour of emotion into interstellar transcendence, which still remains tethered to the roots of folk.

There is a homespun tenderness in the composition; while the remaster gives the track a wider celestial glow and a fuller sense of depth, the acoustic intimacy still holds firm, yet every tonal detail feels more luminously suspended, as though the song has been lifted into the memory of the night sky.

Overflow is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Powers of the Monk turned 2nd Century poetry into a meta alt-indie folk vignette with Bread & Circuses

Instead of attempting to un-placate the masses by putting a new spin on 2nd Century Roman poetry, Michigan’s Powers of the Monk used the proverb with Bread & Circuses to shine a cerebral light on the absurdity of modern America through a meta vignette that feels like a sly wink at chaos itself. It’s the kind of concept that makes you wonder why Nobel prizes aren’t handed out to orchestrators of alt indie folk.

Everything about the production leaves you tingling in the same way as ASMR audio; the ethereal vocals become mellifluous spectres within the arrangement, which somehow turns old school honkytonk folk into an avant-garde serenade of semi-lucid scintillation. Even if you met Wayne Coyne in a carnivalesque baroque fever dream and asked him to sing you a song in soprano, it wouldn’t come close to the haunting ingenuity of Powers of the Monk.

Based in the Pontiac-Detroit-Ann Arbor area, Powers of the Monk reformed in 2020 with David S. Monk (vocals, guitars, keyboards) and CasSondra “Pontiac” Powers (vocals, violin, bass guitar, keyboards). John O’Reilly Jr. adds guest drums on this release, which was produced by Powers of the Monk themselves, mixed by Bryan Cook in Los Angeles, and mastered by Brian Callhoun in Nashville.

The song itself circles around an institutionalised patient with multiple personalities who escapes, burns down a circus and watches the escaped lions chase down the clowns and eat them, before seeing babies launched into space in bubbles. Just another day in America.

Bread & Circuses is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

The UK-based artist, Bobby Bluff is set to make his bleak smitten-worthy avant-folk debut

Bobby Bluff

If any new 2022 release can help you turn a smile, it’s the eccentrically enamouring release, The Cat of Cruickshank, by the UK-based singer-songwriter and artist Bobby Bluff. With fleeting reminiscences to Billy Bragg, The Residents, The Legendary Pink Dots and John Cooper Clarke, the gritty yet sonically exuberant vignette is the ultimate existentialist’s playlist staple.

Paradoxically, The Cat of Cruickshank is elevated in its Avant-Garde style and as rough as the plot to a Ken Loach film. Coming across it almost felt like an act of serendipity in our dystopic world-weary times. The Cat of Cruickshank leaves you with that rare sense of eagerness to find out where Bluff will take his innovation next. Even if the rest of 2022 disappoints, you can place your faith in the stout-hearted ingenuity of Bluff.

The Cat of Cruickshank is just one of the singles on Bobby Bluff’s debut album, Introducing Bobby Bluff, which will release in April 2022.

Review by Amelia Vandergast