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Art Rock

John Drake’s ‘Ocean’ Washes Poetic Desolation in Waves of Soul-Stained Rock

John Drake

With his debut solo single Ocean, the truly prodigal rock n roll conduit John Drake has torn away from The Dust Coda to expose a more vulnerable but no less arresting facet of his talent. The first single from his solo debut Separation Songs is a slow-burning catharsis, steeped in self-doubt and the inertia of ambition, as he captures the conflict between longing and paralysis with a voice that gnaws away at the walls of the soul.

While Drake was never short of emotional artillery during his thirteen-year stint with The Dust Coda, Ocean is where he gives full licence to his inner poet. Resulting in a production steeped in haunting nostalgia, built on Bowie-style acoustic murmurs and thick, lumbering beats that drag you into a Radiohead-reminiscent realm where nothing is safe from introspection. There’s a quiet sense of disquiet that swells under the surface—never theatrically melancholic, always grounded in raw human ache.

Drake’s vocal delivery alone makes the release a force to reckon with—teetering between the cavernous grit of Eddie Vedder and the fragile celestial range of Buckley. It’s not a sound engineered to pander, but one engineered to bruise with truth.

Written in the aftermath of an identity-shedding leap of faith, recorded between Brisbane and London with ARIA-winner Cody McWaters and long-time collaborator Chass Guthrie, Ocean transcends the trappings of its influences. Nick Cave’s brooding presence lingers, Springsteen’s resilience flickers at the edges, but what Drake builds is unmistakably his: a cinematic alt-rock elegy for anyone who’s ever feared they might be swallowed whole by the scale of their own dreams.

Ocean is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Mayreh’s ‘Hearts That Would Not Listen’ – A Discordant Lament for the Unheard

Hearts That Would Not Listen by Mayreh

With all the weight of rust-belt alienation, Mayreh’s latest single, Hearts That Would Not Listen, lurches through a sludged-up waltz of romantic despair and post-punk discord. The Pittsburgh outfit, known for weaving art-rock sensibilities into tales of outsiders and gauzy memories, push their sound further into the abyss of melancholic angst.

There’s no cushioning the blow as the bassline growls with moody intent beneath searing, white-hot guitars that scrape against the off-kilter rhythm section. The song’s structure mirrors the emotional turmoil within its lyrics—fractured, volatile, and fraying at the edges.

Lyrically, souls crash rather than cohere, lost in the static of misaligned wavelengths while Mayreh ensure the alienation is felt, wrapping their lament in layers of fuzz and fury.

Paul Banks-level command seeps through the vocal delivery, shifting from restrained croons to screamo breakdowns when all composure unravels. The tension never truly resolves—just splinters into new shards of catharsis. Abstract yet visceral, Hearts That Would Not Listen doesn’t beg for understanding; it lets its raw expression speak louder than cohesion ever could.

Hearts That Would Not Listen is now available on all major streaming platforms, including Bandcamp.

Review by Amelia Vandergast

A.J Galley – Down the Drain: Manchester Has a New Voice of Melancholy

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It seems Manchester’s knack for crafting bittersweet symphonies didn’t end with The Verve. A.J Galley’s standout single, Down the Drain, is a stripped-back tour de force evocative of Radiohead’s songcraft, where melancholy flows through the veins of every acoustic chord and sombre vocal harmony. With emotion taking precedence over theatrics, Galley’s voice swells and softens, allowing the momentum to ebb and flow with natural intensity.

Anyone who has ever loved and lost the battle will find swathes of resonance residing within Down the Drain which finds itself leagues away from cliche. At just 22, Galley demonstrates a maturity in his songwriting that defies his years. The track’s progressive arrangement carefully builds to an artfully agonised crescendo, underscoring his command over dynamic contrasts.

Influenced by the likes of Radiohead, Jeff Buckley, and Chris Cornell, Galley bleeds introspective confessions into raw, unfiltered power, balancing gentle verses with climactic choruses that bristle with intricate depth. With Down the Drain, Galley’s place in the city’s sonic legacy feels more than assured.

Down the Drain is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Organic Art Folk Serenity Unravels through Matt John Henderson’s ‘Gethsemane’

With his latest single, Gethsemane, the Ambient Avant-Gardist Matt John Henderson nestled into the niche of sonic expressionists with the ability to render catharsis into your rhythmic pulses while intellectually stimulating your mind.

The cinematically quiescent piece uses organic textures and tones to imbue the production in folksy seraphic warmth; his equally as honeyed and honed hushed vocal tones effortlessly complement the minimalist yet intricately eloquent instrumental stylings which pair jazz nuances with artfully delicate motifs that wouldn’t be out of place in Thom Yorke’s remit.

As a precursor to the critically acclaimed artist’s eagerly anticipated album, Lapse in Stillness, Gethsemane is an introspectively entrancing teaser of the serenity which is set to soon follow. The artist’s ability to invite his audience to lose themselves and live between the layers of his sound is second to none; it’s only a matter of time before his name becomes a staple on every editorial ambient playlist on Spotify.

Gethsemane was officially released on November 1st; stream the single on Spotify now.

Review by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

The renegades of shoegaze revolution, interail, emerged as an unreckonable outfit in their debut single, red

With their debut single, red, the independent alt-rock outfit interail went beyond dropping the first track in their repertoire. The Northwest UK-hailing four-piece collective established themselves as the renegades of rock’s impending revolution, impending under their juggernautical volution.

Undercurrents of grungy shoegaze permeate the artfully chaotic tour de force, guaranteeing that getting swept up in the tides of red is non-optional as piercingly tumultuous percussion punctuates the laments of the distorted guitars beneath the vox, which oscillate between emulating everyone from Julian Casablancas to Thom Yorke to Orlando Weeks before heightening the evocative sting of the unique inflexions as the track gears towards its viscerally intense hardcore-tinged outro.

Not one moment of red allows you to feel comfortable within the progressions; the dynamic chameleon shifts in pace and tone are enough to leave your nerves frayed and your rhythmic pulses in knots.

The bar couldn’t have been set higher with their debut track; if you’re sick of assimilation-driven shoegaze, prepare to be adrenalised by the walls of sound in red.

Stream red on Spotify now.

Review by Amelia Vandergast

Confront the introspective abyss with Locian’s kinetic darkwave art-rock release, Shadow on the Wall

Dance with the darkness within to the tempo of Locian’s most affectingly kinetic electronic art-rock release yet, Shadow on the Wall. The rhythmically augmented earworm from Australia’s most introspective solo artist is so much more than just a sonic drop into the oversaturated airwaves. It intensifies the anticipation for Locian’s forthcoming LP, Fears, Reflections & Shades of Time, as the solo artist continues to define his distinctive electronic rock style, weaving his signature synthesis into the rhythmically charged compositions of philosophical reckoning.

Emotionally charged revelations about facing the hidden aspects of one’s identity diaphanously drift through the installation of dark etherealism as the track’s pulsating synths and sharply defined guitar lines inject a vibrant, high-energy feel into the release which offers a scintillating study in contrasts. It juxtaposes the vulnerability inherent in introspection with the robust instrumental forces that symbolise the tumultuous battle against inner demons.

Originally envisioned as two separate pieces, Shadow on the Wall evolved into a unified narrative that advocates the importance of acknowledging and embracing one’s darker sides. After winning audiences across Sydney and Melbourne over with the single, the core message is set to enlighten the darkwave domain while setting a high bar for cerebral lyricism.

Shadow on the Wall was officially released on September 13; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Sleeping Through Breakfast brought comfort to the void in their alt-indie release, Black Hole

Rarely do indie folk and pop punk melodically intersect, but as proven by Sleeping Through Breakfast’s single ‘Black Hole’, which brings comfort to the void, soul-teasing sublimity transpires.

You’ll come for the convention-defying instrumentals, but you will stay for the stunningly distinct vocals, which use unique inflections to exhibit just how authentic this outfit is. With guitars that spill sepia tones in the same vein as Muzz, paired with sincerity-soaked vocals and artful embellishments, the duo make a mockery of middle-of-the-road artists with their semi-lucid, endlessly ascending motifs. It’s not just the uniqueness of the soundprint that will leave you aching for more; it’s how intensely the cosmic-hued melodies grip the heartstrings.

Founded in 2021, the alternative/art rock duo Zander Prokop and Joshua Kleiman has been orchestrating for the introspective dreamers with their already expansive discography. With their earlier releases, such as Pillowcase Studies and The A Hopeful Note EP, they set the bar high, but they always find new plateaus to aurally visit. Their latest endeavour, the People Without Faces EP, released on September 22nd, explores themes of death and the inevitable decay of the world while unravelling as a testament to the necessity of finding solace in the love that remains.

Safe to say, Sleeping Through Breakfast has carved out their own space in the alternative scene, and with ‘Black Hole,’ they attest they are here to stay. If they aren’t topping the charts with their Nada Surf-esque tenderness in a few years, we riot.

Black Hole was officially released on September 14; stream the single on Spotify.

Review by Amelia Vandergast

Caught in the Sonic Undertow of  Dan Morgan’s Post-Rock Riptide, ‘Brace Yourself’

In The Wake Of A Dying Sun by Dan Morgan

After intense anticipation, Dan Morgan’s debut LP, In the Wake of a Dying Sun, released by Throwing Shapes, is finally upon us. After the opening salvo, the first of the seminal singles, Brace Yourself, offers listeners a potent foretaste of the album’s virtuosic versatility. Brace Yourself is not only a harbinger of Morgan’s diverse exploration but a forceful narrative in its own right, positioning itself steadfastly within the post-rock genre.

In this track, traditional rock instrumentation grooves against cutting-edge and vintage analogue synths, lending an air of retro-futurism to the production which allows the poetic whispers of lyricality to resonate beyond the confines of the release as the verses work their way into the reverberations of your mind.

The complex time signatures woven throughout Brace Yourself are the ultimate attestations of Morgan’s ability to melodically manipulate controlled chaos. This rhythmic complexity adds a palpable intensity to the track which delivers post-rock as you’ve never heard it before.

You’ll be caught between adoration of how cohesively all the elements of the track pulled together and the intensity of emotions evoked by the sonic escapade. Because once you hit play, you’re powerless to resist the momentum. Like getting caught up in a riptide at sea, all you can do is succumb to the higher power as it carries you.

As the first glimpse of what ‘In the Wake of a Dying Sun’ promises, ‘Brace Yourself’ sets a high bar. It is an earnest reflection of Morgan’s last few years of dedication in the studio, wrestling with a spectrum of sounds and influences that culminate in a collection of tracks that are set to seal his fate as one of the most promising UK alt-rock artists of 2024.

In the Wake of a Dying Sun was released on September 12 stream the LP in full on Bandcamp.

Review by Amelia Vandergast

snailosaur – Nature:  A Panorama of Eccentrically Untempered Alt-Rock

snailosaur’s seminal single ‘Nature’ shreds through the veneer of indie banality with a ferociously eccentric bite. This single, paired with ‘Kaleidoscopic Mind’ in their double A-side release, is a gritty symphony of dissonance and melody, interlocking the spirits of alt-rock, shoegaze, and noise/art rock. Laced with spoken word, the tracks assert themselves as fierce declarations of style.

Emerging from New York City’s music scene, snailosaur has been tearing up stages across NYC and Brooklyn with their unabashedly raw energy. Following their debut album ‘Talk Therapy’ released in January 2024, the band has etched an indelible mark on the indie map with their sonic scriptures of rebellion and introspection.

‘Nature’ channels the nostalgic echo of The Psychedelic Furs and melds it with the anarchic edge of Dinosaur Jr and the quirky kicks of Pavement as the vocal style, reminiscent of Frank Zappa’s iconoclastic drawl, merges into harmonies that subtly nod to the Beach Boys in the chorus.

The track is a visceral punch of tangled harmonies and textured disarray which peaks with a guitar solo that strips back the layers of grunge to bare the skeleton of Snailosaur’s musical genius—unrefined, unapologetic, and underpinned by technical intricacy.

Nature & Kaleidoscopic Mind was officially released on September 13; stream the double A-side single on all major platforms via this link.

Review by Amelia Vandergast