Laissez Tout Brûler is the lead track from the Alt-Rock powerhouse Glitched’s latest EP “Chaos World, Pt. 1 (An Apparition Emerges)”, if you’re aurally sensitive, prepare to feel a little bruised.
Right from the first verse, there’s a magnetically direct invitation to immerse yourself in the soundscape. The steadiness of the preceding verses makes the alchemy in the successive ones even more exhilarating. Think along the lines of Dinosaur Jr’s Feel the Pain.
When the momentum builds in the choruses, so does Glitched’s playful energy which tears through the melancholy which was laid out in the former verses. After hearing Laissez Tout Brûler, I have no doubt that Glitched could give Foo Fighters a run for their money live, their sound is just as capable of filling a stadium. Plus there’s the extra added bonus of Laissez Tout Brûler being a uniquely unpredictable track which experimentally unravels while sweeping across the full tonal palette.
US Rock artist Amenazar saw their inception almost three decades ago but judging by the magnetism found in their latest single “Lie to Me” they’re just as valuable to the airwaves as they were when they made their debut.
The mark of any good artist is their ability to make you feel instead of listen. And my God, if any Rock artist had the capacity to tear my soul in two with the provocativeness of their sound, it’s Amenazar.
With Lie to Me, they found the perfect balance of sticky-sweet romantic sincerity and rock n roll intensity. But where they truly set themselves apart is through their ability to smash through classic rock archetypes. As great as Guns n Roses and Aerosmith are, we don’t need another act assimilating them. There was definitely no danger of Lie to Me resonating as assimilative with Amenazar’s tendency to pull influence from a wide array of influences, from Alt 90s, to Industrial Grunge to Classic Southern Rock, it’s all in there.
You can check out Lie to Me for yourselves by heading over to YouTube.
You’d be hard-pressed to find old-school crooning alongside cold Post Punk tones and slick Setzer-style rock n roll grooves anywhere other than Toronto-based artist Lucas Penner’s standout single ‘So Well’.
So, you may as well hit play on the beguilingly masterful release which puts a neo twist on baroque. The styling may be on the archaic side, but you can expect a retro-futuristic earworm to crawl in your ear from the outset.
Any fans of Nick Cave, Tom Waits or Fable Cry will definitely appreciate the insidious air to the murder folk-style lyricism which will allow you to feel like you’re being aurally dragged into a hellish stratosphere.
You can check out So Well for yourselves from October 27th via YouTube.
With their latest single “Watchu Want”, trailblazing Alt-Rock artist Matt Moody added Grunge to their classic anthemic Rock signature sound. Bringing it right back to the Alt 90s style while giving fans of contemporary Rock something fresh to sink their teeth into.
With Indie Pop elements also weaved into the mix, Watchu Want is a rhythmically slick earworm which we can’t help getting excited about.
Matt Moody may just be the only artist capable of uniting fans of Aerosmith and fans of Dinosaur Jr with one release. You get the sexy swaggering vocal dynamics alongside the experimentally mind-melting tones found in Grunge and Dream Pop, what more could you possibly ask for?
You can check out Watchu Want from the date of release on October 30th by heading over to SoundCloud.
If At Face Value has evaded your radar so far, it’s our pleasure to introduce you to the US artist’s rapturously colossal sound. The perfect introduction to their distinctive brand of Alt-Rock is their standout track ‘Lotr’.
Whatever else is going on in your life, hit play and your consciousness will be consumed by the gorgeously evocative pull of the soundscape which pays ode to the 00s Pop Punk sound while drawing on their own signature sonic flair. Stylistically, Lotr is familiar while the sincerity and potency of the emotion are on another level.
More than anything, what I admire is At Face Value’s admission that their songs deal with common trials and tribulations. They don’t make their suffering the essence of their tracks. Instead, they use the recognition that listeners will find resonance in the tracks which are laced with punchy catchy melodies which are orchestrated to instil optimism.
It is bands like At Face Value which remind me how important music actually is. Not just as a part of our culture or personality or as a way to entertain ourselves. But for the beautiful fact that some artists are trying to make our lives which are often full of chaos and heartbreak a little easier.
You can check out Lotr along with the rest of At Face Value’s tracks by heading over to Spotify.
Pittsburgh-based artist DiLisio (Mark Jeffries) may be renowned for his ability to cook up rock n roll earworms, but that barely alludes to what is on offer in their standout single “Flower Bed”.
Yes, you’ll want to listen to it again. Yes, it has all the infectious appeal which will leave you itching to hit repeat, but there’s so much more to the mind-melting feat of Alt-Indie Rock. The guitar tones in Flower Bed will tear right through you. DiLisio’s approach to Garage Rock which incorporates nuances of Blues, Pop and RnB is one of the most cutting sounds we’ve had the pleasure of being lacerated by in 2020.
While you try to keep up with the sonically seismic changes in momentum, you’ll become aware of just how intrinsically arrested you are by the artist’s rhythmic prowess. Then there’s the vocals, the unpredictable volatility of them and the sheer level of emotion which will crawl under your ribs as you listen to the candidly introspective lyrics. I have an overwhelming amount of awe for any artist willing to bleed their soul into a soundscape. Naturally, I’m awe-struck with DiLisio.
There are some aural nods to The Black Keys and Jack White, but the visceral full-throttle nature of the track affirms that assimilation had very little to do with the orchestration of this unforgettably eruptive release.
You can check out DiLisio’s track Flower Bed via Spotify.
Hit play on the latest single ‘Disconnected’ from The Fiddle Revolt and slip into a cinematic smorgasbord of Indie, Blues, Reggae, Funk and Soul.
The drawn-out notes in the prelude which slip into offbeat rhythms in the preceding verses are all too efficacious at drawing you into the intensely direct soundscape which is lyrically-led to start. But once the semi-orchestral instrumental arrangement starts to amass momentum, you may find yourself divided between the confrontationally resolving lyrics and the alchemy which is breathing between the melodies.
With such a distinctive sound, Disconnected isn’t going to be everyone’s cup of tea. Yet, anyone who appreciates less than archetypal time signatures and progressively rewarding tracks will definitely want to drink in the ingenuity.
You can check out Disconnected for yourselves by heading over to YouTube.
As someone who grew up on Garbage before delving even deeper into Riot Grrrl and dabbling with Industrial Metal and Rock, STUNTDRIVER’s latest track FUGITIVE was always going to set my synapses alight. It’s super-charged with playful Punk energy and there’s plenty of theatrical flair to well and truly set the artist apart from the rest.
It’s fierce, but the ferocity doesn’t dilute the sultry and playfully sardonic approach which STUNTDRIVER took with FUGITIVE, which may just be the most volatile track I’ve heard this year. If you’re a fan of the Distillers, you’ll definitely want the LA artist on your radar. With their album SAGA due to drop in 2021, expect to hear plenty more from this trailblazing captivatingly trashy artist.
You can check out STUNTDRIVER’s track FUGITIVE for yourselves by heading over to Spotify.
If you could imagine what it would sound like if Alanis Morrissette started an Indie Post Punk band, you’ll get a good idea of what you can expect when you hit play on the latest track by Dylan Taylor & Hippie Speedball.
“Don’t Think Twice” is a smorgasbord of delectable aural magnetism. Your attention is pulled in a myriad of different directions with every progression. The deftly produced single is as dynamic as they come. The stunningly distorted guitar solos, the engorging tight instrumental synergy and of course, Dylan Taylor’s transfixing vocal range, Don’t Think Twice is a track which truly spoils you. That’s before you even factor in the striking emotion which is projected through the vocals and lyrics. Your soul would have to be defunct not to register the viscerally ardent emotion in Don’t Think Twice.
You can check out Don’t Think Twice for yourselves by heading over to Spotify.
By day, Chicago-based artist Baby Jesus Paper Boy is a public school music teacher, by night, he’s a multi-instrumentalist and Alt Rock alchemist.
Expensive Dance Music is their debut single which dropped in October 2020. It’s an incredible testament to their expressive, energetic style which allowed the track to resonate as playful. But that’s not to say that there isn’t plenty of maturity in the sonically arrestive debut.
It’s jangly, it’s funky, it’s practically Post Punk on ecstasy and the sax solos will leave your mind feeling like microwave soup. There’s plenty going on in the quite literally electrifying soundscape, but Baby Jesus Paper Boy pulls it all together with all too efficacious structuring, and, of course, the serious amount of soul brought to the table with their vocals.
We definitely won’t be making him do lines for this debut.
You can check out Baby Jesus Paper Boy’s debut single for yourselves by heading over to SoundCloud now.