One of LA’s most promising stars, singer-songwriter Olivia Gubel, has bestowed upon the airwaves an acoustic folk-pop ballad that is uplifting enough to register as celestial.
‘The Prom’ captures the innocence of youth; if you’re currently living it, you will feel the resonance; if those days are long behind you, you’ll get a potently sweet shot of nostalgia while listening to this reflectively sweet single unfold.
At 18-years-old, Olivia already has the musicianship within her to create true connections with fans old and new. Her powerfully poetic lexicon, endlessly magnetic vocals and instantly accessible soundscapes make her a folk-pop triple threat.
To make sure that the listener’s heartstrings are well and truly tugged, alt-indie rock artist .Wav Rider’s latest acoustic single, Step Away, unravels as a heart-wrenching duet featuring vocals from Nikki Silva.
Step Away captures that fraught moment when the realisation that a situation is no longer healthy hits. Despite his sweet and affable indie pop-rock vocals, you feel every ounce of affectional agitation.
When Nikki Silva’s come into the choral and sun-bleached soundscape, the narrative becomes multifaceted, serving as a stark reminder that no matter how much time you spend with someone, or how well you know someone, there are some things that you will never see eye to eye on, mostly because you stop looking and want to turn away completely.
Any fans of Frank Turner, AJJ, Neck Deep and All Time Low won’t want to sleep on this release.
As we emerge from one of the most stagnant and isolated winters of our lifetimes, Overslow’s single, Deep Blue Water, featuring Alex Amto, serves as a poignant reminder of what it truly means to live instead of just existing.
The acoustic folk-pop single is instilled with compassion and meta inspiration for those who find themselves tentative when it comes to picking themselves up delving back in. It is the perfect summer pop anthem; in every possible way. Catchy Choruses? Check. High-vibe life-affirming lyricism? Check. Stabbing horn sections around stunning acoustic guitar solos? Check.
Fans of Lewis Capaldi, George Ezra and Sam Smith will want to immerse themselves in Overslow’s radio-ready pop-rock single.
Deep Blue Water officially released on June 18th; you can check it out for yourselves by heading over to SoundCloud or Overslow’s Twitter or website.
‘Wife’ is the latest poetically Avant-Garde single from Cypriot-born, London-based singer-songwriter and actress Echo Wants Her Voice Back. Starting with a minimalist, spiritual intro that any fans of the Cranberries will appreciate, Wife is captivating from the start. The conversationally imploring vocals lead you right into the heart of the track, and that is a trip you’re going to want to take over and over again.
With a touch of Gwen Stefani-Esque attitude to the folk-pop lyrics in the chorus, the seamlessly progressive single is proof of the alchemy that can breathe through a release created without constraint. The baroque pop outro that carries reminiscence to Emilie Autumn’s archaic sound is a haunting way that ensures Wife will stay with you long after the outro
With her second EP in the works, Echo Wants Her Voice back is well worth room on your radar.
Resting Bones is the celestially transfixing latest single from US singer-songwriter Madeleine Bradford. At the age of 17-years-old, her music already boasts narratively-meta lyrics, arresting vocal harmonies and a spiritual edge that compels you to lean even deeper into the single to abstract the emotion and introspection. Even the silence that follows the outro is resounding.
If anyone has what it takes to become the next Phoebe Bridgers while establishing themselves with a distinctive style, it is Madeleine Bradford. The mellifluous guitars in Resting Bones possess the same level of alchemy that you will find in Elliot Smith’s most intricate releases as faint orchestral swells add striking crescendos to the deeply provoking single.
Resting Bones is now available to stream via Spotify.
With an introduction that is the aural equivalent to Nikita Gill’s collection of poetry, Fierce Fairytales, the prelude to Farrah Hanna’s latest single, ‘Everything is Different Now’, instantly puts you in a suggestable and contemplative state. With the following verses flowing through in Farrah Hanna’s conversationally narrative style, you will find yourself amongst the lyrics as the changes in your life coalesce with Hanna’s.
Any fans of Angel Olsen, Big Thief and Phoebe Bridgers will appreciate Farrah Hanna’s quaintly lo-fi acoustic folk style. The meditatively short and sweet single uses haunting, almost neo-classic, keys sporadically behind the gentle acoustic rhythms to amplify the already potent sense of emotion in this succinct indie-folk instant classic. Everything is Different now allows the inevitability of change to feel far less daunting.
Everything is Different Now officially released on May 6th; you can check it out for yourselves by heading over to SoundCloud.
Ethan Yates is a Christian singer/songwriter from East Texas, USA; don’t let that tempt you into making assumptions about his music, though – this is no confessional, congregational piece, rather a beautiful, gentle acoustic-focussed track with a definite Americana-meets-indie, college-radio vibe.
There’s a real Paul Westerberg/Replacements feel to Yates’ vocal, some delicate slide guitar, and an almost Kings Of Leon feel to the rockier parts. Little bits of alt-rock like Paramore and mellower Bring Me The Horizon, Taking Back Sunday, or Dashboard Confessional meld with choice Americana like Counting Crows and the Jayhawks, with some beautiful harmonies and a perfect understanding of melody and composition, ‘Rest Of Our Lives’ really is as good as it comes.
Take four siblings raised in Colorado, a bunch of traditional acoustic instruments, some serious musicianship and songwriting, and a whole lot of heart and soul, and with a little bit of gentle shaking you might just come out with The Dark Days. Classic, perfect, gorgeous gentle Americana written ‘for our Ma when we were going through the struggle’, ‘Georgia’ rolls and swells along on waves of acoustic guitar, cahon, strings, and singer Xela Dark’s stunning voice; smoky, soothing, sultry, caressing, uplifting, and just plain beautiful, Xela’s vocal is the icing on an already extremely well-baked cake. Think of Counting Crows or the Jayhawks, with Sheryl Crow or maybe Lene Marlin taking over on vocals for Adam Duritz for a while, and you can imagine the sort of territory we’re in here.
It’s a perfect, sweet summer song; something to lie back in a corn field and just listen along to, and let everything else go for a few minutes. That’s pretty rare.
You can check out ‘Georgia’ on Spotify, and follow The Dark Days on Facebook.
With his heart on the sleeve and the stories of his family still fresh in his mind, Trent Beaver and The Damage bring us the road-trip gem called ‘Ramblin Kinda Man‘.
Trent Beaver is an acclaimed acoustic pop/southern rock Pacific Northwest-based singer-songwriter from the famous music town of Muscle Shoals in Alabama, who sings with that gritty edge that makes him a true artist who sings from deep inside, where the memories are stored forever.
This is the story about remembering his old man’s life, the sadness is strewn all over his tremendous vocals as he shares how things where back in the day, when life was way more simple and the good times were plentiful.
The superb southern style is lathered all over this top quality single, as you get lost in the journey and start to drift away into the past, your mind racing as you remember when you were younger and you wish things could go back to these innocent days.
‘Ramblin Kinda Man‘ from the humble family man and BMX-lovin’ Pacific Northwest indie singer-songwriter Trent Beaver, is an ode to those days where the whole family was there as one, the tears now ring down for his Mamma who lost her man too soon.
Stream this new single on Spotify and check out IG for more news.
Continuing this week’s theme of hot Australian artists come singer-songwriter, actor, and model Damian. Performing since the age of 8 in one form or another, Damian is perhaps best known for the TV series ‘Deep Water’ and indie film festival shorts ‘The Paper Rose’, ‘Pepper’, and ‘Absolutes’, and for his debut single ‘Perfect To Me’.
Damian now returns with follow-up ‘Can’t Have You’, a delicately picked acoustic guitar-and-vocal paean to unrequited love in the balladic style of early Ed Sheeran, James Bay, Lukas Graham, or Hozier. It’s gentle, soulful, and melancholic in that ‘wistful hopefulness’ sort of way that adds a dash of sad world-weariness without ever slipping into melodrama or schmalz. Damian’s voice lifts and falls but carries that sense of longing and desire atop the graceful picked guitar chords and backing; it’s a beautiful pairing.