Browsing Tag

Alt Electronica

Hypersonic Waves and Jazz Grooves Convene in 8udDha bl0od’s ‘1001’

With 1001, the peerless UK visionary 8udDha bl0od delivered an intergalactic masterstroke that pulls listeners into a 15-minute sonic vortex. This extended installation of experimental electronica demands attention with hypersonic waves of synths sculpting a pulsating, mind-melting backdrop. Amid the chaos, the echo-laden vocals, laced with a haunting familiarity reminiscent of Manson, act as the tether that keeps the sprawling soundscape grounded.

As the track unfurls, the frenetic energy begins to shift gears. Low-slung basslines slide into focus, bringing a melodic sensibility that pulses with a jazzy swagger. Percussive grooves weave rhythm into the arrangement, creating moments of respite before the sax flourishes transport the track deeper into jazz-fusion territory. Yet, no matter where the instrumentals wander, the scintillating sequences of synths stay on a loop, taking strategic pauses to allow the rhythm and melody to breathe, creating a dynamic interplay that keeps the release teetering on the edge of chaos and cohesion.

8udDha bl0od proves with 1001 that experimental doesn’t have to mean alienating. The track is as much a technical feat as it is a visceral experience, carefully constructed to push boundaries without losing its hold on the listener.

1001 is now available to stream on all major streaming platforms, including SoundCloud.

Review by Amelia Vandergast

Breaking the Mould: An Interview with r/ginola on Bold Soundscapes and a New L

r/ginola

With an unmistakable knack for pushing boundaries and weaving intensity into every track, r/ginola is a genre-defying artist carving his own path from the unlikely backdrop of Connecticut. Having honed his craft through years of experimentation and evolution, his music is an unapologetic blend of moody cadences, raw emotion, and influences as diverse as shoegaze, nu-metal, and modern trap. In this candid interview, r/ginola opens up about his tumultuous artistic journey, the deeply personal themes behind his forthcoming 8-track LP, and his unrelenting commitment to authenticity in an industry often criticised for its uniformity. From his creative process to his take on vulnerability, this conversation offers a glimpse into the mind of an artist determined to leave a mark.

r/ginola, welcome to A&R Factory! It’s a pleasure to sit down with you and discuss the release of your upcoming LP. Before we get into the music, we’d love to get a better understanding of who you are as an artist. How did you get started and where has your music taken you so far?

I started about 4 years ago as more of a way to vent my feelings and frustrations that I had at the time. I showed friends the stuff I was making during a smoke sesh and they really encouraged me to get in a proper studio and take it seriously. That period was very dark but I’m glad I went through it. It allowed me to fully express things but also find myself as an artist and really made me open to new ideas or sounds.

Fast forward to now, after 3 rebrands in terms of name & genre, and over 100 songs, I feel I’ve really grown as an artist, and I am currently making my best stuff. The old stuff was cool (a lot of it is deleted) but the new stuff is basically a blend of what I was making previously.

What’s the most satisfying/challenging aspect of your craft?

Hmm.. the most satisfying to me is creating songs. I enjoy the writing bit, coming up with different flows and then putting it all together. The most challenging bit is mixing/mastering. I’m not the greatest at it but I normally try to tweak it to how I would like it and how it would sound in my car

Can you describe the unique elements that define your sound?

My sound to me is different from anything you hear currently. It’s hard nowadays for artists to really stand out because there is a lot of copy and paste but with my sound, I worked hard to make it different.

My delivery/cadence is very moody, and I think that comes from my time making shoegaze/nu-metal music. The lyrics are very sexual or aggressive at times, which is basically my usual nature.

What’s the story behind your 8-track release?

Whenever I drop a project, I always try to paint a picture. The picture is created by expressing everything I have dealt with in my life through relationships, friendships and miscellaneous things. This project, in particular, is about me falling in and out of love with an ex. I don’t wanna dive too deep into it, but you get the gist. I should also add that when it comes to the story/lyrics of each song, I leave it up to the listener to interpret it however they see fit.

How would you say the release reflects your identity as an artist?

This release is me. From the lyrics to the story to the energy to the sound, this project embodies everything I set out to be when I initially started.

How do you balance vulnerability and creativity?

When it comes to writing I pretty much lock myself in a certain period of time in my life and remember what it felt like. The more vulnerable I am the better the lyrics I believe. I try to keep it from sounding like I’m whining and keep it very fun so people are able to connect with it better. Sappy love songs just aren’t for me. I like to make mine sick and twisted, very dark at times.

You’ve cited influences ranging from Deftones and Static Dress to Yeat and Young Thug. How do these varied inspirations manifest in your music, and are there any nods to these artists on this record?

Jeez, I could talk about each of these artist for days! And there are loads more, LOADS! But these have been very prominent in my artistry. I’d say Deftones for sure has played the biggest role, Chino Moreno for me is god (I’m glazing heavily and I don’t care haha), I love that guy dearly! From songwriting to singing to energy to just about everything, he heavily influences my music. I love Static Dress for their visuals as well as their sick storylines, Oli is very cool!

Going by the standout single, sssnake, you’re clearly one to push the boundaries of sound design, where did that boldness as an artist come from?

I’ve always been bold. Maybe too bold at times but I like being this way. You can’t be afraid to take risks or try new things, you just gotta go for it and stick with it. Will it get you in trouble sometimes? Sure, but who cares! Be different, enjoy yourself!

How has your location shaped your artistic journey?

Umm I mean I feel like it kind of blessing but also a hindrance. I’m from Connecticut, so not too many people know of the state or where it is. There aren’t many artists or any artists for that matter that have made it out. But I also feel like that’s because everyone is trying to sound like everyone, and since Connecticut is unknown, no one wants to hear their story. They’d rather listen to someone from California, Florida or New York if the story is similar. For me, I’m in my own lane; there is no one making this kind of music here. And I love that!

What does 2025 have in store for you?

We will see together hahah I’m hoping to tick some boxes off the things I’ve been manifesting but I won’t be disappointed if things don’t go as planned. End goal is to just continue putting out great music and enjoy every second of it!

Stream r/ginola’s new 2025 LP on SoundCloud now.

Interview by Amelia Vandergast

Rumination refracts through the emotive visceralism of Ricky’s alt-electro release, Dreaming

In his latest release, Dreaming, the artist and producer Ricky reached far beyond the reverberations of the moody electronic trend, entrenching his release in piercingly plaintive soul. As one of the most melancholic leftfield electronica tracks to permeate the airwaves in recent years, Dreaming transcends self-indulgence to deliver a raw visceral experience.

As the frenetically syncopated backbeat sonically visualises the tumult of the external world, the dual vocals from Ricky and an arcane-timbered female guest vocalist reflect rumination in the cultivated track, which reaches the epitome of affecting, Every note in Dreaming is a tender extension of vulnerability which entrances you into the emotion as light radiates from the progressions, refracting a sense of salvation that the lyrics yearn for.

Ricky’s roots trace back to Nottingham, where he cut his teeth with the electro-punk indie rave duo Battlecat! between 2007 and 2010, touring extensively and sharing stages with the likes of Hadouken!, Does It Offend You, Yeah?, Two Door Cinema Club, Future Islands, and many more. He hit prestigious stages before pausing his output due to family commitments.

Eventually returning to music, he released ‘Pushing Buttons’ in 2021, drawing inspiration from Burial, Bicep, Boards of Canada, and The xx. Early singles caught the attention of BBC Introducing’s Dean Jackson, earning airplay and solid feedback. After grappling with depression and a ten-month hiatus, Ricky has re-emerged with a new EP in the works and plans to bring his live sound to the UK and Europe in early 2025. I know I will be the first in line for a ticket for the live rendition of Dreaming.

Dreaming was officially released on December 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Illuminating Longing: Red Vinci’s alt-electro allegory of disillusionment ‘Sunset’ Casts Shadows in Light

After a four-year hiatus, Stas Kurkou’s solo project, Red Vinci, has resurfaced with the emotionally electrified EP Where The Heart Is. In the spotlight is the single Sunset, an alt-electro embodiment of longing with cinematic depth and pseudo-industrial intensity. Red Vinci’s knack for blending lo-fi production with vivid synthetic textures remains as potent as ever, delivering a soundscape that fans of Covenant and Apoptygma Berzerk will revel in.

With Sunset, Kurkou builds on his thematic legacy, which began with Year Of The 9 and its exploration of identity, and Psycho, drenched in the neon-lit disillusionment of a GTA Vice City dreamscape. The latest release, the third instalment in this poignant chronology, dives into the emotional terrain of anxiety, belonging, and nurturing the inner child.

The track’s phasers burst like fragmented starlight through the tension-heavy production, visually representing the longing for luminosity as the synth-driven arrangement finds balance in Kurkou’s reverberated vocals, their softness a striking juxtaposition to the gritty textures, creating an emotional contrast that is as haunting as it is hypnotic.

The Where is the Heart EP was officially released on November 22; stream the EP on Spotify now.

Review by Amelia Vandergast

Maxell’s Psychedelic Indietronica Debut ‘Hide and Seek’ Taps Into the Ether

https://www.youtube.com/@wearemaxell

Maxell, a London-based trio, might be a fledgling force, but with a synth-driven sound more psychedelically potent than anything you can buy in a back alley in Camden and the wealth of experience they bring from other bands, they’re proving to be unreckonable.

Following an intro which hits with the pulse of She Wants Revenge, their memento-musing debut single, ‘Hide and Seek’ soon twists into a stylistically embellished installation of Avant-Garde indietronica.

The synths distort into kaleidoscopic oscillations as they synergise around the shimmering organ tones and delay-saturated guitars, creating an entrancing backdrop for the ethereally crystalline vocal lines, which paradoxically carry immense weight as they embed the lyrics deep into the listener’s psyche.

If you have a lot of love for Legendary Pink Dots, you may as well hand your heart over to Maxell and their signature ‘hauntology’ sound now.

Stream the official music video for Hide and Seek on YouTube or head over to Bandcamp where you can purchase the single; all proceeds from this single will be donated to the homeless charity, Crisis UK.

Review by Amelia Vandergast

Circuit Symphony: The Electrified Emotions of Bruce Cohen’s ‘Dance of the Siren’

With ‘Dance of the Siren,’ the virtuosic composer Bruce Cohen unveiled a composition that is as intricate as it is profound, drawn from his latest album, ‘8 BC.’ By blending the ornate richness of neo-classical elements with the pulsating depths of sci-fi intrigue, each note seems to decide whether to comfort or challenge the listener.

Cohen’s mastery in synthesising disparate musical traditions is evident, as ‘Dance of the Siren’ embarks on a voyage through lush, theatrical gravitas and bursts into scintillating sci-fi phases. This duality in tone and texture transforms the listening experience into an exploration of emotions, leaving one oscillating between catharsis and disturbance—a true testament to his unique position in the electronic music sphere.

Cohen’s journey in music has been a kaleidoscope of genre-defying ventures. From scoring plays like ‘Dr. Jekyll & Mr. Hyde‘ at Philadelphia’s Walnut Theatre to forming the heavy, psychedelic jazz trio Big Fun 3, his creative bandwidth stretches far and wide.

His solo projects resonate with a penchant for German electronic minimalism and ambient soundscapes reminiscent of luminaries like Brian Eno and Klaus Schulze. With each album from ‘1 BC’ to ‘8 BC,’ Cohen has progressively dipped deeper into his own experimental ethos, melding ambient, funk, and trance elements to forge a distinct sonic signature.

Dance of the Siren was officially released on November 11th; stream the single on Spotify now.

Review by Amelia Vandergast

Dr. Void and the Skinjob’s latest darkwave horror punk anthem, Rave to the Grave, transmits the ethereal echoes of midnight ecstasy

Step away from sonic mundanity and into the pulse of ‘Rave to the Grave’ by Dr. Void & the Skinjob’s, a track that redefines darkwave electronica with its fusion of horror punk and darkwave industrial synthpop.

The Glasgow-based Synth, Bass & Drum trio have amassed reverence through their seductively sinister discography, now home to their new EP, ‘Sexy, Scary, Doomed & Dangerous‘. With synths that drip arcane textures and beats that pulse with a life of their own, the standout single, ‘Rave to the Grave’ is a Lovecraftian incantation wrapped within a floor-filler of an earworm.

The hedonic anthem vibrates with kinetic energy and phasers capable of transfixing you to the track, allowing you to imagine Sisters of Mercy stripped of their pretence under the influence of Misfits. After just one hit, John Carpenter’s scores will never sound the same.

The manifesto from the maestros of the macabre is an invitation to lose yourself in the depths of electronic ecstasy. If you dare to descend, be prepared: this is a full-on collision with the spectral heartbeat of dark synthwave.

Rave to the Grave dropped on Halloween; experience the euphoria for yourselves via YouTube.

Review by Amelia Vandergast

Marlon Bianco went left of leftfield in his experimental electronic trip, Mad Man

Marlon Bianco’s latest single, ‘Mad Man,’ plays like an auditory hallucination; like peering through a drunken kaleidoscope, sounds and colours blend into a vivid sonic trip. Beginning with scratchy, trip-hop-adjacent beats, the track seamlessly evolves as Bianco’s dreamy, nostalgically textured vocals marry with the underlying rhythms.

It’s a sonic sculpture that etches itself into the mind, pulling you into the affirmation that insanity is infectious as elements of funk and jazz are weaved into a sublime lo-fi collage of sound.

Hazy summer nights may be behind us, but this psyched-to-the-nth-degree synth-driven odyssey from the Brighton-based aural polymath is here to stay. There’s no escaping the dreamy Avant Garde clutches of this release which forces you to live within its layers.

Mad Man will hit the airwaves on November 1st; stream the single on Spotify and follow Marlon Bianco on Instagram and Facebook.

Review by Amelia Vandergast

Seductive Synths and Industrial Grit: Silverlake Digs Deep with ‘X (I Should Be Digging)’

Silverlake

Synthesising the demure magnetism of Garbage, the arcane aura of Bjork, and a visceral indietronica pulse, Silverlake electrifies the senses with strobing synths lighting up the polished production in their latest seminal single, X (I Should Be Digging), taken from their third LP, Exotic Metals Ltd.

There’s a seductive power in every second, with sharper-than-razorwire hooks, luxe guitar licks, and siren-esque vocal lines courtesy of Sally-Ann Parker, whose performance is nothing less than hypnotic.

The track’s descent into pure leftfield chaos, guided by oscillating synths and pummelling bass, leaves a lasting impression, securing Silverlake’s place as one of the most scintillating indie-pop outfits on the UK underground circuit.

Drawing on their West Midlands roots, ‘X’ reflects their unique ability to fuse industrial influences with ethereal sublimity. Industrial electronica doesn’t frequently veer into the remit of otherworldly tonality, but as X proves, when it does, the result is nothing short of alchemic and starkly cinematic.

X (I Should Be Digging) was officially released on September 20; stream the single on SoundCloud and Bandcamp now.

Review by Amelia Vandergast

Ennoverse – OOT: Electrifyingly Eclectic Dub-Heavy Downtempo

In his debut single ‘OOT‘, the up-and-coming Aotearoa, New Zealand-raised artist and producer Ennoverse stitched his eclectic past into the very fabric of the entrancing instrumental while embracing his unique sonic identity.

OOT pays ode to the electronic pulses of Ratatat and Pitch Black, the disco grooves of Lindstrom, the classical arcs of Rossini and the raw hip-hop energy of The Beatnuts and Cypress Hill. Fusionism fuels the downtempo, dub-heavy beats of ‘OOT’, a track that nods to the pulsating aesthetics of the ’90s rave scenes and innovates with a modern twist.

His use of phasers, strobing synths, and reverberant basslines crafts a space where the listener is compelled to engage their rhythmic pulses and reflect in equal measure. Each element is ingeniously constructed, resulting in an instrumental that drips with funk and electrifies the senses.

While ‘OOT’ is just the beginning, it’s a powerful glimpse into what might come from Ennoverse.

OOT was officially released on October 11; stream the single on SoundCloud now.

Review by Amelia Vandergast