Browsing Tag

Alternative Indie

Maisy Grace Let Hymnal Harmonies and Hypnotic Acoustic Strings Carry ‘stepping stone’ into the Reverie of Indie Melancholy

Maisy Grace

If any new artist deserves to reign alongside revered indie icons in the vein of Lorde, London Grammar, Tom Odell and Lucy Dacus, it’s Maisy Grace. On her latest single, stepping stone, she delivers a warmth that feels almost hauntingly spectral, drawing listeners into an intimate sonic space where quiet reflection carries the emotional gravity.

Her vocal inflexions cut deeper than any superficial hook ever could, holding the listener in place through a performance that feels delicately commanding, and the artistic depth within the textures of the arrangement reaches a place beyond beguiling. Acoustic guitar strings sit front and centre in the mix as a metronomically hypnotic presence, their resonance allowed to ring above hymnally lush harmonies, which render melancholy into forlorn self-doubt that becomes a strange sense of comfort.

There is space in the production, space for breath, space for the listener to linger in the ache that Grace communicates so instinctively. Within that openness, the single exhibits the ocean of depth inside her voice, both in tone and in the all-consuming wistfully matured presence she carries across the airwaves.

Grace’s songwriting sensibilities grew between the Cornish coast and the creative swirl of London life, grounding her music in lived experience rather than performative sentiment. A recent pause from releasing music appears to have sharpened her perspective; stepping stone carries the clarity of an artist who has returned with renewed focus on storytelling and emotional honesty.

Within the track, motifs from jazz-inclined easy listening drift through the flotsam of mainstream indie. Listeners quickly find themselves caught in the undercurrent of one of the most affecting indie releases set to surface in 2026.

stepping stone is now available on all major streaming platforms, including YouTube Music.

Review by Amelia Vandergast

ANIMAL FEARS delivered philosophy through aural brutality in their noise punk juggernaut, Here Fear

ANIMAL FEARS come out swinging on Here Fear, a single that treats anxiety as something physical, something you can feel scrape along your ribs. The Berlin-based band take the philosophical idea that we’re all beasts with burden, and they snarl straight through it. The track drags existential dread from the shared subconscious and sets it loose inside a synthesis of indie, noise, no-wave and post-punk that feels confrontational, and fiercely awake.

Here Fear moves with immersive theatrics that pull you into its strange little world fast. The absurdist stomp recalls Green Jello’s unhinged spirit, while the sheer physical drive mirrors the primal force of Oh Sees and the frostbitten tension of post-punk’s avant-garde edge. ANIMAL FEARS channel that energy into razor-sharp strokes of sound, stacking heavy-as-a-juggernaut’s-fist instrumentation into a clattering surge of intent. The noise feels purposeful, almost visual, like something rattling behind the eyes rather than blasting from a stage.

What makes the track hit harder lies in its emotional clarity. The band convert unease into motion, letting dissonance tip into release and vulnerability howl rather than whisper. Vocals cut through with a raw urgency, circling themes of alienation, pressure, and modern anxiety without softening the impact. There’s momentum, a sense of shared conviction, and a live-wire unpredictability that speaks to an underground mindset built on tension and atmosphere rather than neat resolution.

Here Fear is now available on all major streaming platforms, including SoundCloud. 

Review by Amelia Vandergast

Avantide – Sleep It Off: oceanically woozy indie art rock

Avantide deliver the rare capacity to melodically unfray your nerves while sating even the most voracious appetite for indie art rock aesthetics in Sleep It Off, a track that moves as the mellifluous, oceanically woozy equivalent to hitting the ground running with their LP Keep Running. Formed in Bismarck by down-to-earth music fans who met in a record shop and built a band from shared obsessions, they turned their rise into a slow-burn trail of shows, collaborations and studio hours that shaped the sonic tides they steer through now. Sleep It Off embodies that rhythmic sublimity; the Strokes-y twitch of nostalgia dissolves into cascades of timbre carved from artsy garage rock licks that gently warp the air around them.

The semi-lucid sentimentality of the definitively indie vocals hushes reverie into the kind of recognition you yearn for, a tender understanding and carressive caring that sits beside your idiosyncrasies and self-destructive tendencies without flinching. It is a track for the lovers who wear their hearts on their sleeves next to the culture that keeps them stitched together. Their record shop spawning starts to make all the sense here. To boot, few bands that take influence from the likes of Pavement reach this affectingly experimental place, affirming Avantide as a dying breed that I am going to be inseparable from this LP until the summer.

For this LP, Avantide shaped their material through a process rooted in friendship and persistence, from acoustic skeletons in Mandan rehearsal rooms to full-band arrangements refined alongside engineer Tyler Pilot at Red Dot Recording. Their LP Keep Running has so far earned praise from The Pentatonic and Obscure Sound while landing them shows with Dakotah Faye, The MoonCats and Stephen Steinbrink.

Sleep It Off is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Finley Henry Penned an Achingly Raw Lo-Fi Indie Confessional with his Latest Single, Sweet Lorraine

If you’re partial to lo-fi alt-indie love letters, few come as sincere as Finley Henry‘s Sweet Lorraine; affection flows freely in its most honest form across melodic lines that seem to float effortlessly, unbound by the usual rigid constraints of production.

Henry uses his lyricism as a vehicle for genuine confession, not once filtered or diluted; he lets it all breathe with an ease that’s rare in a world increasingly starved of authenticity. The track showcases an artist who confidently refuses to let his expression be held hostage by posturing or superficiality. The way the single is arranged ensures you’ll feel as raw as the crux of the single, as Sweet Lorraine concludes on a bruising admission, reminding listeners how quickly affection can slip into solitude. If that wasn’t enough to seal Henry’s fate as a trailblazing success; with his eclectic blend of influences distilled into a timeless and artful statement, he’s orchestrated a sonic signature that’s entirely his own.

Coming from Chorley, Lancashire, a place where creative dreams aren’t exactly championed, Finley Henry remains undeterred. A multi-instrumentalist who writes, produces, records, mixes, and masters all his own music, he pours everything he is into each release. Building on the promise of his debut single Moments, Sweet Lorraine reveals a musician whose emotional sharpness and sonic clarity mark him as a serious talent set for bigger things.

Sweet Lorraine is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Alt Indie Rock artist Tom Morris invites you to share ‘The Dark Hours’ with him through his debut release

https://tommorris.bandcamp.com/track/the-dark-hours

Like many artists, Scottish singer-songwriter Tom Morris released his debut single, The Dark Hours’, this summer, but unlike most new releases, the soundscape exhibited the artist’s prowess when it comes to instilling overwhelming emotion as the track becomes so much more than the sum of all parts.

The moody hints of 80s Electro hum around the intricate bluesy indie rock guitars while Tom Morris crafts one of the most infectious vocal melodies I’ve heard this year.

No artist carries the influence of Kurt Vile without picking up the hypnotically mellifluous textures of his meanderingly enticing guitar, which is exactly what is on offer in The Dark Hours which captures the agony of those twilight hours when your body loses most of its capacity for function while your mind runs rampant through every avenue for melancholy.

When I first hit play, I was intrigued by the stylistic collision of genres, by the time The Dark Hours faded out, I was overcome by the artist’s invaluable ability to alchemically offer compassion and comfort through relaying his own bitter-sweet introspection.

You can find out more about Tom Morris by heading over to his official website.

Head over to Bandcamp to stream and download The Dark Hours.

Review by Amelia Vandergast

Sean Millea – Little Bit of Sunshine: Compassionately Emotive Indie

Up and coming Alt Indie artist Sean Millea dropped their seminal single “Little Bit of Sunshine” during lockdown. It may be a rough demo, but if you’ve got a soul, the tender evocative nature of the release won’t fail to resonate.

The track kicks off with delicately warm Neo-Classic keys before Sean Millea’s distinctive beyond definition vocals find a perfect place atop of the ever-evolving soundscape which slides into a feat of melodically explorative Alt Indie which pulls in faint yet masterful nuances of Hip Hop while Sean Millea offers an aural experience which isn’t all too different to what you can expect from the Verve.

Little Bit of Sunshine is as absolving as music comes. Do yourselves a favour and indulge in this compassionately emotive mix.

You can check out Little Bit of Sunshine for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Blondmodel – WEIGHT: Emotively Warm, Tonally Glacial Alt Indie

Blondmodel

Shoegaze, Post Punk and contemporary Indie converge in the hauntingly sublime standout single WEIGHT from Alt Indie trailblazers Blondmodel.

The experimental mix even finds room to lay down sonically caustic blasting synth notes into the soundscape which offered nothing but accessible accordance up until the track neared the outro.

Despite the palpable authentic creativity which went into the single, there are familiar hooks to ensure that it’s not just an easy track to slip into, it’s a track which wholly consumes your consciousness as you listen to the sheer emotion which doesn’t just come from the absorbingly soft vocals. The pensive yet soft instrumental melodies also possess the ability to crawl under your ribs.

Any fans of the National, Editors, Frightened Rabbit and Idlewild will undoubtedly want to check out WEIGHT for themselves.

WEIGHT is just one of the singles which features on Blondmodel’s 2020 EP “Neon Lights, Lonely Nights” which was released on March 27th. You can check it out by heading over to SoundCloud or Spotify.

Review by Amelia Vandergast

Indie Rock Just Got Darker with Blakk Mantra’s Single “Planet of Sungrown Dreams” On the Airwaves

https://open.spotify.com/track/1u2knyypRoEYh9bNITYZOX

Distorted guitars, dreamy Indie Rock vocals, and soaring crescendos. Those are just a few of the things you can look forward to hearing when you press play on “Planet of Sungrown Dreams” by Blakk Mantra.

The filthy, fuzzy and sonic tones are sure to appease fans of the Black Keys, Arctic Monkeys, and Muse alike.

Blakk Mantra has made it all too easy for listeners to get obsessed with their slightly darker approach to Indie Rock. You’d struggle to find Alternative music as accessible as Planet of Sungrown Dreams. Yet, Blakk Mantra still carries that essential extra-juicy indulgent element in their sound which will leave you with the compulsion to play them on repeat.

You’ll also want to check out the second single “Donna Juanita” from their 2-track 2020 release “Where There’s Smoke There’s Dope“. It’s a grungy psych aural treat.

You can get your first taste of Blakk Mantra’s arrestive sound for yourselves by heading over to Spotify.

Show them some much-deserved love via Facebook.

Review by Amelia Vandergast

Project Blackbird – Elevation: The Aural Protest to Bigotry We Never Knew We Needed

The mesmeric qualities of Project Blackbird’s latest single “Elevation” may never truly be encapsulated in words. Straight from the siren blares of the brass in the introduction you find yourself arrested in the soundscape which puts a twist on your average song structure.

Elevation was created as an alchemic attack on ignorance and bigotry which is so prevalent in our society… whichever corner of the globe we happen to be in. For the lyrics, quotes were taken from Michelle Obama’s speech at the Democratic National Convention in 2016. Words coming from the best first lady America will potentially ever see are always going to be powerful. But when they are accompanied by an ominously dark, slightly anachronistic instrumental arrangement; they hit hard.

Any fans of Amanda Palmer are sure to love the expressive, fearless, charismatic style of the spoken word lyrics as they verse the potent words which won’t fail to resonate leaving you with the sense that you’ve just stumbled across the artist, we never knew we needed. It was about time a Patti Smith of this century emerged.

You can check out Project Blackbird’s latest single Elevation for yourselves by heading across to SoundCloud now.

Review by Amelia Vandergast