Browsing Tag

Art Pop

Miss Terious exhibited the power and pain of alter-egos in ‘Misty’

Posted on 26 July 2024

Miss Terious’ latest single, Misty, bridges the gap between the tender indie pop magnetism of boygenius, the artful expression of Kate Bush, and the gothic sombre glamour reminiscent of Evanescence. This coalescence is perfectly interwoven in the arcane atmosphere of the indie piano pop ballad, where the sparse instrumentals allow Miss Terious’ emotionally heightened vocals to spectrally overpower the production.

Each verse tightens the heartstrings as you become consumed by the raw emotion conveyed through the confession of how pseudonyms can deliver confidence while concealing the person behind the greatness. The deeply felt pain of being wanted through association rather than true connection resonates throughout Misty; anyone who has experienced this pain will find the ultimate consolation within the candour.

Miss Terious is a British-born alternative musician from the West Midlands, known for her originated mix of electronic and classical instruments. Since debuting with her EP Bleeding Green in 2020, she has tackled topics such as abuse, mental health, and her separation from the ballet industry. In 2022, she was honoured as BBC Introducing’s Artist of the Month for Coventry and Warwickshire and performed at the Backyard Festival in Leamington Spa. Her contribution to the music scene earned her the Local Hero Award for AIM Awards 2022.

After hearing Misty, there isn’t an industry accolade we wouldn’t see her as fit for.

Misty was officially released on July 19; stream the single on Spotify now.

Review by Amelia Vandergast

Caitlin Lavagna prescribed an artfully amplified pop punk antidepressant with her latest single, Pretty Alright

Posted on 20 July 2024

As you crank up the volume in Caitlin Lavagna’s latest synthesis of art-pop and pop punk, Pretty Alright, the absolution amplifies to the nth degree as the singer-songwriter and multi-instrumentalist fervently strives to let loose the black dog and awaken her listener’s inner power.

The infectiously fiery reprise of “It will take time to feel pretty alright” in the electrifying riff-raw anthem attests to how patience is the ultimate virtue in the process of healing, yet everyone has an active role to play in the reclamation of their serotonin and self-esteem.

With a vocal presence that could rival any of the chart toppers, there’s no denying Caitlin Lavagna’s charisma which acts as a catalyst of resolution and salvation in Pretty Alright.

You just can’t help but succumb to enamourment when your senses are being stirred by her larger-than-material-reality energy and her songwriting stripes which are sliced with more hooks than a butcher’s shop.

Pretty Alright was officially released on July 11; stream the single on Spotify now.

Review by Amelia Vandergast

khokkosh. incited an industrial art-pop riot with ‘pelicaning’

Posted on 16 July 2024

Exhibiting the artistic freedom of a mind that knows no creative constraint, the 20-year-old dark electro-pop producer and visual artist khokkosh. used her seminal single, ‘pelicaning’, prised from her sophomore two-track release, ‘pelicaning./a duck, a bear, and I.’ to conjure a macabrely avant-garde aural installation that haunts the middle ground of Poppy and Billie Eilish.

By mainlining the harsh elements of industrial into a hypnotically warped earworm which sonically mimics the effects of a trance spiral, the Indian artist found her place at the vanguard of the art pop revolution.  The self-written, produced, mixed, and mastered computer-adjacent, thematically visceral synthesis of caustic beats and scathing synths explores the self-invented phenomenon of pelicaning; the act of caging words inside you until they are forced to erupt.

With this two-track release feeding into khokkosh.’s merciless agenda of piercing through the veil of inhibition, regardless of how ugly we may appear to others we expose our true unfettered autonomy, the revolutionary isn’t just one to watch, her fearless authenticity makes her an artist to admire and emulate.

Stream the official music video for pelicaning, which premiered on July 8th on YouTube now.

Review by Amelia Vandergast

Lose yourself in a labyrinth of arresting unconventionality with Christine Tarquinio’s indie pop single, New Year’s Day

Posted on 30 June 2024

The 21st of June may seem a strange time to release a single titled New Year’s Day, but the internet phenomenon singer-songwriter Christine Tarquinio knew exactly what she was doing with this quintessentially eccentric indie-pop release which brings to mind the futility of allowing the calendar to dictate the date of your transformations and resolutions.

The twee in all the right places installation of indie bedroom pop carries a touch of art pop expressionism in its quirky authenticity which allows the recording artist to emerge as an unrestrained icon of creative freedom and heartfelt individuality.

With dustings of 90s pop aesthetics in the release which wears Kate Bush influences on the vocal harmonies, there’s just enough nostalgia and familiarity within New Year’s Day for listeners to find their footing in the labyrinth of arresting unconventionality.

New Year’s Day is now available to stream on Spotify.

Review by Amelia Vandergast

CARLOTTA answered existential questions with etherealism in her debut single, Angel

Posted on 16 June 2024

Fans of The Neighbourhood, Lana Del Ray, and boygenius have a brand-new emissary of ethereally-hued indie pop to affix to their radar after CARLOTTA, an openly avowed poetic symphonist to the dreamers and lovers, released her debut single, Angel.

Her artful approach to poignantly reflecting on how love, faith, and self-discovery often intersect as we try to comprehend our intrinsic identity while grappling with external factors capable of knocking our authenticity out of kilter tracks the highs and lows through the juxtaposing transcendent and turbulent tones.

The singer-songwriter’s vocal register is rendered with the same raw evocative power as Angel Olsen as she pours her heartbroken candour on the instrumentals that allow Angel to become so much more than your average lovelorn hit. CARLOTTA existentially questions what it means to believe in something that has dematerialised and how possible it is to find hope in desolation.

“The message behind ‘Angel’ is that even when love is hard or fails to last, it’s important to believe that it exists in the world and most importantly, that you remain a believer in the goodness of people despite your heartbreak. It’s a song about faith and holding onto nothing except this exact moment.”

Angel was officially released on June 6th; stream the single on Spotify.

Review by Amelia Vandergast

Candy Rush debuted with her quirky pop revelation, Don’t Even Wanna Know

Posted on 5 June 2024

Don’t Even Wanna Know is the satirically sweet quirky pop debut from the Romanian London-based artist, songwriter and producer, Candy Rush (Elena Ilie). Play it loud and amplify the voice of this generation that is becoming increasingly tired of plastic pop protagonists who shirk autonomy while rattling a begging bowl for commercial success.

The debut is stylistically saccharine enough to implant a voracious sweet tooth in anyone who swims in its honeyed tides of the single which allows idiosyncrasy and autonomy to ebb and flow throughout the avant-garde mix of alt-pop, neo-jazz, funk and soul.

“It feels like an infection to deal with your perfection” is just one of the introspectively enlightening lyrics which embody the lyricist’s ability to move far past the tired tropes and deliver lines that catch you off-guard with the resonant obscurity. Her playful approach to vocal arrangement and unorthodox grooves resulted in a ground-breaking debut which embodied her desire to exhibit the quirks and contradictions of modern life.

With the accessibility of the proverbial girl next door and a talent that could rival HONEYMOAN, Candy Rush will prove to be a force to be reckoned with as she rises up from the alt-pop underground.

Don’t Even Wanna Know was officially released on May 24; stream the single on Spotify.

Review by Amelia Vandergast

Claire Marante unveiled the depths of trauma in her trip-hop-tinted art-pop installation, ‘You Want Me’

Posted on 30 May 2024

Maltese singer-songwriter, Claire Marante reached the crowning point of her career with the release of her trip-hop-tinted pensive titan of an art-pop installation, You Want Me, which gives a voice to the female protagonist in the lust-fuelled story portrayed in Elvis Costello’s single, I Want You.

The imagination that went into the concept of the single in itself is a triumph, but that scarcely scratches the surface of the depth within this heart-wrenching downtempo release that anyone who has suffered sexual abuse will find consolation within. If you’re nefarious enough to be a perpetrator, prepare to witness the ugly truth of your lascivious actions.

The three chapters within the deeply conceptual single, You Want Me, Hold Me Down, and I Can’t Breathe, create a heart-rending narrative as Claire Marante tentatively moves through the harrowing three-part chronicle, reflecting how hard it can be to voice the agony of sexual abuse, which ripples through our identity with a force strong enough to tear at the seams of our soul.

You Want Me is the precursor to Claire Marante’s upcoming EP which is being primed for a September 2024 release. Expect more intersections of pained introspection to be explored by the artist who never shies away from sonically confronting visceral emotion.

Stream Claire Marante’s single, You Want Me on YouTube.

Review by Amelia Vandergast

Ava Valianti has unveiled her icily intimate indie-pop vignette of heartache, January

Posted on 24 May 2024
Ava Valianti

Even if you’ve put your own January blues behind you for another year, the melancholic chill in Ava Valianti’s third single, January, is worth pulling on a jumper for. The Massachusetts indie-pop singer-songwriter reached her zenith with the intimately composed, expansively produced hit, which dials up the intensity of the artful beguile to seduce you into the relatable pensive introspection.

As the ultimate antithesis of a plastic pop protagonist, Ava Valianti ensured the aura which envelops the release visualises the alienating sensation of loving someone from afar and being left in the cold while tethered to the past and hypothetical outcomes as they fall into the arms of another. If Angel Olsen was produced by Thom Yorke, their collaboration would struggle to hit with the same impact as January, which implants pop hooks in a confession which feels far too personal to be a diary entry.

With her debut EP in the pipeline and ready to drop this summer, and every release being a quintessential triumph so far, the future looks bright enough to outshine her luminous talent.

January will be available to stream on all major platforms, including Spotify, from May 24

Review by Amelia Vandergast

Starleen alchemised the key to self-liberty in their electronic alt-pop salve for the soul, Let Me Go

Posted on 23 May 2024
Starleen

Starleen’s latest single, Let Me Go, marks a must-read chapter in the San Antonio duo’s career, showcasing a transcendent synthesis of alt-electronica, trip-hop, soul, and pop, which elevates the listener into a state of auditory bliss and liberty.

From the outset, the track envelopes you in a cocoon of lush dream pop, slowly intertwining with elements of serene yet visceral avant-garde trip-hop to deliver a fusionist sound that is as revolutionary as it is ethereally beguiling. Once the single reaches its full rhythmic momentum, the backbone of Let Me Go becomes its robust and fiery backbeat, which propels the track forward, complemented by layers of sonorous synths that build a crescendo of sound, mimicking the uplifting process of self-liberation.

The masterful production sets the stage for the vocal mettle of Starleen Holmes, whose voice shifts effortlessly between crystalline harmonies and powerful outpours of emotion, matching the sonic complexity crafted by Zachary Holmes, whose production skills shine luminously throughout the track. Each note and beat in Let Me Go is skilfully placed, leaving the listener wide open to the message of the sanctity of freedom; especially when that freedom is by your own hand.

The official music video accompanying the sanctifying ritual of a release mirrors the song’s themes of freedom and self-discovery and is likely to add another accolade to Starleen’s collection of music video awards.

Stream Let Me Go on all major platforms, including Spotify, from May 23rd.

Review by Amelia Vandergast

Nadine Finsterbusch Reclaimed Her Story & Embraced the Defiance of Youth in Her Alt Electro-Pop Debut LP, ‘My Space’

Posted on 21 May 2024

Nadine Finsterbusch’s debut LP, “My Space,” marks a fearless foray into alt-electro-pop territory, reflecting her determination to carve out her own niche. This album defies societal expectations for women her age, presenting an impetuous embrace of youth and raw emotion. At 44, the Berlin-based artist confronts the challenges that have defined her adulthood—early menopause, breaches of trust, and failed friendships—with a fresh, optimistic outlook reminiscent of youthful defiance.

The album’s 11 tracks are a rich synthesis of indietronica, pop, and rock, juxtaposing bitter realities with lush, harmonious tones. Finsterbusch’s voice, with its innocent yet vehement timbre, evokes the early influence of Björk This influence is unmistakable in the way her vocals weave through the album, combining playful innocence with a resolute sense of self.

“My Space” is a deeply personal narrative; Finsterbusch’s collaboration with producer Ramin Bijan provides the perfect backdrop for her introspective lyrics. The album was mastered by Dave Cooley, whose credentials include working with Tame Impala and Animal Collective, ensuring a polished yet authentic sound.

The lead single, “Why So Serious”, encapsulates the album’s ethos, inviting listeners to embrace their emotions without irony, much like teenagers do. Finsterbusch’s journey to this realisation—spurred by listening to Agust D’s “People”—adds ample to her work, underpinning her desire to enjoy the creative process and share that joy with her audience.

In “My Space,” Finsterbusch successfully balances sweetness without naivety and agony without ennui, creating a lyrically nuanced and emotionally resonant album. This work stands as a testament to her untainted dignity and her ability to transform personal adversity into compellingly relatable art. “My Space” is a triumph of self-expression, inviting listeners to reclaim their own spaces of joy and reflection.

Stream the album on Spotify now.

Review by Amelia Vandergast