Browsing Category

California

It’s all bells and no whistles in Roman Gastelum’s ingenuitive hip-hop track, Pavlov’s Dogs

After a bell ring in the intro to pay a conceptual nod to the iconic conditioning experiment, Roman Gastelum moves straight in with an amalgam of funk grooves, jazzy timbres, and hip-hop beats in his standout single, Pavlov’s Dogs taken from his debut LP, EQlibrium.

With the single and LP title, we probably don’t need to tell you that the LA-based bassist, vocalist, lyricist, and composer is an intellectual cut above the rest. In fact, if there were any more genius touches to this release, Roman Gastelum’s door would be blown off its hinges after an army of sapiophiles came knocking. But it is far from just pretentious art over substance.

The sublime sonic atmosphere conjured around the bruisingly clever bars by the artist who received his Bachelor of Arts in Music Performance from the Musicians Institute in LA ensured that even on the 100th listen, you’ll take something new from Pavlov’s Dogs. As the cherry on the urban alchemist cake, the spacey sci-fi surrealism towards the outro is a lesson in experimental scintillation.

Pavlov’s Dogs is now available to stream on Spotify with the rest of the EQlibrium LP which dropped on September 29.

Review by Amelia Vandergast

Skinny G Radio’s latest hit ‘Whatcha Gonna Do?’ is a euphoric indie earworm worth tuning in for.

Skinny G Radio rode their authentic indie pop signature across the cosmos in the latest exuberantly sweet hit, Whatcha Gonna Do? The sugared-with-uninhibited passion vocal lines run in parallel to the experimental instrumentals which dabble in 80s new wave nostalgia while carrying the histrionic flair of a polyphonic pop opera. It is impossible not to get swept up by the soul in this loved-up hit that is potent enough to give even the most melancholic nihilists lust for life.

By taking influence from Billy Joel, Mark Ronson, and John Mayer and always staying true to his own rapturously distinctive style, the Connecticut-born & raised LA-based songwriter, producer, and performer is an unforgettable indie pop icon who is set to make major waves with the release of his sophomore LP, The Heightening, which is due for release in 2024. Whatcha Gonna Do is just a taste of what the rest of the presumably infectiously hook-y album will deliver.

Whatcha Gonna Do is due for release on November 10th; stream it on YouTube.

Review by Amelia Vandergast

K.I.R.B. took the crown off Nas with the rap flair in his latest installation of infectiously impish alt-hip-hop, ‘No Time’

With a slamming beat bolstering the experimental saturated in delay instrumentals, intricately unorthodox rhyme patterns in the rap bars and enough impishly clever charisma to win you over from the first verse, after the release of his single, No Time, the Cali rap prodigy, K.I.R.B., will never be kicked to the curb by the music industry.

The up-and-coming artist has enough ingenuity in his bars to rival Nas, Rakim and Method Man, as for the sonic aesthetic, that’s beyond compare through K.I.R.B.’s authenticity and determination to keep his sound pumping with a diverse array of influence.

Since making his debut, K.I.R.B. has worked with everyone from NICK BLANCO to Nick Mira, but clearly, he’s not riding on anyone’s coattails. He’s got exactly what it takes to win over an army of alt-rap fans.

Check out No Time on all major streaming platforms via this link.

Review by Amelia Vandergast

Mike and Mandy – Caught the Bug: PJ Who?

He was a (ska) punk (singer), she didn’t do ballet but came damn close with her time spent singing with an Opera Children’s Chorus and featuring in musicals before the duo, Mike and Mandy, met professionally in LA while working in Shakespeare play and married three years later.

Notably, the duo didn’t let their time spent in the theatrical trenches go to waste, going by their latest poetically magnetic leftfield trip-hop track, Caught the Bug, which takes the iconic styles of PJ Harvey and Massive Attack and the edge of She Drew the Gun and Black Honey and entwines the two sonically delicious facets to deliver a cinematically immersive hit that will entice you with the force of a tornado.

With both sides of the power couple bringing swathes of influence to the table, their genre-bending tracks don’t discriminate where they pull motifs from. Between them, Mike and Mandy have an affinity in everything from acid-jazz to funk to alt-country to rock n roll to art rock; listen closely when you tune into Caught the Bug and you’ll hear signatures in all that and more around the hypnotically demure vocals which will give you a lesson in demure vindication.

Catch the fever by streaming Caught the Bug via Spotify.

Review by Amelia Vandergast

Space out with the rock-licked soul in Church Burglars’ kaleidoscope of psychedelic shoegaze, Fairy Tale Ending

If you take your rock classically cut with a twist of spacey psychedelia, explore the riff-carved cosmos in the standout single, Fairy Tale Ending, from Church Burglars’ debut album, Subconsciously Conscious.

With soaring riffs as strident as the licks orchestrated by Slash’s fair hands fused with the soul-lavished euphonic sensibilities of the Flaming Lips and Pink Floyd, Fairy Tale Ending is a prog-rock meditation on the highs and lows of diehard romanticism. The endlessly caressing vocal lines which have more in common with the Shoegaze pioneers than your average rock outfit draw you right into the gravity of the bitter-sweet release, which stands as a testament to the LA-based outfit’s determination to make real music for real people.

After the founding members met at Berklee College of Music in Boston shortly before the COVID pandemic, frontman Mike Foltz used the international live music breather to travel to LA to record the debut LP independently with the exception of a few lead guitar parts laid down by Alec Grugel. With the full line-up finalised, Church Burglars are making waves in the live circuit; grab any opportunity to see them in an intimate setting before you have to join legions of fans filing into arenas to witness the virtuosity of Foltz.

Fairy Tale Ending is available to stream on Spotify.

Review by Amelia Vandergast

Zarah established herself as the powerhouse innovator the modern rock scene has been crying out for in her latest single, Blind Woman

Following the critically acclaimed reception of her debut single, What Have We Become? the LA-residing soul rock evocateur, Zarah, has proven she’s far from a one melodic masterpiece wonder with her sophomore single, Blind Woman.

The classic rock cuts may have been stripped back in Blind Woman, but the yearning atmosphere that drifts between the enticing tension in the instrumentation and her dynamic vocal range, which can deliver everything from the raw timbre of Lydia Lunch to a rock-licked iteration of Kate Bush’s high register, is a lesson in sonic alchemy. She’s a siren of pure power and soul.

In addition to Zarah Maillard’s singer-songwriter achievements, the powerhouse of charisma, creativity and talent is a novelist, television personality, producer, and performer, who has performed with Goo Goo Dolls.

If you can’t get enough of Blind Woman, your appetite for Zarah’s synthesis of classic and modern rock will be sated upon the release of her debut LP of the same title. We can’t wait to get lost in the escapism of it.

Blind Woman will officially release on October 27; stream it on Spotify.

Review by Amelia Vandergast

Get into the euphoric electro-pop groove with Zach Schuh’s synthy and celestial single, Blurry Pictures

Capturing the sweetness of a perfect moment you never want to leave behind, the latest single, Blurry Pictures, from the ever-ascending independent artist Zach Schuh is, somewhat ironically, the perfect polaroid of euphoric gratitude.

The bedroom pop artist who never leaves any clues within his soundscapes to his DIY approach has discernibly mastered the art of song crafting, arranging, producing, mixing, mastering, and visualising emotional experiences to make them universal.

The Cali native’s vibrant style has all the trappings of an infectious electro-pop earworm; the 80s synths lend themselves effortlessly well to the funk-carved grooves that are cut as deep as the most body-rocking hits from Daft Punk, as for his vocal lines, they couldn’t be dreamier. You might want to pinch yourself to make sure you’re awake while you’re being consumed by the ethereal soul of them.

Blurry Pictures was officially released on September 1st; you can get into the kaleidoscopic groove with it by heading over to Spotify.

Review by Amelia Vandergast

It’s all about the instrumental and mental breakdowns in Jeff from Work’s shoegazey grunge rap hit, Stand Up

Imagine the Beastie Boys augmenting their sound with the anthemics of Nirvana and accentuating the intricacies of the melodies with elements of post-punk, and you’ll almost envision the snarky sharp alchemy which bursts through every (instrumental and mental) breakdown in Jeff from Work’s seminal single, Stand Up, which also forcefully feeds nuances of the Smashing Pumpkins and Joy Division.

Taken from their concept LP, Overtime, which chronicles the oddities of the human experience through the eyes of Jeff, a ready-to-break slave to the rat race, the single is an exhilarant manifestation of rage, corporate disdain, shoegaze etherealism, and pure juggernautical experimentalism.

Their schtick starts to make all the more sense upon learning that the band formed after meeting at an LA ad agency and discovering they had more in common than their workplace angst. It’s an unlikely aural antihero story, but we’re here from it. They have exactly what it takes to become one of the biggest icons of the alternative scene in 2024.

Stream Overtime with the rest of the debut LP which dropped on October 5th on SoundCloud and Spotify.

Review by Amelia Vandergast

 

Make your heart at home in Mark Leggett’s Latest LP, Folktown

Folktown by Mark Leggett

After two nominations for the Primetime Emmy Award for his music scores, orchestrating endless film and television OSTs and collaborating with everyone from Werner Herzog to Jason Lee to Kylie Minogue, the LA composer and guitarist and composer, Mark Leggett played by the rules of his own expression in his acoustic Americana LP, Folktown.

The title single is a score of Americana that is almost impossible to form an objective view of. The emotion he pulls from the fingerpicked notes overwhelms every conceivable sense as you’re drawn into the sonorous intricacies of the loose and rickety yet tightly profound progressions. That contradiction is only the start of the alchemy that awaits you within his latest album.

Words were surplus to requirement when the fretwork painted such an evocative panoramic picture that lets you feel the humbling bitter-sweet breeze of bluegrass from wherever this masterpiece of an album finds you in the world.

Stream and purchase Folktown on Bandcamp and Apple Music.

Review by Amelia Vandergast

Riley Rex took her staunch fanbase to ‘The Shadowy Place’ in her hyper-pop Halloween floor-filler

The dance-pop icon Riley Rex asserted her claim to the LA pop crown with her infectiously flawless Halloween hit, The Shadowy Place. It may just be the biggest Halloween hit since Kernkraft 400 delivered Zombie Nation in 1999. It at least stands up to the debauched decadence in Emerge by Fischerspooner while incorporating the contemporary magnetism of Dua Lipa, Ava Max, and Charli XCX.

By contrasting the dark lyrical themes with the hypersonic textures and upbeat pace in the polished production, Rex extended euphoria to those who need it most with The Shadowy Place, which breaks EDM pop boundaries in definitively sensuous style.

The single, which was written while she was enrolled on a course with One Republic’s Ryan Tedder, is a narration of the escapist ideation which consumes you when you’re stuck in a pit of anxiety and depression. The bass-driven electro-pop hit may not have what it takes to cure mental illness, but you couldn’t ask for a more potent sonic serotonin source.

The Shadowy Place hit the airwaves on October 6; stream it on SoundCloud.

Review by Amelia Vandergast