Lewis Shepperd showed us the true extent of his versatility with the release of his latest single, Take My Hand, which obliterates the boundaries between indie, pop, rock and hip hop. The breaking artist hasn’t idled since we heard his last single, Follow You, which delivered a Kings of Leon style of cool and proved that his soulfully resonant talent should be as revered as Winehouse’s. Since then, he’s performed at the Isle of Wight Festival in 2021, received plenty of BBC airplay and garnered critical acclaim from across the board.
With rap bars mixed with his energised indie-rock vocals atop the instrumentals that continually shift through melodic grooves, tension-fraught build-ups and pop-punk style breaks, Take My Hand is a gift that keeps on giving.
As the garagey distorted rock licks towards the outro prove the value in the perpetual solidarity by depicting the chaotic state of the world, the lyrics remind you how sweet it is to have stunning souls around you. If that doesn’t hit the spot, you may want to check if you’ve still got a pulse.
Take My Hand is now available to stream on Spotify.
With their debut EP ‘Won‘ on the way in the next few months, Left Of The Slash tantalise us with their phenomenal new single which was written in 2003 that will unquestionably have your feet tapping called ‘With Patience Along‘.
Left Of The Slash is a magnificent alt-rock act from busy Los Angeles, California. After imprinting our eardrums with the catchy-riff gem ‘Between The Lines‘ in October 2021, there is much to commend about such a pulsatingly vibrant sound from an outfit that appears to only get better after each release.
Left Of The Slash sound truly motivated here and this might be their best release yet. There is a real razor edge here that sharpens your mind and has you feeling fully alert in the moment, as your bones just rattle in that unexplained excitement. This is the type of track to wake up with – as you jump up and down to feel alive again – with a top echelon act that unquestionably knows how to satisfy our broken hearts.
‘With Patience Along‘ from the high-tempo Los Angeles, California-based indie alt-rock band Left Of The Slash, is such a pure sound and shall shake your woke speakers awake with some aplomb. Featuring that trademark vocal sound that has you balancing the volume to get another listen, plus a stunning melody that grips you suddenly and never let’s go. This is that old school rock mentality that seems to be making a much-awaited comeback to the masses, due to its engaging soundscape that just feels so good on the soul.
Hear this powerful act on Spotify and see more news on their IG page.
Cardiff’s most visceral powerhouse, Columbia, created the ultimate embrace-the-chaos indie rock track with their latest single, Glory People. As sonically powerful as the high-octane psych-tinged rock hit is, that scarcely comes close to the stadium-filling energy that transpires through Columbia’s advocation of making the best of what we have.
So often, people get stuck in lament because their imagination can create better lives than the one reality puts before them; Columbia broke that negative feedback loop by serving the anthemic reminder that adversity isn’t the end of the world; it is a given. Just as the Stone Roses were a sign of the times, as are Columbia with their indie rock sound that aspires to unify through dystopic 2021 ennui.
Glory People was officially released on December 3rd, 2021. You can check it out for yourselves via SoundCloud.
Way Too Good for Me is the latest punchy, alt-rock track from the prodigal pop-punk artist, Her Burden. Any fans of On the Rope by Rocket from the Crypt will undoubtedly find themselves equally as energised by the tumultuously choppy rhythms and snarled lyricism.
With the vocals bordering on pop-punk theatrics and the sweet humility in the lyrics, it is impossible not to get wrapped up in this high-octane hit which will officially release on December 3rd. Way Too Good for Me is one of the rare tracks that is actually worthy of being called an earworm. By default, Her Burden is easily one of the best pop-punk powerhouses the UK has heard in the last decade. Get them on your radar.
Memory of a Car Wreck is the latest rock n roll hit from the 20-year-old US singer-songwriter Alexis Perry, who has garnered plenty of hype since her visceral debut. Despite the offer of a major label deal, she has held onto her indie status and expressively lacerating style. You would be hard-pressed to find such piercing lyricism from any other up and coming artist.
The single starts with crashing symbols and crunching guitars; as the basslines start to grind, Alexis Perry’s effortlessly evocative vocal timbre starts to intensify until the track works up to a stadium-ready anthem. It stands as a testament to Alexis Perry’s songwriting ability that she was able to create such a massive track that sparked from something as raw and intimate as suicide. Memory of a Car Wreck finds a raucous way to depict the mercurial nature of our minds that can be on the brink in one moment and consoled the next.
Memory of a Car Wreck is now available to stream on Spotify.
Cambridge, UK-based alt solo artist, Francis Botcherby, has been honing in on his sound for over a decade; his music has featured on BBC Cambridgeshire amongst many stations. His most popular music video to date has racked up over 100,000 streams, and he has counted plenty of other successes in between.
His latest single, Parliament of Wolves, carries the same protestive lyrical edge as Billy Bragg, but stylistically, Botcherby brought the sound of Seattle to UK shores. With bassline growls that will evoke nostalgia for Soundgarden’s grungy licks and enigmatic vocals that carry a touch of the Mike Patton magic, there’s a fair amount of nostalgia but there is something incredibly refreshing about his shimmering guitars and grooving rhythms that throw further back to the days when Hendrix reigned supreme.
Francis Botcherby’s single Parliament of Wolves was officially released on December 3rd. You can check it out for yourselves via SoundCloud.
The up and coming alt pop-punk trailblazer, Louie Dangerous, found a brand-new way to allude to the hollowness that can fill us in the absence of someone that became the centre of our gravity in his debut single, My Whole Inside’s Gone.
My Whole Inside’s Gone will take you back to the Angels and Airwaves days while keeping you galvanised through the sheer ingenuity of the robustly morose track. With choruses as infectious as they are exuberant, this stadium-ready single is set to take Louie Dangerous’ career to stratospheric heights. There’s enough nostalgia for accessibility, but discernibly, My Whole Inside’s Gone is packed with high-octane authenticity.
My Whole Inside’s Gone is now available to stream on Spotify.
Queens of the Stone Age’s scuzzier cousin, Temple Drake, is set to release their gnarliest garage rock single to date with Mexican Coke. The hard-hitting manically vintage track is pretty much distortion porn for the way the guitars and basslines bounce – bounce being the operative word – between crunchy, rolling, fuzzy and psychedelic licks. Short of mainlining adrenaline, there are few experiences as energising as delving into this frenetically ingenious track.
Mexican Coke was released on November 27th as part of the Chicago-based duo’s EP, Transmission 2. It is now available to stream on SoundCloud.
Hard rock hits don’t come much hookier than the latest single, I Will Rise, from the UK-based alt-rock outfit, Lazywall. They give Rise Against and Shinedown a run for their money when it comes to curating bursts of energy that you can’t help getting caught up in.
It’s rare in the industry to find an artist getting the kind of attention they deserve but from the moment that you hear the volatile post-punk vocals against the steady rolling swagger of the grungy basslines in the intro, you know exactly why they have had such a successful run since 2003. It makes sense why Steve Albini worked on an album with them, why they have performed at SXSW in Austin and Garorock in France and to 50,000 people at the Festival of Casablanca and why they have amassed a global and loyal fanbase.
Bravely, Lazywall doesn’t care about catering to hard rock purists; notably, they have far too much fun pushing the boundaries to the point of eruption to create a brand-new sound. After the teasing post-punk nuances in the intro, I Will Rise bursts into a defiant feat of Avant rock sound with the vocals carrying a Dave Grohl-Esque robustness. Then, it demands repeat attention.
I Will Rise will officially release on November 30th. The lyric video will be available to stream on YouTube.
With all the atmosphere of Porcupine Tree’s Fear of a Blank Planet album and the glitchy post-rock progressions, Abandon the Fall’s stormer of a single, Exhale, featuring Dayshell, is a phenomenal resurgence of the alt-rock ingenuity that faded away after the turn of the century.
The white-hot wailing guitars, emotionally-charged vocals and stormy transitions right the way through the tumultuous emo-tinged track all pull together to create a soundscape that leaves you more adrenalized with each deftly contorted evolution of sonic finesse. Exhale has become Abandon the Fall’s most popular track to date shortly after the release; the power trio will be unstoppable from here on out.