Browsing Category

Best Rock Music Blog

It is almost impossible to imagine Western society without the influence of rock n roll; the artists that became renowned as (rock)gods, the aesthetic, the culture that so many live and breathe, and of course, the music that became the soundtrack to our lives. Many of the greatest artists of all time are of some rock inclination; whether that be Buddy Holly, Nirvana, or The Rolling Stones – the charts simply wouldn’t be the same without the unpredictable and volatile genre.

Rock started to emerge in the 1940s through the masterful rhythm of Chuck Berry and his contemporaries. Twenty years later, The Rolling Stones became the true face of rock n roll as they advocated for sex-positive youthful rebellion; this controversy became synonymous with rock which took the genre to brand-new cultural heights. By the 70s, artists started to push rock music into heavier, darker territories. At the same time, hard rock and metal were behind conceived; Pink Floyd gave rock trippier, more progressive tendencies with their seminal album, Dark Side of the Moon. Another major move in alternative music happened in the 70s as punk artists, such as The Clash and The Sex Pistols extrapolated rock elements and fused them into their punk sound.

The 80s was the era for sleaze rock, indie rock and college rock bands, while the 90s delivered the grunge movement with Nirvana, Hole, Soundgarden and Pearl Jam chomping at the aggressive discordant bit. Mainstream rock artists from across the globe became part and parcel of the music industry at the start of the 90s, but with the death of Kurt Cobain, the popularity of alternative music took a nosedive – despite the best efforts of Limp Bizkit, Staind, Puddle of Mudd and The Red Hot Chilli Peppers.

In any definitive guide of the best rock bands of all time, the rock artists that made their debut in the 21st-century are few and far between. But regardless of how much you want to pull the plug on the life support of rock, it isn’t quite dead – yet. For irrefutable proof, you only need to consider Black Midi, Yungblud, Greta Van Fleet, Highly Suspect, The Snuts, and Dirty Honey, who are all bringing in the new wave of classic rock – in their own way.

Contemporary rock may not sound like it used to, but that is one way in which rock has remained consistent over the past eight decades – it never has sounded like it used to. Each new generation of artists has found room for expressive and experimental manoeuvre.

Tuto Tribe – Magnetize: A Samba Reggae Pop Symphony of Serotonin

Southampton’s Tuto Tribe, a five-piece, multi-national samba rock band, has crafted a stunning symphony of serotonin with their latest single, ‘Magnetize’. The samba reggae-pop song, the band’s first foray into English lyricism music, is a masterclass in blending world music with pop sensibilities.

The band, born in 2022 and led by the effervescent Brazilian, Tuto, draws from a diverse palette of influences, including Jorge Ben, The Doors, and Manu Chao. Their sound is a modern, bright Brazilian-inspired concoction, with catchy hooks and rhythms influenced by samba, rock, Jamaican music, and jazz.

The reggae rhythms in ‘Magnetize’ wrap around the pop hooks seamlessly, while the vocals, sincere and soulful, spill love and light by the smorgasbord. The single showcases Tuto Tribe’s infectiously sunny disposition, burning as bright as a supernova, refreshing your lust for life and highlighting the beauty within sexual connections. With ‘Magnetize’ as a playlist staple, slipping into a feel-good groove becomes effortless.

Every instrumental element in the arrangement breeds an atmosphere of organic euphoria. The horn stabs, intricately eclectic guitars, and jazzy percussive fills create the perfect platform for the impassioned soul in the vocals to breathe through.

Lyrically, ‘Magnetize’ is a lesson in musical purity, as pure as the act of making love itself. It’s a testament to the band’s ability to create a sound that is both unique and universally appealing; it is a holiday you never realised you were going on.

Magnetize was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Ipecac took an egalitarian approach to affection with their queer rock anthem, Everyone Deserves Love

Ipecac’s latest single, “Everyone Deserves Love,” is a potent blend of vintage 70s rock warmth and modern, hook-driven intensity, reminiscent of The Hives’ recent work. Formed in 2017, the band comprises four best friends: Isabella Osborne (vocals), Kanyon Dickerson (drums), Tayte Eubanks (bass), and Ariadnee “Rodnee” Ziady (guitar). Their synergy is palpable, crafting a sound that’s both a nod to British metal’s golden era and a reflection of contemporary rock’s emotional depth.

This track is a bold statement against the rising tide of homophobia and queerphobia. In a world increasingly divided, “Everyone Deserves Love” emerges as a queer rock anthem, a protest song that resonates with the urgency of our times. The lyrics are a clever, poignant exploration of the struggle for a prejudice-free existence, striking a chord that even the most hardened sceptics with faces redder than their MAGA hats might find hard to dismiss.

The song’s structure is a masterclass in dynamic contrast. After a riotous journey through face-melting riffs and a throbbing rhythm section, the track halts for an acapella oration – a powerful, unadorned plea for acceptance and love. This moment of vulnerability only amplifies the impact when Ipecac dives back into the fray with even more ferocity.

In essence, “Everyone Deserves Love” is a rallying cry for unity and understanding, wrapped in a package of exhilarating rock music. Ipecac has not only captured the spirit of their 70s and 80s influences but has also channelled their introspective lyricism into a message that is both timely and timeless.

Everyone Deserves Love is now available to stream on Spotify.

Review by Amelia Vandergast

Jenna Louise started a riot of affectionate fervour in her pop-rock hit, You’re Still the One

Harmonising in the middle ground between Kelly Clarkson, Avril Lavigne and Paramore, Jenna Louise’s latest fire-branded pop-punk anthem, You’re Still the One, is a riot of affectionate fervour, which proves that few people love harder or are as uninhibited with their candour as the UK-based singer-songwriter.

Released ahead of her debut LP, My Journey, which had been five years in the making before its launch on March 4th, You’re Still the One is the perfect introduction to Jenna Louise’s hook-rife sonic signature that will be scribing through your mind for long after the high-octane hit has faded to a close following the augmented magnetic energy that she keeps a tight rhythmic leash on throughout the production.

The Springsteen-esque riffs that frequently decorate the track with rock-licked euphoria tie the earworm together and bring even more power to the release which reveres romantic connections that prove even after you’ve weathered storms and hit the rocks, passion doesn’t need to falter.

You’re Still the One is now available to stream on Spotify.

Review by Amelia Vandergast

Psychosomatik amplified a high-octane alt-rock revelation with their latest release, Slow Motion

Slow Motion by Psychosomatik

Psychosomatik’s latest single, ‘Slow Motion‘, erupts from the speakers with a ferocity that belies its title. This Miami-based rock duo, Edison and Noah, have distilled their diverse universe of influences into a potent mix of alt-rock, psych-rock, and progressive elements, culminating in a track that’s both a nod to rock’s rich history and a bold step into its future.

From the first chord, ‘Slow Motion’ ignites a sense of nostalgia, reminiscent of Led Zeppelin’s rhythmic allure and the Black Keys’ mastery of reinvented rock. Yet, Psychosomatik’s sound is unmistakably their own. The track is a masterclass in controlled chaos, weaving the slick, seductive elements of Velvet Revolver with a grungy, prog edge.

‘Slow Motion’ is a journey through the duo’s “personal hell”, a character study born from a dark, troubled winter. The track’s power lies in its raw, unfiltered emotion; the unholy release will leave you praying at the altar of the ingenuity of the duo. With every groove, you’re inseparably combined from the momentum as it ebbs and flows, pummelling you down into the grungy depths before bringing you up with the soaring riffs and vocal lines.

Slow Motion dropped on March 13; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast

Herman Martinez – Introvertebrae: A New Prog Rock Prism

Immortal Jellyfish by Herman Martinez

Herman Martinez poured the psychedelic soul of the 70s through his new prog rock prism, Introvertebrae, while tuning into melancholy in the same hauntingly evocative vein as Porcupine Tree.

The endearingly humble New Jersey-based multi-instrumentalist may not be able to brag about his talent which allows his tracks to transcend auditory experiences and unravel as emotionally chameleonic shots to the heart, but we have no reservations about revering his sonic journeys of self-discovery that cocoon his fans in musical chrysalises.

Martinez’s voice, echoing the emotional gravity of Chris Cornell and the octave-spanning prowess of Thom Yorke, serves as the navigator through this orchestrally immense soundscape, which uplifts in one breath and aches in the next as experimental indie meets prog rock. Naturally, the brilliance of Introvertebrae lies in its duality. It’s a nod to the prog rock deities – King Crimson, Rush, Emerson, Lake & Palmer – yet it speaks a language that resonates with the contemporary soul. The piano, heavy with emotion, could easily find a place in Father John Misty’s repertoire, while the 70s melodic undertones offer a comforting embrace to the classic rock enthusiast.

Martinez’s skill with the guitar is not just about showcasing an intuitive understanding of the fretboard. Each riff and melody are a chapter in this immersive rich musical novel. With so many elements, styles and layers, under a less deft hand, it would be easy to feel lost in the labyrinth of Introvertebrae, but by lyrically expositing our most intimate fears, Martinez allows the listener to feel seen and found.

Stream and download the latest single from Herman Martinez via Bandcamp.

Review by Amelia Vandergast

The Arcane Insignia opened an unholy doorway with their synthesis of classical instrumentation and prog rock volution, Vagrant’s Throne

The Arcane Insignia’s moniker couldn’t be more fitting following the unveiling of their latest orchestrally aligned acoustic prog rock single, Vagrant’s Throne. The New York City duo set a new benchmark in the genre with this 8-minute epic, released as part of their LP, A Violent Whisper.

The dark iteration of classical music still maintains its elegance and opulence as it grapples with the complex signatures of progressive rock’s audacious spirit and the chameleonic vocals which seamlessly shift from the histrionics of New Model Army to the rage and rancour which transcends the furore of Pantera.

Formed by Lodrö Nyima, The Arcane Insignia consists of Noah Heau on cello and Nyima handling vocals, percussion, acoustic guitar, and piano. Their music, a unique amalgamation of influences ranging from Tool and Steven Wilson to The Contortionist, allows the classical instrumentation to venture into darker territories than it is typically accustomed to, creating a scintillating new domain where the ornate, cutting classical strings meet cathartic aural oblivion. This fusion also opens an unholy doorway to a realm where anything is plausible and everything is cinematically striking.

Following in the footsteps of bands like Ne Obliviscaris, Vagrant’s Throne, which unravels as a compelling exposition on classism, proves The Arcane Insignia’s commitment to breaking down antiquated barriers.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Backwoods Creek delivered the ultimate Southern soul-rock anthem ‘Alright’

Sensing cynicism in the universal waters, Backwoods Creek prescribed a potent dose of optimism with their latest single, ‘Alright’. The refreshing take on bluesy soul-swathed Southern rock played fast and loose with the genre constraints while keeping the instrumental arrangement tight enough to unravel as every rock-inclined muso’s wet dream.

Part lyrical mantra, part musical Tour De Force, the UK-based quintet exhibited ‘Alright’ as a masterclass in balancing raw, overdriven guitars and whiskey-soaked vocals with an undercurrent of hope and redemption. It’s a track that carries the dynamic energy of power pop while remaining true to its bluesy rock and roll roots.

The virtuosic cohesion of the instrumentals showcases their skill and chemistry, honed through years of friendship and collaboration, and you don’t have to buy tickets to their live shows (even though you really should) to witness their infectious energy performance energy; the band’s electrifying aura is perfectly captured in this track.

No one can deny that while life is on a downward trajectory hearing everything will be alright prises ennui out of your perception. This life-affirming hit goes beyond reassurance –  it’s transformative.

Alright will hit the airwaves on March 15; check out the release via the official Backwoods Creek website.

Review by Amelia Vandergast

The Elegant Chasers explored the trappings and torment of addiction with their maniacal alt-rock hit, The Hungry Ghost

The Elegant Chasers

You’d be forgiven for thinking that Mike Patton had formed a new side project after being exposed to the vocal dynamism and tightly controlled instrumental chaos in the latest single, The Hungry Ghost, from the London-based alt-rock originators, The Elegant Chasers.

The franticly alchemic production which echoes 90s Britpop and grunge entices you in through the urgency as the James Dean Bradfield-esque guitars shimmer and act as an anchor in the tumultuous storm brewed by the rhythm section. The lack of restraint is a conceptual sonic visualisation of the nefariousness of addiction, which the volatile lyrics explore influenced by the work of Gabor Mate.

There was no forgetting The Elegant Chasers after getting acquainted through their previous release, Running Around the Sun, but The Hungry Ghost is a million maniacal miles away from the mash-up of indie, Britpop and Psych Rock. It’s safe to say The Elegant Chasers can stop running because they’ve arrived at exactly where they need to be with The Hungry Ghost.

The Hungry Ghost will be officially released on March 15; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast

The country rock rapture arrived through The Whiskey State’s latest single, Where I Need to Be

In the valleys of Hampshire, The Whiskey State, comprising Tom Stride and Jordan Tate, has distilled a sound that resonates with the soul of country and the riotous heart of rock. Their latest single, “Where I Need to Be,” is a testament to their journey from college companions to creators of exhilaratingly sticky-sweet euphoria.

Imagine extracting the quintessence of The Manic Street Preachers, Bruce Springsteen, and Sam Fender, then blending it into a musical elixir. The result? A flavour profile as affecting as “Where I Need to Be,” a song that pays homage to the sanctity of country surrounds. It’s a track that stirs the soul so profoundly, that you might find yourself questioning if any roots-reverent rock track has ever touched it quite like this before.

The song encapsulates tender homecoming yearning through the guitar chords that wrap you in nirvana and endlessly ensnaring vocal hooks which make it impossible not to want to make The Whiskey State your sonic poison of choice. The songwriting prowess of the duo is as evident as their ability to catapult listeners into the soulful aura of their music.

Few things feel better than returning to whatever constitutes home, but this track comes a close second. With their debut EP “Welcome to…”, The Whiskey State not only showcases their distinctive blend of country and rock influences but also cements their place as one of the most captivating country-influenced rock duos in the Uk and beyond..

Stream the official music video for Where I Need to Be via YouTube.

Review by Amelia Vandergast

Kneel at the altar of indie rock gospel with True North’s latest release, Love is in Command

Following a leftfield electronica-esque prelude that’s tinged with 90s rave culture, True North’s latest single, Love is in Command reaches its euphorically riotous alt-rock epicentre before grooving into a swathed with soul anthem.

With each new progression comes a lesson in seamlessly transitional experimentalism. The only constant between the switches in style, passion and tone is the infectious energy which pulls you deeper into the uninhibited zeal of the release crafted by the UK-based coven of independent songwriters.

With the shimmering organs and soul-wrapped backing harmonies around the Happy Mondays-reminiscent rhythms, Love is in Command is gospel for any indie kids who never need an excuse to kneel at the altar of 90s nostalgia.

True North, led by Reg Kielty, perceptibly succeeded in their mission of creating an eclectic brimming-with-commercial-potential hit which delivers authentic, honest, and no-frills songwriting. We couldn’t be more obsessed with the aura of this earworm if we tried.

Love is in Command was officially released on March 4th; stream the single on Spotify.

Review by Amelia Vandergast