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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Perenna King Fires Shots at the Elite with ‘Billionaire’

Perenna King isn’t here to play nice with the 1%. Billionaire is a slick, sultry rejection of the pop mould, drenched in bass-heavy afrobeat rhythms that instantly set the NYC singer-songwriter apart. With rap verses that cut through with razor-sharp conviction, she delivers a scathing critique of the ultra-wealthy, making it impossible not to get caught up in the hype of this protest anthem.

In a world where Elon Musk is unavoidable and the rich-poor divide stretches further by the day, King amplifies the frustrations of those grinding to get by, only to realise the system was rigged against them from the start. The track doesn’t just highlight the disparity—it vindicates the ones left fighting for scraps while the billionaires hoard power, influence, and entire economies.

Raised on a fusion of classic rock and literature, King has always had a flair for injecting her music with theatrical drama, but Billionaire isn’t just spectacle—it’s a battle cry. Her latest tour de force breathes fresh air into a genre often too cautious to take a stand. The message is as biting as the beat is infectious, proving that resistance isn’t futile.

Billionaire is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

L33A.P Drops a Sugar-Rush of Club Nostalgia with D10R2004

L33A.P knows exactly how to tap into nostalgia without letting it weigh down the present. D10R2004 is a shot of Y2K club euphoria, drenched in bouncy house beats, 80s synth stabs, and 8-bit melodies that feel like a lost ringtone from a Motorola Razr in the best possible way. It’s twee, it’s polyphonic, and it’s a feel-good anthem that refuses to apologise for revelling in the hyper-feminine aesthetics that pop culture loves to dismiss.

The London-based, NY-born producer, DJ, and multi-instrumentalist wears her influences on her sleeve, fusing the pulse of UK dance music with the playfulness of early 00s Eurodance. The autotuned vocals glide through the mix with an artful duress, bending and warping like an overworked CD skipping in a neon-lit club basement. There’s no self-conscious posturing here—just an artist celebrating what she loves with unapologetic confidence.

That refusal to conform isn’t limited to D10R2004. L33A.P has been busy remixing Everything is Romantic by Charli XCX with jungle-fuelled chaos and putting her own stamp on the Twin Peaks theme with a pumpin’ organ house spin. She isn’t chasing trends; she’s building soundscapes where retro-futurism collides with personal expression, and D10R2004 is the perfect entry point. It’s music for the dancefloor, the dressing room, the night bus home—wherever you need a dose of unfiltered fun.

Stream D10R2004 on SoundCloud now.

Review by Amelia Vandergast

CALEBAKACNOTE Raises the Stakes on Hyper Pop with ‘Forever’

CALEBAKACNOTE isn’t interested in half-measures, and his latest single, Forever, makes that abundantly clear. With a hyper pop structure that spirals skyward, guided by faith, hope, and sheer force of will, the single transforms a bitter-sweet trap pop heartbeat into a track you can effortlessly get into sync with.

The future-forward production melds effortlessly with the pitch-perfect harmonies, creating an electronic pulse that refuses to settle into the background. There’s no divide between the melody and the emotion—it’s all stitched together in a way that makes Forever one of the most affecting pop hits of 2025. The track doesn’t waste time on empty sentimentality; instead, it builds on realism, offering a resonantly grounded take on 21st century relationship dynamics.

CALEBAKACNOTE’s instinctive approach to pop draws from a genre-fluid background, his sound fuses pop, R&B, gospel, and alternative influences into a unique sonic signature you will want scribed through your playlists. His refusal to be confined extends beyond the music—his presence in the creative world spans songwriting, production, and visual storytelling, ensuring that his artistry is as immersive as it is immediate.

It’s rare to find a hyper pop track that lingers without gimmicks, but Forever is an earworm with substance, engineered for longevity. Whether it pulls you in for the euphoric rush or the lyrical weight, one thing’s certain—it won’t let go.

Stream Forever on Spotify now.

Review by Amelia Vandergast

Nissu Illuminates the Power of Reminiscence with ‘Memories’

The classic emotional wreckage of a pop ballad gets a sleek, modernist refit in Nissu’s single Memories, the title track of his debut EP. With tendrils of progressive house pop coiling around its core, the Dublin-based Brazilian artist doesn’t just aim for impact—he ensures every beat, every note, every carefully curated swell of emotion lands with undeniable sincerity.

There’s a rawness to Memories that refuses to be polished out by its glossy production. Nissu doesn’t sugar-coat the inevitable lows of life, but instead acknowledges them as a necessary passage to the kind of euphoric highs that make it all worth enduring. With an intimately consoling vocal delivery, he takes the fleeting nature of existence and spins it into something meaningful—because, in the end, it’s the moments we collect that define us.

With Trey Vittetoe (Miley Cyrus, Katy Perry, Selena Gomez) at the production helm, Memories finds itself in expert hands, bridging contemporary and nostalgic pop influences with seamless ease. The track sits among an EP packed with deeply personal reflections, including Connection, a pandemic-era tribute to resilience featuring a music video that celebrates LGBTQ+ unity, and Yourself, an empowerment-driven collaboration with UK rapper Paigey Cakey.

Memories is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Ethan Waters Paints a Love Story for the Ages with Euphoric Precision in ‘For You’

Ethan Waters may be fresh on the scene, but he’s already proving he’s got the instincts to leave an impression that lasts longer than the sugar rush of his latest single, For You. Locking into the contemporary progressive dance-pop trend, Waters follows in the footsteps of Avicii—at his own tempo, with his own authenticated spin on sun-bleached euphoria.

The tension-easing love song hits all the right sticky-sweet notes, painting a picture of the kind of romance we’d all die to live for. It’s almost cruel how convincing he makes it sound, but with production as polished as this, it’s easy to forgive him. The transcendence in For You isn’t just in the rose-tinted lyricism; it’s in the soaring synths, the cascading melodies, and the way the track sweeps you up in its hazy hues of diehard affection. If For You had any more sheen, it’d risk slipping straight off the airwaves, but as it stands, it’s locked, loaded, and ready to soundtrack every infatuation-fuelled daydream.

With a chart-topping release already under his belt and a history of selling out solo headline shows before most artists even get their foot in the door, Waters clearly isn’t here to fade into the noise.

For You is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Holly Wilks’ ‘Me (and all the versions I’ve never been)’ Holds a Mirror to the Inescapable

Never one to scratch at the surface of superficiality with her lyricism, Holly Wilks is building a legacy by piecing together the fragments of the human experience, allowing her fans to see the bigger picture. Her latest single, Me (and all the versions I’ve never been), may be ethereal, but its weightlessness doesn’t detract from its impact. The melancholy within the lyrics cascades through the dreamy ambient hues, nodding to contemporary pop trends before drifting beyond the mould.

With razor-sharp confessions that affirm just how much painful introspection was poured into the release, Wilks is guaranteed to ease coming-of-age pains. Any fans of Mitski and Lucy Dacus will instantly feel at home within the bitter-sweet vignette, which explores how our deepest longings aren’t for material possession, idealised romantic dynamics, or status—it’s being the best version of ourselves, with no idea how to get there.

“I’m smaller than I’m meant to be” is a lyric that will haunt me for the rest of time. Amid widescreen indie melodies and smoky, ageless vocals, raw obsessive thoughts oscillate through the release which occupies instrumental spaces other songwriters wouldn’t dare to fill. If you’re tired of songs that skim the surface, Wilks is waiting with a track that cuts deep.

Me is available to stream on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Wil Hinkson’s ‘Mystic Cries’ Holds the Stillness of the Cosmos

Wil Hinkson’s latest single, Mystic Cries (The Mystic Cries) isn’t in any rush to prove itself. Instead, it lets the weight of its tranquillity settle, making space for listeners to breathe in its celestial echoes. With classic pop foundations softened by jazz’s fluidity, the soundscape never forces transcendence—it simply allows it. The layers move like shifting constellations, effortless yet intentional, with no trace of ego shaping the composition.

Hinkson, the sole architect of the piece—writing, performing, and producing—delivers something that feels both unshaken and boundless. His vocals don’t overreach; they resonate with the kind of ease that makes every note feel inevitable. The track’s poetry leans towards perception-shifting rather than indulgent introspection, guiding rather than dictating. Fans of Peter Gabriel’s contemplative atmospheres will find comfort in its restraint.

In a world that demands constant movement, Mystic Cries offers stillness without emptiness. It’s a rare thing—a song that doesn’t just accompany reflection but facilitates it, giving the listener permission to detach from the grind and let their soul feel whole.

Mystic Cries is now available to stream on all major platforms, including Spotify.

To discover more about Wil Hinkson, visit his official website.

Review by Amelia Vandergast

Maria Heivang’s ‘When I Had You’ Hits Like a Wave of Regret

Like a breath of introspectively fresh air, Maria Heivang’s debut single, When I Had You, locks you into its intimacy from the outset, sharing the singer-songwriter’s smoking pains as she paints a vignette of loneliness and regret. This is far more than a standard exhibition of heartbreak—waves of reverberation ripple from the post-production to mimic the blindsiding nature of loss, amplifying the ache in every line. Even with the vocal treatment pulling her voice in line with the electro-pop instrumentals, the emotive sting in her delivery refuses to be dulled.

Born and raised in the Winter Olympic town of Lillehammer, Heivang has recently relocated to Manchester to take her career to the zenith it deserves. With her debut single, which hit the airwaves on the 27th of February, she created plenty of anticipation for her forthcoming EP, ARGH in love, which will unfold throughout the year. She describes the track as a reflection on not appreciating something good until it’s gone, a sentiment delivered with Nordic charm and alt-pop bite.

Her music carries the juxtaposition of emotional restraint and vulnerability, channelled through icy electronic textures and raw lyricism; if you’re unwilling to compromise between style and substance on your alt-pop playlists, When I Had You is a necessary addition.

Stream the single on YouTube now. 

Review by Amelia Vandergast

Tyler Rifley Oxygenated New Life into Country Pop with ‘Breathe’

Since the first notes of Breathe found oxygen on the airwaves, Tyler Rifley’s country pop rock anthem has been picking up momentum, and for good reason. With twang in all the right places and anthemics in all the rest, the hook-packed hit doesn’t just set the tone for summer—it serenades it into existence.

Written as an ode to his child and a reflection on how parenthood flips the world on its axis, Breathe radiates the kind of unfiltered, feel-good sincerity that most country artists spend their whole careers chasing. The uplifting message transcends into euphoria, with sun-bleached melodies guiding the way. Even the soaring electric guitar solo feels like an extension of that boundless, infectiously sweet energy.

Anchorage-based and self-produced, Rifley is the engineer of his own sound. As the co-owner of Midnight Sound Studio, he’s created a space where raw emotion meets refined musicianship. His path hasn’t been easy, shaped by years in foster care and the system that followed him into adulthood, but his music doesn’t dwell in the past—it pushes forward, powered by resilience and a newfound sense of purpose.

With Breathe, Rifley reaches the epitome of wholesome country pop panache, discover it yourself on YouTube.

Review by Amelia Vandergast

Leah Nawy’s ‘ordinary’ Turns Vulnerability into a Cinematic Spectacle

With all the intimacy of an impromptu demo recorded in a moment of creative ignition, ‘ordinary’ by Leah Nawy is anything but. The indie folk-pop progression is cinematically ornate, building crescendos that ooze the golden age of Hollywood while the duality running through the track keeps its emotional weight balanced on a knife edge.

With a vocal range that floats between seraphic and soul-stirring, she lets the narrative unfold syllable by syllable, pulling listeners deeper into an introspective world full of bitter-sweet, close-to-the-bone confessions. Within the abstract poetry of ‘ordinary’, tendrils of insecurity, uncertainty, desire, and regret intertwine, painting a panoramic view of what it means to be human in an era where meaning is something we have to define for ourselves.

A songwriter, producer, and multi-instrumentalist with deep roots in rock and classical music, Nawy’s ability to craft arrangements that feel instinctively right is second nature. From her time playing Jersey Shore venues to earning her Master’s at Berklee NYC, her refined ear and raw experience shine through in every note.

‘ordinary’ is the kind of song you hear once, feel your existence affirmed by, and refuse to let go of.

The single is now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast