Tracks originally written and recorded in 1995 by Brighton’s Giant Killers when they were signed to MCA Records have finally reached the airwaves. The standout indie jangle pop single, Around the Blocks, from their forthcoming LP, is an authentically nostalgic dream. With hints of Coffee and TV within the R.E.M.-esque college radio rock production, which sees the choruses endlessly ascend and the verses pull you in deeper through the affectionately sharp hooks, Around the Blocks is a tonic for the melancholic soul.
With a frenetic closing sonic chapter which echoes the palpitating pacing of the hit Brimful of Asha, Giant Killers clearly know how to make an ever-lasting impression with their sound, which doesn’t go as far as sticky-sweet; there’s far too much indie rock renegade grit within their compassionately confrontational lyricism.
With their ‘songs for the small places’ LP, Giant Killers aren’t only delivering melodic salvation to the ennui-inclined. £2 of every sale of the LP will be donated to Campaign Against Living Miserably, a charity dedicated to saving lives through suicide prevention. Given the gravitas of Around the Blocks, which will see your soul sweep higher than the transcendentally tight melodies, you shouldn’t need any additional incentive to partake in the nostalgically euphonic bliss. But it’s incredible to see an artist not solely skating by on the signals of their virtue. Giant Killers are putting momentum behind real tangible change.
We’ve scarcely returned to the 21st century after revisiting the 90s with Jeremy Phillips & The Ozark Grunge’s single,Crazy. Proving that they’re more than just a one-trick sonic pony, they’ve dropped another nostalgia atom bomb with their lamentatively exhilarating single, Hell Into Home.
If Kurt Cobain had a little more of a Southern twang to his vocal lines and arrestively brashy swagger to his guitar hooks, Nirvana’s seminal hits would have swum in the very same vein as this epitome of an earworm.
The tight instrumentation lends itself effortlessly well to the grungily cosmic songwriting that entices you into the centre of the dusty-with-desert-rock-atmospherics hit that mourns the loss of a home becoming a house in the absence of the person that made the brick-and-mortar a place worth coming back to.
Stream Hell Into Home, which was officially released on July 21, via Spotify and YouTube.
Hitting the right notes and sliding on that awaiting dancefloor like an OG who knows what the crowd wants, Hugo Ryder is in no mood to mess around and has dropped something to party with all night long on In To Focus.
Hugo Ryder is a UK-based founding member of the famous Professional Misconduct sound system and an absolute legend in the techno and house scene.
Thundering in with something rather intensely vein-popping, Hugo Ryder is on absolute fire and shall summon the best vibes within and slice away all bad juices that serve no purpose.
In To Focus from the UK-based house music producer and DJ Hugo Ryder is a rather scintillating entry into our hearts when needed most. There is a thrilling energy to filter through into our awaiting souls, by a skilled pro who knows how to push our buttons rather sweetly.
If you like powerful music with a buzzsaw-like aura to cut through the nonsense outside, this is the winner you have been looking for.
“Ibiza” by Chiron Loxton is a track that defies expectations in the best way possible. From the moment the song kicks off with thumping “booty-bass” reminiscent of late 90s dance club electronica, you might think you know what to expect. However, Mr. Loxton takes you on a surprising journey as he starts rapping in a talented and gritty grime style.
The fusion of rapid-fire rapping and catchy dance club music creates a captivating and unique combination. Initially, it may seem like an unlikely pairing, but as the song progresses, you can’t help but be drawn in. Chiron Loxton’s skilled delivery and confident flow blend seamlessly with the energetic beats, resulting in a musical experience that demands attention.
“Ibiza” stands out as a testament to Chiron Loxton’s versatility as an artist. It showcases his ability to take unexpected risks and make them work flawlessly. The song is a refreshing departure from the ordinary, injecting a sense of excitement and freshness into the dance music scene.
This track’s ability to surprise and captivate is its strongest asset. It grabs your attention, making you pause and think, “Huh, that’s different, and it’s wonderful.” Chiron Loxton demonstrates a strong command of his craft, effortlessly navigating the rapid rhythms and infusing the song with his unique style.
“Ibiza” is a bold and innovative offering that pushes the boundaries of genre conventions. It’s a reminder that music has the power to break down barriers and create unexpected connections. Chiron Loxton has crafted a track that is both catchy and thought-provoking, leaving a lasting impression on anyone who listens.
On a catchy beat which will seduce many minds into a booze-filled story which feels like a movie, Areeyedee drowns those sorrows away and just wants to forget these frustrating romantic issues on Drinkin All Night.
Areeyedee is a Kansas-born Texas-raised Darmstadt, Germany-based indie genre-less artist who was the lead singer in a rock band in the ’90s.
”This song tells the story of a man who has just broken up with his girlfriend and is drowning his sorrows at a bar with his friend. As they drink, they commiserate about their relationships and talk about their troubles with their respective partners.” ~ Areeyedee
Fusing hip-hop, rock, pop, country and EDM together, Areeyedee sees the devil in disguise and drops a story which will enthral many and have others rather spellbound with an unheard-of emotional understanding to plunder deeply into.
Drinkin All Night from Darmstadt, Germany-based indie genre-less artist Areeyedee is a swashbuckling performance which is as honest as they come. Rapped with a determined mindset while swigging another one, this is a tremendously outstanding song which might take many back into that sweaty bar.
Freshcobar & Golden Girl gave the iconic 1994 hit, Missing by Everything But the Girl the house treatment in their entrancing new remix that is set to drop on all major platforms on April 28th. The indie guitars have been stripped-back to make room for the big beats, even bigger drops, and the colossal atmosphere that cloaks the remix drenches you in nostalgia while allowing you to simultaneously sample the future of house music.
The Missing Remix is the third single from the producer Freshcobar and the San Diego vocalist Golden Girl. Together, they reincarnated the 90s classic hit with far more intensity and fervour than the original contained, but the vocal mystique is right on brand. The deserts may have missed the rain, but my God, the dancefloors will have also missed this hit. Not all heroes wear capes, sometimes they’re reimagining and enlivening the soundtracks to our youth.
The remix will launch via NOS Recordings; check it out on SoundCloud.
By fusing 90s RnB with his signature jazz soul textures, producer Mike Di Lorenzo and vocalist, Anna Moore created a sonic nostalgia atom bomb which ignited through the contemporary bold stylings with their latest single, Holding All My Love.
With the hooks sharpened by the pop elements and the grooves riding through the dance licks, few tracks are as efficacious in their ability to make you move and feel in the same funk-dripping breath. The instrumentals are just as passion-slicked as the vocal lines that wrap around the lyrics, which prove that instant gratification can never match the real thing.
After the success of his charting 2022 album, What We Need, which also featured the resolvingly impassioned vocal lines from Anna Moore, Mike Di Lorenzo is right back in the Grammy-worthy groove with Holding All My love.
Holding All My Love will officially release on March 24th. Hear it on SoundCloud.
Taken from the recent 4-track EP called Thread, Wise Woman moves mountains and changes the oceans back to a captivating crystal blue on the rather wonderfully sweet new single Fen Woman.
Wise Woman is an East Anglian/ Welsh power-folk foursome who brings back that 90s girl vibrancy which will ignite the spirits within our deepest souls.
With a blend of folk, jazz and blues mixed with that creative musical theatre, Wise Woman takes us to the light and shows us what is possible if strong hearts can join together as one. This is a cinematic-like experience which might calm all fears away in just an instant, just like the truly world-class outfits do.
Fen Woman from East Anglian/ Welsh power-folk foursome Wise Woman is a special song which deserves all the love possible. Projected with so much love and fearlessness, we find a scintillating soundtrack to rise up from all depths. Layered rather expertly and features dynamic energy which will inspire us all to keep on flying upwards, no matter what obstacles are present.
After his defiantly electric debut, Won’t Be Locked Down, which aired in early 2022, the UK-based songwriter and producer Audio Jacked (Daniel Puddick) is keeping the euphoria flowing. His latest EDM Pop hit, Love What You See, is a throwback to the era that saw him running club nights across the UK, but modernism didn’t go a miss in the clearly contemporary production that throws a few nods to the likes of Stardust and CeCe Peniston, but you’ll find no dust in this high-fire club hit.
One hit of the pulsating bass and we were right back on a 90s dancefloor, drinking in the lusty grooves and getting high on the salaciously powerful melodies that fizz with the kind of passion that can only transpire on those hedonistic nights enabled by rhythmically gifted producers such as Audio Jacked.
Love What You See officially dropped on October 14th. Check it out on Spotify.
In their first release of 2022, the Brit-Grunge trio, Dirty Modal Souls, catapulted us right back to the alt-90s. Lyrically, What’s the Word? is a snarlingly electric hook-constructed continuation of Cameo’s Word Up. Instrumentally, it’s a transatlantic riot of rugged basslines, cataclysmic breaks and guitars which express as much chagrin as the rancorous guitars.
If Faith No More hailed from this side of the pond, their earlier work would carry ample reminiscence to What’s the Word, which doesn’t lose the quintessentially British style of lament. That riled energy rubs up against the Seattle sound to create universal appeal.