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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Noah Nordman Constructed an Indie Pop Rock ‘Paradise’ with His Latest Raw Revelation of a Release

Noah Nordman perceptibly shares melodic DNA with Sam Fender, but within his sound lies far more than sonic assimilation; he delivers stridence twined seamlessly with indie sensibility. His latest single, ‘Paradise’, is cultivatedly twee, presenting Nordman as an artist who wears both his heart and his digressions openly on his guitar strings and soaring vocal lines.

As the rhythm section steadily feeds the track’s pulse, all peaks and valleys emerge courtesy of Nordman’s elastic vocal range, contracting and extending to flood the track with endless nuance. This melodic confession bursts with blistering emotion, subverting the stereotypical tranquillity of summery indie-pop-rock into an intimate canvas that vibrantly colours Nordman’s vulnerability and candour.

Based in Indianapolis, Nordman made his initial impact through the 2022 release of his debut, two-part album, SHIPWRECKED!. Following live performances across breweries and distilleries, he transformed his ambition into reality by diving headfirst into home production. With ‘Paradise’—the first of multiple planned 2025 releases—his powerful, clean vocals align effortlessly with impactful lyricism that blends indie-pop immediacy with singer-songwriter introspection.

Nordman’s music invites listeners into a world where emotional sincerity bursts free from indie-pop convention. ‘Paradise’ confidently positions him as an artist unafraid to colour outside the lines, providing listeners with a melodic outpouring as authentic as it is unforgettable.

‘Paradise’ is now available to stream on all major platforms, including Soundcloud.

Review by Amelia Vandergast

Vanna Pacella Haunts with Her Soul-Steeped Indie Pop Single, ‘Wolf’

With Wolf, Vanna Pacella doesn’t just revisit the time-old tale of naivety and misplaced trust—she reconstructs it through the raw magnetism of her voice and the expressive precision of her songwriting. At 18, the Cape Cod-based singer-songwriter, pianist, and self-taught producer proves that age has no bearing on the depth of emotional insight. Wolf is a soul-stirring excavation of entrapment, emotional dependency, and the slow corrosion of identity in toxic connections that confuse devotion for destruction.

Written and produced by Pacella and her Power Trio bandmates, Tom Davis and Nick Simpson, Wolf holds its weight in every detail. The swanky piano keys drop a moody noir atmosphere over the track, while Tom’s guitar injects bold, bluesy punctuation into the heartbreak. Meanwhile, Nick’s percussive pulse carries the emotional tide with stoic force. Pacella’s voice, equal parts timeless chanteuse and conduit of contemporary soul, weaves between jazz-tinted verses and gut-wrenching admissions, wielded like the most expressive instrument known to man.

The hook, penned on Halloween and later brought to life through obsessive refinement, carves out space for layered interpretations. Lines like “I built you into home” and “I can feel the bleed of time” reflect how easily love becomes confinement, while “Oh, but I am growing cold” closes the curtain with numb finality. The song’s melodic depth is only rivalled by its lyrical scope—Wolf exists as a sobering reminder of how easily we lose ourselves while chasing comfort in chaos.

Wolf is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

The Emotional Guillotine Falls with Hyper-Trap Pop Precision in Yung Blasian’s ‘I’m Sorry’

With every scathing line and serrated hook riff in I’m Sorry, Yung Blasian proves that vulnerability in hyper-trap pop doesn’t have to come wrapped in polished platitudes. Instead, it hits like a sledgehammer wielded by someone with nothing left to lose. The Philadelphia-based artist, who has been quietly sharpening his sonic edge on SoundCloud since 2017, goes in for the emotional kill in his breakthrough hit, which carves through the noise with Latin-laced guitars, delay-drenched choral hooks, and a beat that knows no mercy once it drops.

There’s no pretence in his lyrical candour—just a supercharged vignette of coming-of-age heartbreak told from the raw end of rejection. The Haitian-Japanese vocalist and producer doesn’t just wear his heart on his sleeve; he shreds it open to expose how quickly self-esteem can be reduced to rubble when left picking through the wreckage of fading affection. The emo-adjacent anguish isn’t self-indulgent. It’s methodical. Calculated. Intentional. Yung Blasian doesn’t give you space to pity him—he drags you into the chaos of every self-effacing lyric and leaves you reeling in the aftermath.

Yet somehow, through the storm of scorn and dejection, he keeps the energy high. It’s a whiplash-inducing contrast that’s fast becoming his signature. With his ahead-of-the-curve production style, sincerity at the core of every expression, and an authentic voice that cuts through the noise, he’s not just riding the hyperpop wave—he’s building the playground it thrives in.

I’m Sorry is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Hayden Royal explores the pain of knowing no decision is a remedy in his Indietronic RnB release, ‘Side by Side’

Hit play on Hayden Royal’s latest single, ‘Side by Side’, and brace yourself as emotion makes a full-on collision. Like every accomplished songwriter, Royal understands that affecting expression requires moving beyond thinking in black and white; here, he skilfully navigates the grey areas of duality. The lyrical protagonist faces a familiar yet brutal paradox—the pain of leaving someone can often match the agony of staying. Decisions become unbearable when love persists despite toxic dynamics, creating a tension that Royal vividly portrays.

Instrumentally, ‘Side by Side’ is an authentic amalgamation of indietronica, pop, and RnB—delivering something you genuinely haven’t encountered elsewhere. It’s a raw yet harmoniously layered exploration of indecision and grief, anchored by moody melodies, introspective lyricism, and soul-infused harmonies. Royal boldly traverses the chaotic push and pull between vulnerability and bravado, embodying a voice which will resonate with anyone caught between resilience and emotional collapse.

With darkly atmospheric production underscoring introspective verses and haunting hooks, Royal channels both tenderness and emotional exhaustion. There’s no bitterness here—just an honest reflection from a narrator clinging desperately to fleeting moments of warmth, knowing they’re scarcely enough to hold onto. With fearless candour, ‘Side by Side’ captures the universal struggle of letting go when holding on feels equally destructive.

‘Side by Side’ is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

OCEANS OF TEARS Delivered a Neon-Lit Lifeline with ‘LOSING MY WILL TO LIVE’

After starting with the iconic ‘snap out of it’ line by Cher in Moonstruck, which proves OCEANS OF TEARS has their finger on the pulse of the cultural zeitgeist, ‘LOSING MY WILL TO LIVE’ slides into a high-energy synthesis of 80s-spiked pop rock which serves an infectious chorus as the main sonic dish in this existential utopia.

With synth lines streaming neon lights into the production in place of a cliché rock riff, the track remains a seamless ride through synth-pop nostalgia while OCEANS OF TEARS maintains a firm grip on what brings distinctive panache to his sound.

Drawn from Steve W. Boily’s rock musical, Bullet in a Gun, ‘LOSING MY WILL TO LIVE’ confronts despair at its most unfiltered, capturing the raw agony of losing everything—love, work, pride. In a global climate weighed down by economic uncertainty, looming tariffs, and widespread job insecurity, the soul-stirring lyrics feel heartbreakingly real and strike harder than ever. Ian Hardwick’s guest vocals amplify the emotional intensity, channelling betrayal, failure, and isolation into a powerful anthem of desperation.

This is pop-rock sharpened to a neon-lit edge; honest, relentless, and emotionally charged.

‘LOSING MY WILL TO LIVE’ is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Francesca Pichierri’s ‘Amen’ Strikes Alt-Pop Gold with a Groove-Soaked Rebuke

Francesca Pichierri never lets sentimentality get in the way of precision. With ‘Amen’, her fifth single and a pivotal chapter in her concept album Cellule Stronze, she lays a satirical yet razor-sharp lens on cancer ghosting—the social retreat of those who disappear when illness walks into the room. Rather than wallowing in the emotional wreckage, she chooses to let irony march straight to the dancefloor.

Musically, Amen firmly implants alt into pop. Retro-futurist synth lines and swathes of synthesised bass bring the funk, summoning a sound reminiscent of Depeche Mode warped through the lens of South American disco and gospel. But it’s Pichierri’s performance that overrides the energy of the release. Her vocal lines carry a seraphic sanctity, acting as a vocal exorcism of all the shallow well-wishers and their hollow “thoughts and prayers”.

You plug into Amen—not the other way around. It strips you of autonomy with its animatronic pull, transposing darkness into an earworm of euphoria. The lyrical sting doesn’t get lost in the groove. Instead, it’s accentuated by it. Her vocal delivery pivots from soulful sincerity to smirking irony with a deftness that makes every line land harder. It’s funk with bite. Gospel with gall. Dance music with a grudge.

With Amen, Pichierri soundtracks the uncomfortable silence left by those who recoil from pain—and she sets it to a beat they can’t ignore.

Amen is now available to stream on all major platforms, including SoundCloud and Spotify.

Review by Amelia Vandergast.

Paul Robert’s ‘Release’ Proves Catharsis Hits Harder With Cross-Genre Firepower

With Release, Paul Robert proves that artistic distinction lies within taking influences from genres instead of merely assimilating certain figures within the niche. With a cascade of synths serving as a polyphonic prelude that reminisces with a John Carpenter score before he allows you to imagine a matured offshoot of Bloodhound Gang, Paul Robert becomes the master of inter-genre alchemy.

With a sense of mindfulness reverberating through the enlightened, locked and loaded with lyrical gold track, it’s impossible not to feel the catharsis and the hype simultaneously being injected by the electronica, hip-hop and pop crossover.

After pivoting from a sales career in early 2024 and launching his debut 110—a nod to the steep learning curve and the commitment it demanded—Paul has shown no signs of easing up. When copyright disputes blocked his mixtapeLying from release, he didn’t retreat; he recalibrated. Relocating to Los Angeles, he restarted with new collaborators and fresh resolve. Release arrives as part of his new project Love Different, rolling out one unapologetic track at a time.

Paul’s optimism doesn’t come from naive cheer—it’s forged through friction, stitched through each verse touching on belief, action, love, and digital dysfunction. The track is a pressure valve and an invitation—both release and ignition.

Release by Paul Robert is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

IAMCORNELIUS – Life: A Sonic Altitude Check at 35,000 Feet

IAMCORNELIUS

Life by IAMCORNELIUS escapes easy articulation and categorisation. Even if you think along the lines of electro-infused soft melodic rock-tinged folk pop with Avant Garde motifs of soul, you’ll still struggle to run in parallel with the single, which is driven by emotion instead of restrictive genre parameters.

IAMCORNELIUS doesn’t need to make a statement with his moniker when he does it so viscerally through his sound. With his consolingly gruff timbre lifting in the light of the chorus, his intricate acoustic guitar notes bleeding intimacy into the single, and the artful electronic sequences shaping its filmic soul, Life nestles you in its expansive interstellar embrace. If you’re ever caught up wondering about the meaning of life, this track doesn’t offer answers—it reflects the weight of the question in exquisite, untethered form.

Originally from Kenya and now based in Cincinnati, IAMCORNELIUS has spent a life between continents, filtering experience through a diverse musical history. He’s not confined by genre or form—his work is rooted in honesty, written for those tired of looking in the mirror and ready to search their soul.

There are no clean comparisons here. The only adequate metaphor is watching the clouds disappear from the window of a plane as you realise, with both clarity and quiet panic, just how infinite it all really is.

Life by IAMCORNELIUS is available to stream on all major platforms.

Review by Amelia Vandergast

Dana’s ‘More Than Enough’ is RnB Gospel for the Self

Dana is forging his own path to the top of the charts with ‘More Than Enough’, a track that channels RnB, pop, and soul into an intimate yet universally resonant anthem. As he advocates for knowing that the only thing you’ll ever really need to change is how much you value yourself, the production finds space for his growing audience to amplify their sense of self. So often, RnB leans into external validation, but Dana hones in on where affection truly matters—within.

Born in Huntsville, Alabama, and now calling North Carolina home, Dana White has come a long way from the self-doubt that once kept his voice in the background. His reinvention as an artist wasn’t just about sound—it was about shedding insecurities, embracing his own style, and pushing forward with a genre he calls Seren&B, a fusion of atmospheric serenity and RnB’s soul-bearing aura

With layered harmonies building into seraphic choral textures towards the outro, ‘More Than Enough’ is gospel for anyone who needs to find their way back to themselves. The rich vocal layering feels like a sonic embrace, wrapping around the empowering lyricism that doesn’t just suggest self-worth—it demands it. Dana’s trajectory is one of resilience; in ‘More Than Enough’, he makes it clear that he’s bringing listeners along for the ride.

‘More Than Enough’ is available now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Xy Gala Wires Electricity into the Mundanity of Existence in ‘Lifeless Life’

‘Lifeless Life’ opens a pop-hooked Pandora’s box of a paradox, reflecting on how life often inhibits feeling alive, especially as we become numb to atrocities and the monotonies of daily existence. Between the diaphanous candour pouring from Xy Gala’s confessions and the beat that brings a pulse of resistance to the mediocrity of reality, it’s impossible not to lock into the track and feel that he has a gift for unifying those who aren’t content to go through the motions, who struggle to find meaning and pleasure within their autonomy.

It’s a haunting track, sure to vindicate anyone who knows how emotionally paralysing it is to keep your head above water. The electro-rock riff blazes through the mix before the hauntingly pensive, cinematically raw outro, affirming that Xy Gala never pours half measures into his alchemic cocktail of pop, rock, electronica, and trap. The soaring chorus and the Santana-esque guitar solo inject an unforgettable energy into the track, fusing genres into a sound that fans of Post Malone, Falling in Reverse, and The Kid LAROI will appreciate.

The London-based luminary, Xy Gala, has never sounded more authentic or essential. ‘Lifeless Life’ is out on 21st March 2025. Hear it on Soundcloud.

Review by Amelia Vandergast