Browsing Tag

Ambient Pop

Anni Hung Turned Stillness into Sublime Indie Folk Motion and Raw Yearning in ‘A Piece of Peace’

In a world that celebrates the loudest voices and overlooks the introverted minds that wind around the intricate beauties and tragedies of life, Anni Hung still triumphs in breaking through the noise with her delicate compositions, achieving the seemingly impossible by easing her international fanbase out of the frantic pace of modernity and subduing them in a hypnotised stupor. A Piece of Peace is the perfect introduction to the sublimity of her sound, which embraces stillness, puts it into languidly ornate motion, and moves people to tears in the process.

It’s the kind of song that would stick with you more than the plot if you heard it in a soundtrack. Under the euphonic sublimity of the ambient indie chamber pop instrumentals and Hung’s whispered bilingual vocals, there’s a rawness; a demonstration of what it means to yearn for peace in a relentless world, and find the bitter-sweet sanctuary. The arrangement feels featherlight, but the emotional weight settles deep.

Taiwanese singer-songwriter Anni Hung, now based in London, has built her world around minimal indie folk, warm vocals, and simple acoustic arrangements, with her live presence growing across the UK and Europe, including a sold-out headline show at The Social. That intimacy and care runs through A Piece of Peace, making it feel personal, patient, and profoundly affecting.

A Piece of Peace is now available to stream on all major platforms. For the full meditative experience, stream the official music video on YouTube.

Review by Amelia Vandergast

Conelrad Suspended Vulnerable Purity in the Grandaddy-Esque Polyphonia of ‘party’s over’

party's over by conelrad

It is only a matter of time before the prestige of Conelrad’s sound becomes industry-recognised. The solo independent musician from Co Durham deals in the kind of leftfield indietronica that coils around the heartstrings in such a visceral way it reminds you what the true vulnerability of intimacy feels like.

The release juxtaposes crunchy electronic bedroom-rock textures into introspective sound design, with harmonised vocoders smudging the boundary between voice and synth until everything feels half-human, half-machine, and fully transportive. There’s melody all through it, but none of it comes cheap.

So, if the scuzzy drones of retro analogue synth lines have a tendency to lull you into a state of catharsis, party’s over may just leave you catatonic as you’re suspended within the bliss of the Grandaddy-esque polyphonia. The transcendent feat of leftfield indietronica wears its 80s influences on its sleeve while pulling from electronica-leaning experimental 90s textures and pushing those retro aesthetics somewhere fresher, somewhere dreamier, somewhere touched by cinematic scintillation. Conelrad’s composition and performance skills are resolutely on display in the euphonic production, carrying the release with the authority of Mogwai and Sigur Ros.

The seminal release strips the weight right off your soul and leaves you drifting in a neon haze, a bit dazed, a bit spellbound, and don’t be surprised if you’re left in absolute awe of the affecting nature of Conelrad’s talent.

party’s over is now available on all major streaming platforms, including Bandcamp. 

Review by Amelia Vandergast

millar explored the depths of ‘atlantis’ in her oceanic indie-pop release

With her latest single, atlantis, the London-based singer-songwriter, millar, plunges listeners into the depths of dream pop with a finesse that speaks volumes of her innovative approach as an ethereal architect of sound.

The track, resonant with themes of introspection and emotional depth, is unparalleled in the indie dream pop landscape. millar’s craftsmanship in blending indie sensibilities with ambient leftfield electronica creates a soundscape as expansive as the ocean itself. The synth lines in “atlantis” don’t just play; they oscillate with a rhythm that mimics the ebb and flow of tides, drawing listeners into a melodious undercurrent.

The lyrics of “atlantis” speak of being out of depth, exploring the worlds within ourselves. It’s a theme that resonates deeply, particularly in an era where introspection has become more significant. millar’s voice acts as a guide through this introspective journey. It’s as if she’s leading us through our own emotional landscapes, mirroring the song’s narrative of self-discovery.

And when the song fades, leaving listeners coming up for air, the impact of millar’s artistry becomes undeniable. Just like every time we hear her, we can’t wait to hear what’s next.

atlantis was officially released on January 12th; stream the single on Spotify.

Review by Amelia Vandergast

Elin Grace artfully enticed her listeners into meditation with the sophisticated tranquility of her alt-indie single, Breathe

Escape to the country with the rural poetry in Elin Grace’s latest quirky jazz-infused piano pop single, Breathe. With the same ephemeral grace of The Anchoress paired with her own celestially graceful beguile, the lullaby-esque single that artfully and unexpectedly entices you into meditation after a confessional outpour of emotion is a flawless triumph.

The mid-Wales-based singer-songwriter and multi-instrumentalist, who has mastered the piano, saxophone, cello, and ukulele, has been lauded by the likes of Adam Walton from BBC Radio Wales and has seen her music commissioned for London Fashion Week. Clearly, Elin Grace has a promising future ahead. She’s one of a kind, yet drinking in the tranquil sophistication of her melodies is, ironically, as easy as breathing.

Breathe is now available to stream on Spotify.

Review by Amelia Vandergast

Lucy Burke has released her hauntingly intimate ambient acoustic pop single, Please Stay.

It is practically a given that any artist drawing influence from Radiohead, Portishead and Norah Jones and pouring the inspiration into an ambient acoustic pop-jazz soundscape is going to leave you floored but Lucy Burke’s latest single, Please Stay, surpasses all expectation.

The haunting grip of the intimate single breathes through the entire duration. The gentle melodic guitar and piano notes cradle the Sydney-based singer-songwriter’s succinctly urgent vocals that hit with bruising evocative impact.

Please Stay is now available to stream on Spotify.

Review by Amelia Vandergast

Signe Vange explores the more affable side of our human condition with her sophomore EP, ‘Human’.

After a ten year absence from the airwaves, Danish singer-songwriter Signe Vange reflected on the beauty and challenges of life before sharing her harmonic introspection through her sophomore EP, ‘Human’.

The title single captures the possibility for harmony in a collective and interpersonal sense; as the tender synths pull you into the ambiently colourful soundscape, Signe Vange vocally provides imagery that allows you to swim amongst the more pleasant facets of the complex and often destructive human condition.

It is singles such as Human that remind you of the true beauty of music and its ability to comfort us even if the emotions that come to the surface at the command of the progressions are on the more painful side of the bitter-sweet dichotomy.

Human released on May 5th; you can check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast.

 

pb – Atlantis: progressively ambient art-rock

It’s always refreshing to hear a new approach to ambience, with their captivatingly cinematic production style, LA artist, pb, offered just that with his latest album, ‘In Parallels’.

Part progressive art-rock, part avant-garde electronica, part retro indie-pop, the first single, ‘Atlantis’ is the perfect introduction to the artist’s talent when it comes to blending textures to build what has never been constructed before. The best part? The catharsis contained in Atlantis is unhindered by pb’s tendency to let their experimentalism run rampant through their intricate grooves.

Evocatively, Atlantis is just as intense as Porcupine Tree’s acclaimed album ‘Fear of a Blank Planet’. Which feels strange to say about such a low-tempo mellifluous soundscape, but the sentiment still stands.

pb’s 2021 album is now available to stream via Spotify.

Review by Amelia Vandergast

Zeli has left the indie electronica scene enraptured with her debut single ‘Almost’

‘Almost’ is the dreamy darkwave debut single from Zeli, an 18-year-old artist and producer who has already left the indie electronica scene enraptured with her intimate approach to production and lyricism.

Billie Eilish comparisons are easy to make but capturing the evocative sensuality behind this moody electro-pop hit is infinitely harder.

The entrancingly dark synth-led melodies groove at a steady tempo, ensuring that each syllable projected into Almost leaves you arrested until you reach the ethereal outro which will undoubtedly leave you feeling as eager as us to hear the London-based artist and producer’s sophomore release.

Almost is available to stream via Spotify.

Review by Amelia Vandergast

Transcend our 3D reality with Michæl Augustine’s ambient experimental hyperpop single ‘goodbye’

Michæl Augustine

Experimental hyperpop artist, Michæl Augustine, is set to release their latest entrancingly avant-garde ambient single ‘goodbye’, if you want to slip away from our three-dimensional world, goodbye will gladly hand you the ticket.

The soundscape was written as an aural transcription of the mental and emotional journey of the average human being. With so much misguided focus on mental health, it is easy to see any amount of emotional turmoil as a life-long issue or an affirmation that we’re ‘broken’. Goodbye is a serene reminder that pain is part of the human condition whilst allowing the vibrant colours to decorate your mind with catharsis.

Needless to say, we’re floored with Michæl Augustine’s astute approach to experimentalism.

Goodbye is due for releasee on March 14th, you’ll be able check it out on SoundCloud. In the meantime, check out their former release.

Review by Amelia Vandergast

Charlotte Morris Bares Her Soul on new single ‘Three Hearts’

With a delicious blend of folk, pop, rock, and Americana comes ‘Three Hearts’, the new single from Charlotte Morris’ new album ‘Songs For My Next Ex’, and that title probably gives a pretty good lead into what’s on offer here; beautiful, soulful, confessional and personal, soft and gentle and tugging on the heartstrings. There’s a little of Joni Mitchell, a little Sheryl Crow, and a lot of Delta Rae and Brandi Carlisle; a tender and compassionate vocal sitting over gently strummed acoustic guitar chords and a sensitive backing of drums and bass.

Listened to in its entirety, ‘Songs For My Next Ex’ is a soul-bearing ‘story album’, tracing the highs and lows of relationships; her first full-length album, following up 2018’s ‘To New York With Love’ EP, it’s a perfect showcase for Morris’ stunning, plaintive voice. ‘Three Hearts’ is the impeccable, sublime introduction.

You can hear ‘Three Hearts’ on Soundcloud and follow Charlotte Morris here or on Facebook.

Review by Alex Holmes