Browsing Tag

Alt Indie Pop

Fleeting Paris’ ‘Movie Star Quality’ Stages a Reality Without a Curtain Call

Fleeting Paris may take an unconventional approach to songwriting, but even with the sonic rulebook ripped up and its ashes scattered, Movie Star Quality doesn’t sacrifice accessibility or affectability. The sticky-sweet vocals, unfeigned in their emotion, drift through the sting of unflinching staccato guitar rhythms, revealing a mastery of tension-building. There’s little rhythmic release in the track, and that’s exactly where its ingenuity lies—it subverts expectation, bypassing the cliché of a soaring chorus to stay true to reality, where we wait for breaks that never come.

Lyrically, the track dissects the Hollywood-glamorised human experience, exposing the diminishment of those who don’t don the façade, even as we acknowledge that our idols have long shed their autonomy. This lyrical meditation becomes even more immersive through Fleeting Paris’ Paul Simon-esque vocal lines, which know exactly how to lock emotion into melody.

The rejection of conventional song structure only strengthens the track’s impact. Instead of offering the instant gratification of predictability, Movie Star Quality forces listeners to sit in the discomfort of unresolved tension. It’s a soundtrack to disillusionment, but one that never alienates—because beneath the abstraction, there’s a raw sincerity that makes every note resonate.

Movie Star Quality is available now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Maria Heivang’s ‘When I Had You’ Hits Like a Wave of Regret

Like a breath of introspectively fresh air, Maria Heivang’s debut single, When I Had You, locks you into its intimacy from the outset, sharing the singer-songwriter’s smoking pains as she paints a vignette of loneliness and regret. This is far more than a standard exhibition of heartbreak—waves of reverberation ripple from the post-production to mimic the blindsiding nature of loss, amplifying the ache in every line. Even with the vocal treatment pulling her voice in line with the electro-pop instrumentals, the emotive sting in her delivery refuses to be dulled.

Born and raised in the Winter Olympic town of Lillehammer, Heivang has recently relocated to Manchester to take her career to the zenith it deserves. With her debut single, which hit the airwaves on the 27th of February, she created plenty of anticipation for her forthcoming EP, ARGH in love, which will unfold throughout the year. She describes the track as a reflection on not appreciating something good until it’s gone, a sentiment delivered with Nordic charm and alt-pop bite.

Her music carries the juxtaposition of emotional restraint and vulnerability, channelled through icy electronic textures and raw lyricism; if you’re unwilling to compromise between style and substance on your alt-pop playlists, When I Had You is a necessary addition.

Stream the single on YouTube now. 

Review by Amelia Vandergast

Specyal T & Chasing Sunday’s ‘Ben’s Girlfriend’ – A Pop-Rock Glitch in the Matrix

Specyal T has never been one for convention. The Caribbean-Canadian musician, songwriter, and producer has spent her career breaking the mould, racking up radio play across North America and Europe, securing sync deals, and earning a reputation for shifting gears with every release. With Ben’s Girlfriend, her latest venture alongside Chasing Sunday, she veers into indie pop-rock with a salaciously eccentric electronic twist, proving once again that predictability has no place in her catalogue.

After the low rumble of rhythmic basslines draws you in, the indie pop-rock installation of authenticity arrests with its intrinsic distinction. While the promise you’ve never heard anything quite like this before is rarely a guarantee of artistic merit, it’s certainly the case for this paradigm of retro-futurism. By dipping into the 80s, tuning into the electro-pop rock energy of the early 00s, and allowing euphoria to pulsate through the unflinching four-to-the-floor beat, Specyal T and Chasing Sunday have orchestrated an earworm that holds its own against *that* iconic track from The Grand Spectacular.

With 2025 set to introduce more singles from her pop-rock band project, Ben’s Girlfriend is an electrifying glimpse of what’s to come. It’s brazen, boundary-pushing, and refuses to play by the rules. Specyal T’s mystique and ability to step outside of her comfort zone have cemented her status as an artist impossible to pin down—just as it should be.

Ben’s Girlfriend was officially released on January 31st and is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Natalee Gallo – now it doesn’t matter: Cinematically Ethereal Dream Pop

From the moment ‘now it doesn’t matter’ opens with an ethereal breeze of melancholy, Natalee Gallo demonstrates her cultivated approach to fusing folk sensibilities with a cinematic dream pop aesthetic. This single only gathers visceral steam as the instrumental and vocal hooks ache with conflicted, confessional sincerity, allowing the track to breathe in a raw, human way.

Not only is it an immersive panorama of intensely personal yet universally resonant pain, but it also serves as a powerful testament to Gallo’s authenticity. Rather than simply trailing the trends, Gallo incorporates subtle folky tinges that accentuate the avant-garde balladry, giving her sound a distinctive edge while still retaining a current appeal. It’s a scintillatingly stylised diary entry turned forward-thinking pop piece, brimming with enough soul to stand out on any contemporary playlist.

Based in Pittsburgh, Pennsylvania, Gallo has built her emerging indie presence around her sound which reveals her fascination with intertwining pop, synth, and folk elements. In 2025, Gallo intends to share three more singles, potentially culminating in an EP, as she seeks to widen her audience and highlight the eclectic influences driving her project.

now it doesn’t matter is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Lia Juno exhibited the pain of raw rumination in her alt-indie tour de force, Sight

Lia Juno

Ethereal alt-indie pop vocals meet cavernous guitar lines in Lia Juno’s intimately melancholic single, ‘Sight’, which deconstructs familiar tonality, tearing it down to the aural rubble before rebuilding a sonic landscape where sanctuary for the disillusioned resides.

Since unveiling her debut single, Fevering, earlier this year, the LA-based independent artist has made all the right waves; with her latest single she puts herself in the same league as Wolf Alice and Big Thief with the cerebral thematic nature of the manifesto of mournful rumination.

Building up from Pixies-esque artfully dramatic motifs to a blisteringly grungy crescendo of distorted guitars clashing in oscillation with the rhythm section, Sight ensures that if you have any pent-up emotions when you hit play, they’ll be obliterated by the impact of the track’s climax which you’ll want to feel the force of time after time.

Sight will be available to stream on all major platforms, including Spotify and SoundCloud, from October 30th.

Review by Amelia Vandergast

Micah! is California dreaming in their latest alt indie pop release, STAY UP

You don’t need Micah!’s bio to tell you that they’re a Cali-residing artist, you can hear it in the dreamy warmth of the hazy melodies in their latest alt-indie-pop single, STAY UP, which teases nuances of hip-hop into the mix with sharp pseudo-rap cadences in the verses.

After honing their songwriting, recording and production skills for a decade, STAY UP is a catharsis-soaked culmination of all the time invested in their unflinching dedication to carve out a niche that listeners will want to nestle into time after time.

Fans of the deliciously delirious tonal palettes alchemised by NewDad, Jibba, Just Mustard and other contemporary indie icons in the same vein will find endless appeal in STAY UP, which is yet another attestation to Micah!’s potential that has already been actualised after the artist opened for Snoop Dogg and hit the 1 million stream mark on SoundCloud.

STAY UP was officially released on September 19; stream the single on Spotify now.

Review by Amelia Vandergast

Miss Terious exhibited the power and pain of alter-egos in ‘Misty’

Miss Terious’ latest single, Misty, bridges the gap between the tender indie pop magnetism of boygenius, the artful expression of Kate Bush, and the gothic sombre glamour reminiscent of Evanescence. This coalescence is perfectly interwoven in the arcane atmosphere of the indie piano pop ballad, where the sparse instrumentals allow Miss Terious’ emotionally heightened vocals to spectrally overpower the production.

Each verse tightens the heartstrings as you become consumed by the raw emotion conveyed through the confession of how pseudonyms can deliver confidence while concealing the person behind the greatness. The deeply felt pain of being wanted through association rather than true connection resonates throughout Misty; anyone who has experienced this pain will find the ultimate consolation within the candour.

Miss Terious is a British-born alternative musician from the West Midlands, known for her originated mix of electronic and classical instruments. Since debuting with her EP Bleeding Green in 2020, she has tackled topics such as abuse, mental health, and her separation from the ballet industry. In 2022, she was honoured as BBC Introducing’s Artist of the Month for Coventry and Warwickshire and performed at the Backyard Festival in Leamington Spa. Her contribution to the music scene earned her the Local Hero Award for AIM Awards 2022.

After hearing Misty, there isn’t an industry accolade we wouldn’t see her as fit for.

Misty was officially released on July 19; stream the single on Spotify now.

Review by Amelia Vandergast

Messy Mike – Things Are Crazy: An Alt-Indie Remedy to the Malady of Modernity.

Messy Mike used the cinematic sheen of neo-doo-wop to add transcendent melodic ascendence to his vintage-toned alt-indie rock allegory of how darkness permeates the psyches of us all – regardless of how hard we endeavour to push away the shadows of ennui.

Things Are Crazy goes beyond unravelling as a sonic sign of the times, the kaleidoscopically colourful release that will be a hit with any fans of The Strokes goes one strident step further to deliver vindication and salvation in the same rhythmic breath.

Regardless of how much we know that this dystopia dogs us all, that doesn’t get in the way of bringing our sanity into question; if you can relate, Things Are Crazy will give you all the answers you’re looking for; sift through the layered instrumentals, gentle acoustics and sweeping organs and hone in on the soulfully caressing vocal lines for a remedy to the malady of modernity.

Stream Things Are Crazy on Spotify now.

Review by Amelia Vandergast

Suni blended harmony, hope and heartbreak in his alt-indie dreamscape, Cherry

Suni’s sophomore single, Cherry, captivates with a cathartically melodious blend of dream pop, ethereal trip-hop, and 8Bit-esque synthpop, marking a distinct evolution from his debut single, At the heart of things, moving beyond the nostalgia of Elliott Smith and the influence of The 1975, into a realm uniquely his own.

In Cherry, the Edinburgh-hailing artist crafted a soundscape that reaches the epitome of mellow intricacy. The track synthesises its influences without becoming a mere pastiche, showcasing Steven’s skill in blending genres. The instrumental layers are a rich, future-forward tapestry; there’s an 8Bit charm which twines with sophisticated, ethereal synths, creating a backdrop that’s both nostalgically retro and cutting-edge.

The vocal harmonies are a standout feature. Light yet laden with emotion, his voice weaves through the Cigarettes After Sex-esque production, delivering lyrics that explore the complexities of affection and self-identity; it’s a lyrical journey that is fated to resonate with listeners, encouraging authenticity and introspection.

As he continues to evolve and refine his musical identity, Suni is far from a work in progress, he is already one to watch in the alt-indie-pop scene.

Cherry fell from the tree and onto the airwaves on February 23rd; stream the single on Spotify.

Review by Amelia Vandergast

Ava Valianti Became a Matchless Entity in the Music Industry with Her Turbulently Fervent Single, Middle Ground

Ava Valianti set the bar plateau-high with her debut single, Bubble Wrap; with her sophomore release, Middle Ground, the Massachusetts-residing singer-songwriter exhibited how honed her evocative approach to song crafting has become.

The striking tour de force starts with piano keys that would be right at home on a Radiohead LP or the Westworld soundtrack before the instrumental arrangement builds into a synthesis of moodily turbulent electronica and ornate orchestral motifs to reflect the disquietness of emotional upheaval.

The lyrical refrain of “I’m a broken record but at least I’m playing, music blaring louder than the pain” within the monumentally progressive release is a testament to how easily Ava Valianti reached the epitome of affecting alchemy.

Her vocal lines become an anchor in the instrumental storm and fervently resound through her artistic authenticity and determination to pour visceralism into every note of the intensely augmented release. She’s a matchless entity in the music industry, it’s only a matter of time before she ascends through the charts if she keeps producing tracks in the same phenomenal vein as Middle Ground.

Middle Ground will hit all major streaming platforms, including Spotify, on February 23rd.

Review by Amelia Vandergast