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Alpine Jubilee

Alpine Jubilee Inch Closer to the Indie Folk Pop Throne with ‘Fiver on the Favourite’

Alpine Jubilee won us over with their debut, but with Fiver on the Favourite, they well and truly conquered. Folk-tinged indie pop has rarely sounded this expansive, with flourishes tinged with psychedelia and melodies that seem to ascend endlessly. The single instrumentally invites you to a state of transcendence, while the abstract lyricism filters in, almost serving as another instrument, adding texture to the euphonic tonal masterpiece that progressively enthrals with each new nuanced transition.

Born from the creative partnership of brothers Trevor O’Neil and Glenn O’Neil, Alpine Jubilee stretches across continents, with Trevor based in Toowoomba, Queensland, and Glenn in Geneva, Switzerland. Their sound pulls together an eclectic mix of instrumentation, featuring acoustic guitar, violin, trumpet, harmonies, ukulele, mandolin, mando-cello, tin whistle, harmonica, bass, percussion, synthesisers, and even a zither. Their influences range from 80s new wave and darkwave to twee-jangle pop, contemporary nu-folk, and alt-country, and it shows in the depth of their arrangements. Joining them on the track are Flavia O’Neil on trumpet and backing vocals, Nelson O’Neil on drum programming, and Oliver Liang on violin.

If you’re sick of folk artists who bring the same old pale imitations to the table, Fiver on the Favourite is a surefire antidote to monotony.

Fiver on the Favourite is available to stream on all major platforms, including Spotify. For the full experience, watch the official video on YouTube. 

Review by Amelia Vandergast

‘My Morbid Tone’ by Alpine Jubilee – When Affection and Discord Collide in Twee Indie Folk Pop Harmony

Few debut releases arrive with such a firm grip on authenticity, but Alpine Jubilee ensured theirs did. My Morbid Tone makes no effort to dilute its raw humanistic essence—it presses it to the forefront with piercingly poignant intimacy.

The alternative duo entwine the hallmarks of traditional folk singer-songwriters with jangly indie pop guitars to resonate with fans of Julian Cope. As meta as music gets, My Morbid Tone employs multifaceted devices to lay bare the dissonance of emotional and ideological distance. The morose vocals steep the track in melancholy, yet the luminous longing in the guitar tones offers a contrast potent enough to mirror the ache of being tethered to someone whose nature exists in opposition to your own.

Clashing perspectives, musical tastes, and the unspoken chasms between people manifest through every note, turning this into a deeply personal exploration of isolation that is rarely approached with such lyrical and melodic precision.

Formed by brothers Trevor and Glenn O’Neil, Alpine Jubilee’s folk-tinged indie pop is the result of a transcontinental collaboration between Toowoomba and Geneva who extrapolate influence from 80s new wave, twee-jangle pop, electro, and contemporary nu-folk to orchestrate accessible Avant-Garde installations of often unspoken introspection. 

My Morbid Tone is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast